Kirjahaku

Robin Lindsay Wilson's is a distinctive style — the hallmark short lines that turn with dexterity into a single, often unpunctuated, sentence running through a whole poem. He pushes this style hard in this third collection, finding an assured and beguiling voice. Shrewd and sharp-sighted, this intelligent writing offers alternative perspectives throughout these wry, layered poems. Always inventive, Backstage in Paradise is another highly accomplished collection.

Each of the compelling microfictions in this extraordinary collection is a monologue spoken by someone with a distinctive point-of-view. Weaving together, the human condition is expressed by characters addressing their positive, negative, humorous, tragic and contradictory thoughts, so that the overall effect is immersive and full of revelation and insight. For drama students, each monologue presents specific textual challenges to a performer in training. For all those fascinated by what makes us human, these tightly honed and layered pieces throw a spotlight on the attitudes, difficulties and relationships which make up the world at large. A compendium of five hundred and fifty-eight first person micro-fiction monologues, Rehearsals for the Real World builds bridges between and interrogates the nature of drama’s relationship to life, peeling away the masks we wear and providing a rich repository that will inspire, educate and delight alike drama students and all readers fascinated by the human condition.