Kirjahaku

This keepsake volume of Rudolfo Anaya's Christmas writings opens with the classic New Mexico Christmas story The Farolitos of Christmas, Anaya's heartwarming story of a beloved holiday tradition, of a promise, and of homecoming on Christmas Eve. This Christmas story by one of New Mexico's best-known authors (Bless Me, Ultima) has delighted children and adults since it was first published in 1987. "Season of Renewal," Anaya's narrative of Christmastime in his native state, first appeared thirty years ago in the Los Angeles Times and recounts timeless Hispanic and Native traditions that continue in New Mexico to this day including the reenactments of revered nativity stories, Los Pastores and Las Posadas. Finally, in "A Child's Christmas in New Mexico, 1944," Anaya presents us with a storied poem, in stunning verse, never before published. It is Christmas morning, he is a seven-year-old boy, and is running through the icy dawn to his neighbor's door to seek "mis Crismes," special treats. That night he and his family walk to midnight Mass where the church choir memorably sings "Las Mananitas," a birthday song, to baby Jesus. But there is a bittersweet aspect to looking back on childhood's magic from an older man's vantage; the world has changed, the ways of elders are nearly lost, innocence has transitioned to experience.Rudolfo Anaya's Christmas collection is like a snow globeshake it, then watch as the scene emerges through the orb revealing tradition, family, community, love. This gift from a master storyteller and New Mexico treasure is sure to be loved by children of all ages for decades to come.

Rediscover Rudolfo Anaya: mythmaker, master storyteller, American original "The godfather and guru of Chicano literature." --Tony Hillerman A writer powerfully attuned to the land and history of his native New Mexico, Rudolfo Anaya (1937-2020) is one of the giants of Latino literature. Over the course of a remarkable and acclaimed literary career, Anaya redefined the American experience for generations of readers. Anaya broke new ground with his 1972 novel Bless Me, Ultima, a mythic work that captures the richness and complexity of history, community, and place in the American Southwest. Set just after World War II, Bless Me, Ultima revolves around the young boy Antonio and his quest to understand his identity and the demands of his future. Although his mother's heart is set on his entering the priesthood, Antonio is drawn to the charismatic Ultima, an elderly curandera or healer who embodies the ancient wisdom of the pre-Columbian past. The 1979 novel Tortuga draws on Anaya's experience of suffering and recuperation after a diving accident as a teenager. Its hero, nicknamed "Tortuga" because his body cast encases him like a turtle's shell, grapples with the realities of bodily pain as he discovers that true healing is spiritual as well as physical. The story reverberates with local folklore about a mountain, also called Tortuga, home to a sleeping spirit who will one day awaken and journey onward to the sea. Weaving these threads together, Anaya creates, in the words of editor Luis Alberto Urrea, "a tapestry inside of which he was encoding an entire history of our very souls." In the 1992 novel Alburquerque (restoring the "r" to the city's original name), a young Mexican American boxing champion discovers that his white biological mother had given him up for adoption at birth, and he must now reevaluate everything he thought he was. The winner of a PEN West Fiction Award, the novel brims with emotionally powerful characterizations, political commentary, humor, and lyrical writing that reveals Anaya to be, once again, an indispensable American fabulist.

A collectible hardcover fiftieth-anniversary edition of the bestselling Chicanx novel of all time, featuring a new foreword by Erika L. S nchez, the New York Times bestselling author of I Am Not Your Perfect Mexican Daughter A Penguin Vitae Edition Although only six years old, Antonio Marez is perceptive beyond his years. He was brought into the world with the help of Ultima, a curandera, or folk healer, in touch with nature and the spirit world. Revered by some as a wisewoman but rebuked by others as a witch, Ultima has now come back to stay with Tony's family in New Mexico. As Tony seeks out his destiny--torn between his mother's farming forebears and his father's wandering vaquero roots, between Spanish Catholicism and the gods of his indigenous ancestors--Ultima's loving tutelage will help him navigate questions of life and death, good and evil, and reveal to him the vastness of the heritage that shapes him, in this pioneering work of literature. Penguin Vitae--loosely translated as "Penguin of one's life"--is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

When he was a young man, Randy Lopez left his village in northern New Mexico to seek his fortune. Since then, he has learned some of the secrets of success in the Anglo world - and even written a book called Life Among the Gringos. But something has been missing. Now he returns to Agua Bendita to reconnect with his past and to find the wisdom the Anglo world has not provided. In this allegorical account of Randy's final journey, master storyteller Rudolfo Anaya tackles life's big questions with a light touch.Randy's entry into the haunted canyon that leads to his ancestral home begins on the Day of the Dead. Reuniting with his padrinos - his godparents - and hoping to meet up with his lost love, Sofia, Randy encounters a series of spirits: coyotes, cowboys, Death, and the devil. Each one engages him in a conversation about life. It is Randy's old teacher Miss Libriana who suggests his new purpose. She gives him a book, How to Build a Bridge. Only the bridge - which is both literal and figurative, like everything else in this story - can enable Randy to complete his journey.Readers acquainted with Anaya's fiction will find themselves in familiar territory here. Randy Lopez, like all Anaya's protagonists, is on a spiritual quest. But both those new to and familiar with Anaya will recognize this philosophical meditation as part of a long literary tradition going back to Homer, Dante, and the Bible. Richly allusive and uniquely witty, Randy Lopez Goes Home presents man's quest for meaning in a touching, thought-provoking narrative that will resound with young adults and mature readers alike.

There was an old man who dwelt in the land of New Mexico, and he lost his wife."" From that opening line, this tender novella is at once universal and deeply personal. The nameless narrator, a writer, shares his most intimate thoughts about his wife, their life together, and her death. But just as death is inseparable from life, his wife seems still to be with him. Her memory and words permeate his days. In The Old Man's Love Story, master storyteller Rudolfo Anaya crafts the tale of a lifelong love that ultimately transcends death.An elegy not just for the dead but for the vitality of youth, the old man's story captures both the heartaches and ironies of old age. We follow him as he proceeds through days of grief and memory, buying his few groceries, driving slower than the other travelers on the road. He talks with his wife along the way. ""Go slow,"" he hears her admonish. As he sits in the garden with their dogs, he senses her worry over his loneliness. A year passes. He longs to care for someone, but - to love again?Like characters in Anaya's previous fiction, the old man lives in a real New Mexico, but one inhabited by spirits. Death provides a gateway to other worlds, just as memories connect him to other times and places. When he eventually begins a new friendship with a woman, a widow, they share a bittersweet understanding of joy mixed with sorrow, promise mixed with loss.Anaya's reflections, as shared through the experiences of this old man, point to the power and importance of love at every stage of life. Lyrical and earthy, sad yet suffused with humor, The Old Man's Love Story will speak to all readers, perhaps especially to those who have suffered a recent loss.

""The world is full of sorrow,"" Agapita whispered to Alfonso.Did she stamp those words into his destiny? The story of Alfonso, a Nuevo Mexicano, begins with his birth, when the curandera Agapita delivers these haunting words into his infant ear. What then unfolds is an elegiac song to the llanos of New Mexico where Alfonso comes of age. As this exquisite novel charts Alfonso's life journey from childhood through his education and evolution as a writer, renowned Chicano author Rudolfo Anaya invites readers to reflect on the truths and mysteries of the human condition. Because Alfonso ""didn't write his own biography,"" it falls to his childhood friend, the anonymous narrator here, to tell his story, through a series of letters addressed to a mysterious figure named K. The narrator depicts young Alfonso caught between dual influences: his beloved, devout Catholic mother, Rafaelita, and the folk healer Agapita. After suffering a terrible accident that leaves him physically handicapped, Alfonso faces intellectual crises during his university years, all of which move him down the path of his destiny. In describing these events, the ""old man"" writing the letters interweaves Alfonso's experiences with fragments of his own life and of the New Mexican llano that both men have called home. The trajectory of Alfonso's life in turn mirrors the history of New Mexico and the turbulent beginnings of the Chicano movement in which the young protagonist plays a trailblazing role. As story builds upon story, the commonality of traits among the narrator, his subject, and perhaps Anaya himself appears more than coincidental. Permeated by Anaya's trademark religious and mythological imagery, The Sorrows of Young Alfonso is a luminous meditation on memory, reality, and the human experience.

After years of working with at-risk youth, Chicana social worker Rosa Medina leaves Los Angeles's gang-ridden barrios and street violence to settle in the New Mexican village of Puerto de Luna. Her goal: to write a novel about Bilito - Billy the Kid. It all sounds straightforward enough, but things get more complicated - and a lot more exciting - when Rosa is transported back in time to 1879, where she participates in the infamous Lincoln County War, riding alongside Bilito. How Rosa achieves this fantastical feat of time travel, and what she discovers about herself, Bilito, and her Nuevomexicano heritage, unfolds through the course of this novel by master storyteller Rudolfo Anaya. As she travels in time, Rosa passes into an alternative reality inhabited by extraordinary creatures, including shapeshifters, extraterrestrials, Bigfoot, and ChupaCabra. Readers familiar with Anaya's previous ChupaCabra mysteries will remember the heroine's earlier dealings with the elusive monster, a frightening creature of Hispanic folklore. But new dangers are also lurking for Rosa in the land of her ancestors, as a secret group of scientists known as C-Force threatens to clone ChupaCabra to create an army that will rule the world. As she encounters the Nuevomexicana women whose families suffered during the Lincoln County conflict, Rosa finds new reasons to fear the ChupaCabra - and to fight against the forces that threaten to shake the county to its core. With her laptop computer in her saddlebag, Rosa rides into the Lincoln County War and accompanies Bilito on his last ride. By the end, her very soul is transformed, as she realizes that the same evil forces that propelled the violence along the Pecos River are much more resilient than she had hoped. In the finest tradition of magical realism and historical fiction, Anaya invites us to consider the ways that the supernatural reveals the realities of the past - and of our own times.

"I am continually thinking stories," writes Rudolfo Anaya. "Even when I am working on a novel, the images for stories keep coming."Considered by many to be the founder of modern Chicano literature, Rudolfo Anaya, best known for Bless Me, Ultima and other novels, has also authored a number of remarkable short stories. Now for the first time, these stories, representing thirty years of Anaya's writing, have been collected into a single volume. They constitute the best and most essential collection of Anaya's short story work.Unlike his novels, which range broadly over the American tapestry, Anaya's short stories focus on character and ethical questions in a regional setting - from the harsh deserts of the American Southwest and northern Mexico to the lush tropical forests of Uxmal in the YucatÁn. These tales demonstrate Anaya's singular attitude toward fiction: that stories create myths to live and love by. "In the end the story has to speak for itself," Anaya writes. "Its purpose can be studied, but never fully known."With The Man Who Could Fly and Other Stories, the reader ventures deeply into the world of Rudolfo Anaya, a world of magic, mystery, harsh realities, and redemption.

“The world is full of sorrow,” Agapita whispered to Alfonso.Did she stamp those words into his destiny? The story of Alfonso, a Nuevo Mexicano, begins with his birth, when the curandera Agapita delivers these haunting words into his infant ear. What then unfolds is an elegiac song to the llanos of New Mexico where Alfonso comes of age. As this exquisite novel charts Alfonso’s life journey from childhood through his education and evolution as a writer, renowned Chicano author Rudolfo Anaya invites readers to reflect on the truths and mysteries of the human condition. Because Alfonso “didn’t write his own biography,” it falls to his childhood friend, the anonymous narrator here, to tell his story, through a series of letters addressed to a mysterious figure named K. The narrator depicts young Alfonso caught between dual influences: his beloved, devout Catholic mother, Rafaelita, and the folk healer Agapita. After suffering a terrible accident that leaves him physically handicapped, Alfonso faces intellectual crises during his university years, all of which move him down the path of his destiny. In describing these events, the “old man” writing the letters interweaves Alfonso’s experiences with fragments of his own life and of the New Mexican llano that both men have called home. The trajectory of Alfonso’s life in turn mirrors the history of New Mexico and the turbulent beginnings of the Chicano movement in which the young protagonist plays a trailblazing role. As story builds upon story, the commonality of traits among the narrator, his subject, and perhaps Anaya himself appears more than coincidental. Permeated by Anaya’s trademark religious and mythological imagery, The Sorrows of Young Alfonso is a luminous meditation on memory, reality, and the human experience.

The Albuquerque barrio portrayed in this vivid novel of post-war New Mexico is a place where urban and rural, political and religious realities co-exist, collide and combine. The magic realism for which Naya is well known combines with an emphatic portrayal of the plight of workers dispossessed of their heritage and struggling to survive in an alien culture.

With Christmas only days away, it snows so heavily that Jacobo the wood carver and his visiting grandson are afraid the roads will not be cleared in time for the rest of the family to come from the city, and that a sick neighbor will not get the help he needs.

New Mexico's master storyteller creates a southwestern version of the Arabian Nights in this fable set in seventeenth-century Santa Fe. In January 1680 a dozen Pueblo Indians are charged with conspiring to incite a revolution against the colonial government. When the prisoners are brought before the Governor, one of them is revealed as a young woman. Educated by the friars in her pueblo's mission church, Serafina speaks beautiful Spanish and surprises the Governor with her fearlessness and intelligence. The two strike a bargain. She will entertain the Governor by telling him a story. If he likes her story, he will free one of the prisoners. Like Scheherezade, who prevented her royal husband from killing her by telling him stories, Serafina keeps the Governor so entertained with her versions of Nuevo Mexicano cuentos that he spares the lives of all her fellow prisoners. Some of the stories Serafina tells will have a familiar ring to them, for they came from Europe and were New Mexicanised by the Spanish colonists. Some have Pueblo Indian plots and characters - and it is this blending of the two cultures that is Anaya's true subject.

Rudolfo Anaya's personal journey to Tortuga began one desert-hot day when, as an adolescent, he and some friends were swimming in irrigation ditches. He dove in, sustaining an injury that put him in the hospital for an arduous period of time.Tortuga is set in a hospital for crippled children and is based on Anaya's swimming accident. He explores the significance of pain and suffering in a young boy's life and the importance of spiritual recovery as well as medical. Tortuga, or Turtle, is the name of the oddly shaped mountain near the hospital, but ""Tortuga"" also points toward the rigid cast that encases the young hero's body.In celebration of the twenty-five years since the first edition of Tortuga was published, Rudolfo Anaya has provided an Afterword to share his memories of those days in the hospital and how they impacted the remainder of his life.

When the governor of New Mexico is found drowned in the Bath House at Jemez Springs, Albuquerque private eye Sonny Baca is called in to investigate. As he soon learns, murder is only the beginning of the evil that Sonny must sort out. Someone has planted a bomb in the Valles Caldera, not far from the Los Alamos National Laboratory, and it is set to detonate in just a few hours. Is this the work of terrorists or is Sonny’s old nemesis, Raven, mixed up in the plot?In a race against the clock Sonny encounters ghosts and sorcerers, beautiful women and environmental activists, and developers and politicians who are quarrelling over the state’s most precious resource, its water.

This book is a winner of PEN Center West Award for Fiction. Abran Gonzalez is a homeboy from the barrio, a young boxer whose world is shattered forever the night he is summoned to his mother's deathbed. He learns he is the son of an unknown Mexican man - a man he is desperately compelled to find. His quest will bring him in contact with many unpleasant characters.

Is the ChupaCabra mythical or real? Stories of the creature abound in Latino communities. The illusive creature is said to suck the blood of goats. Thus, its name, goatsucker. Whenever a backyard goat or chicken is mysteriously killed, the story spreads in the barrio that the ChupaCabra struck. When Professor Rosa Medina began to research the folklore of the ChupaCabra, she never expected to tangle face-to-face with the monster. Rosa journeys to Mexico to examine a ChupaCabra incident. The creature has killed a campesino in the jungle. And the drug traffickers who have captured the ChupaCabra also control a large drug shipment destined for Los Angeles. The monster is set loose on the streets; so is the meth that is destroying the brains of the young and vulnerable. This fast-paced story moves from Mexico to Los Angeles to New Mexico. Danger lurks at every corner as Rosa fights to protect her students from the forces of evil. Written for young adults, the story has a universal message. Only Rudolfo Anaya can combine the excitement of a thriller and the wisdom of traditional healings to create a page-turner that has lessons to teach us all.

Jade is a young girl who lives in a village next to a towering volcano. On its peak lives a Mountain Spirit who makes his presence known by rumbling the earth, filling the sky with smoke, and pouring lava down the mountainside. Angered by those who forget to honor him for providing their harvest, the Mountain Spirit has stopped sending rain to Jade’s village and the people are faced with the possibility of having to abandon their homes and land. As Jade collects water from the near-dry lake, a blue hummingbird—a messenger from the Mountain Spirit—tells Jade she must take a gift to the Mountain Spirit and ask for rain. Guided by the hummingbird, Jade presents her food offering to the Mountain Spirit. Pleased, the spirit offers the brave girl corn kernels that she takes back to her village and uses to create the first tortilla.

La Llorona, the Crying Woman, is the legendary creature who haunts rivers, lakes, and lonely roads. Said to seek out children who disobey their parents, she has become a ""boogeyman,"" terrorizing the imaginations of New Mexican children and inspiring them to behave. But there are other lessons her tragic history can demonstrate for children. In Rudolfo Anaya's version Maya, a young woman in ancient Mexico, loses her children to Father Time's cunning. This tragic and informative story serves as an accessible message of mortality for children. La Llorona, deftly translated by Enrique Lamadrid, is familiar and newly informative, while Amy Córdova's rich illustrations illuminate the story. The legend as retold by Anaya, a man as integral to southwest tradition as La Llorona herself, is storytelling anchored in a very human experience. His book helps parents explain to children the reality of death and the loss of loved ones.

This third installment of Rudolfo Anaya's ""Sonny Baca"" mystery series has the private detective confined to a wheelchair. Brutal battles with his nemesis Raven have taken their toll and Baca is struggling to regain his health. Nights of fitful sleep and intermittent dreams introduce Owl Woman, one of Sonny's ancestors and the sixteenth-century daughter of a shaman. As Sonny sleeps, Raven abducts Owl Woman and soon, one by one, each of Sonny's forebears begin to disappear. Immobilizing Sonny physically was Raven's first goal; now he wants to destroy Sonny's soul by erasing his history.

"When a woman dies after falling from a hot-air balloon at Albuquerque's world-famous balloon fiesta, private investigator Sonny Baca's intuition tells him it's murder. His intuition also tells him that the murder is the work of the Raven, the leader of a violent cult that murdered Sonny's cousin, and a man Sonny thought he'd killed. The murder jeopardizes the millions of tourist dollars connected with the fiesta, but Sonny knows the Raven has more on his mind than simple mayhem. This is a completely entertaining mystery novel, but Anaya actually offers two parallel lands of enchantment. One is temporal New Mexico; the other is Nuevo Mexicano, a land of santos, milagros, spirits, visions, and even brujas (witches). It's a land of old ways, old values, and old wisdom. And it's a land where small farms and multigenerational families are fast being wiped out by modernity."--Booklist