Kirjahaku

This is Robert Porter's third book. This includes a wide range of short stories from children to adults. This book was written not only for children but for anyone who like to sit down on the couch at home or the bed and read a book that will take you in places you dream about. Or take children into the life of their favorite animal Friends.

Ideology draws on the social, political and cultural theory of Jurgen Habermas, Gilles Deleuze and Slavoj i ek in order to explore the possibility of developing a 'critical conception of ideology'. The book is concerned with two main themes: the relationship of ideology to the 'real' and the relationship between ideology and the 'ethical'. Although these three writers are often assumed to have little in common, Porter demonstrates a formal homology between them by showing that they all offer an idea of critique that pivots around two central intuitions. Firstly, they insist that a substantive critical distinction can be drawn between the ideological and the real. And, secondly, Habermas, Deleuze and i ek all offer an image of ideology critique that is importantly grounded on ethical terms. By engaging, among other things, with Habermas's sociological work on the public sphere, i ek's forays into popular culture, and Deleuze's analysis of political cinema, Ideology strives to concretely animate how each of these figures provide the critical tools necessary to challenge the kinds of ideological practice that pervade the contemporary social world.

This book examines the relationship between aesthetics and politics based on the philosophies of Gilles Deleuze (1925-1995) and Pierre-Felix Guattari (1930-1992), most famous for their collaborative works "Anti-Oedipus" (1972) and "A Thousand Plateaus" (1980). Porter analyses the relationship between art and social-political life and considers in what ways the aesthetic and political connect to each other. Deleuze and Guattari believed that political theory can have aesthetic form and that vice versa, the arts can be thought to be forms of political theory. Deleuze and Guattari force us to confront the idea that 'art', the things we call language, literature, painting and architecture, always has the potential to be political because naming, or language-use, implies a shaping or ordering of the 'political' as such, rather than its re-presentation.

This book examines the work of Rasputin, Aitmatov, Voynovich and Vladimov - four major writers who represent meny aspects of recent political and cultural developments in the USSR and demonstrate the diversity and richness of contemporary Russian writing. A full introductory chapter considers the most important trends in Russian literature today and places the four writers firmly in the context of the most recent developments, including glasnost. Many of the works discussed have been translated into English so that this excellent and fully up-to-date survey will be most welcome to students as well as the general reader.

This book is an up-to-date examination of the major works of some of the Russian writers who have come to prominence since 1985 when Gorbachev rose to power and effectively abolished all literary controls. The title of the book is taken from articles in the Soviet/Russian literary press that sought to address this new and often outrageous type of literature. The author contends that 'alternative prose' in Russia deserves serious critical attention, and that in discarding the 'civic mindedness' of a former era, it is aligning itself more with Western literature and is re-discovering pre-Stalinist literary trends.

Poor Choices is a short story about an intelligent man named Dan who works retail. Dan has a lot of talents and a good education, but he is prone to making bad choices that keep him from really having the type of life that he wants.He works at a company called Game Swap, which is a used video game store not unlike ones you see in the mini-malls across America. The story takes real life inspiration from working at a video game retail store and all the annoyances that come from working within that corporate structure.The focal point of the story isn't retail life itself though, but more the feelings of the main character Dan. There are many people who can relate to the type of character Dan is. He feels like he can do so much more with his life, but the worries over paying the bills and making sure things stay normal keep him within this box.He is much like many twenty-something's who are trying to find their place in the world and figure out exactly where they want to end up. Dan wants to answer all the question marks about his future, but will the poor choices he is prone to making keep him from doing so?Short Story Press publishes short stories written by everyday writers.

The politics of everyday life is to be found, time and again, in meandering movements, in making connections across and between things in the rough and tumble of the seemingly banal, fragmentary and quotidian experiences that make up our day-to-day existence. The key point of the book, ideally as well as practically, is to realize that there may be something potentially significant, and politically significant, in the very act of making such connections, of understanding the supposedly trite and trivial world of the everyday against a broader political backcloth. There is merit in sifting the fragments, the fragmentary experiences, of everyday life in order to see how they imply a broader political totality in which they are situated and, at times, cleverly made to function. This intuition, broadly inspired by Henri Lefebvre, is reflected in and through the various and varying ways Porter puts to work the ideas and provocations of thinkers such as Raoul Vaneigem, Gilles Deleuze, and Soren Kierkegaard.

The politics of everyday life is to be found, time and again, in meandering movements, in making connections across and between things in the rough and tumble of the seemingly banal, fragmentary and quotidian experiences that make up our day-to-day existence. The key point of the book, ideally as well as practically, is to realize that there may be something potentially significant, and politically significant, in the very act of making such connections, of understanding the supposedly trite and trivial world of the everyday against a broader political backcloth. There is merit in sifting the fragments, the fragmentary experiences, of everyday life in order to see how they imply a broader political totality in which they are situated and, at times, cleverly made to function. This intuition, broadly inspired by Henri Lefebvre, is reflected in and through the various and varying ways Porter puts to work the ideas and provocations of thinkers such as Raoul Vaneigem, Gilles Deleuze, and Soren Kierkegaard.

Alexander Solzhenitsyn was an unknown author until the publication of "One Day in the Life of Ivan Denisovich" in 1962, the book that was to win him the Nobel Prize in 1970. It is an account of a barely literate Russian peasant's surviving a single day in one of Stalin's labour camps. It depicted the intricacies and resilience of the human spirit in a style comparable with Tolstoy and Dostoyevsky. This study gauges the political and literary impact that the book has made in Russia and abroad, and examines its more universal, intrinsic qualities.

A lucid and balanced appraisal of some of the best Czech fiction of the twentieth century.

A lucid and balanced appraisal of some of the best Czech fiction of the twentieth century.

Rio Tinto in Australia charts the establishment and remarkable growth of Rio Tinto, including exploration in the 1950s, acquisition of the Mary Kathleen uranium deposit, and the 1962 combination with Consolidated Zinc to form Conzinc Riotinto of Australia (CRA). CRA was the major contributor to Australia's post-war mining industry. Comalco aluminium, Hamersley iron ore and the major Bougainville copper operation were all significant parts of the portfolio.Many individuals played a role in CRA's development, among them legendary mining figure Sir Maurice Mawby, and Oxford and Harvard-educated Sir Rod Carnegie, who ultimately left the company when his quest for CRA's independence and Australianisation fractured relations with London. RTZ and CRA combined in 1996 to form a dual listed company structure. The CRA name disappeared and Rio Tinto again became - as it was in 1954 - the identity of the Group in Australia. Many involved in the long and impressive growth of Consolidated Zinc and CRA saw this combination as the reassertion of control from London.... a revealing history of the post-war mining boom that changed the nation but also an insight into the politics of big business. The book says much that will be new to historians, commentators and leaders of the mining industry.Professor Geoffrey Blainey AC... an authoritative addition to Australian business history. What sets this work apart is the richness of the narrative, and the author's sophisticated understanding of the roles played by directors and senior managers in shaping this important multinational company ...David Merrett, Emeritus Professor, University of Melbourne... indispensable reading for anyone interested in Australia's mining history and its post-war economic development.David Lee, Associate Professor, University of New South Wales, Canberra... a very important contribution to good business histories in Australia. The dynamic between the Australian and the London-based executives reveals much about the challenges of running an increasingly global enterprise in the post 1945 era.Erik Eklund, Honorary Professor, Australian National UniversityDr Robert Porter worked in the corporate sector, including in resource companies and now researches and writes business histories. His publications include: Paul Hasluck. A Political Biography; Below the Sands. The Companies that Formed Iluka Resources; Consolidated Gold Fields in Australia, the Rise and Decline of a British Mining House, 1926-1998; The Path to Palladium. He lives in Melbourne.