Kirjahaku

Audra Atlanta has been dead for two years. So it comes as a bit of a shock when she walks into the Athena's conference room during a Command briefing. Now she must grapple with her body's response to her being brought back from the dead by the miraculous skill of Doctor Caidin Mantose and his powers of the Thane.Caught trying to make good his escape from the Albion Battlecruiser, Tarzana, Gunnar Conrad finds himself a 'guest' of the Queen Captain, Drax Blair and Albion Thane, Blinda Koss. Prize in hand, Drax orders CJ Barker to take the Tarzana to Calliope, the Castellian home world where the Hadrian Rite of Pintar is being held.Discovering there's a saboteur onboard the Constellation, Dakota and the crew continue to struggle with trying to restore power and control to their ship before their Albion captors can reach their final destination, Calliope.With the revelation of a possible way home, Rick must now mount a search and rescue operation for the Constellation and her crew. Not only to keep it from falling into the hands of those who would subvert its vast destructive capabilities, but to also bring his friend Gunnar back to Audra.

In the title poem of Into the New World Robert Schultz takes the reader on a walk around the World Trade Center site shortly after its destruction: in response to this event, the book ranges through the extremes of war and peace, as well as backwards and forwards in time, searching for shards out of which to build an enabling, humane perspective. Schultz's voice is distinctive, yet he also has fashioned poems out of the nation-shaping prose of Emerson, Thoreau, and William James. Others are spoken in the voice of a Confederate surgeon, an American GI, and a Khmer Rouge photographer. The poems treat wars past and current; the vivid presences of nature; love, marriage, and family--always seeking moments of lyric insight. Such moments occur as the speaker paddles across a shimmering lake, walks at night next to the black reflective wall of the Vietnam Veterans Memorial, or, courtesy of NASA, gazes at the rocky plains of Mars. Schultz writes mostly in free verse, but he also adapts the music of forms ranging from the sonnet to the ghazal to Dante's terza rima. In its variety and generosity, Into the New World fashions poem-sized meeting places that invite us to be less divided from one another, less alone.

In the title poem of Into the New World Robert Schultz takes the reader on a walk around the World Trade Center site shortly after its destruction: in response to this event, the book ranges through the extremes of war and peace, as well as backwards and forwards in time, searching for shards out of which to build an enabling, humane perspective. Schultz's voice is distinctive, yet he also has fashioned poems out of the nation-shaping prose of Emerson, Thoreau, and William James. Others are spoken in the voice of a Confederate surgeon, an American GI, and a Khmer Rouge photographer. The poems treat wars past and current; the vivid presences of nature; love, marriage, and family--always seeking moments of lyric insight. Such moments occur as the speaker paddles across a shimmering lake, walks at night next to the black reflective wall of the Vietnam Veterans Memorial, or, courtesy of NASA, gazes at the rocky plains of Mars. Schultz writes mostly in free verse, but he also adapts the music of forms ranging from the sonnet to the ghazal to Dante's terza rima. In its variety and generosity, Into the New World fashions poem-sized meeting places that invite us to be less divided from one another, less alone.