Kirjahaku

In this edition, which was originally published in 1961, Dr Prawer follows his study of the Buch der Lieder with a full-length study of the later works of Heine. A brief introductory study of the Buch der Lieder is followed by detailed treatment of Neue Gesichte, Atta Troll, Deutdchland, ein Wintermärchen, Romanzero, Gedichte 1853 und 1854, and the poems in the posthumous Letzte Gedichte und Gedanken. Dr Prawer extracts and relates to Heine's life the underlying themes in his poetry; those, and the consistent careful analysis of the poems, makes his book an excellent introduction to the poet's work.

Jews have been well represented in the cinema industry from the beginning of the film era: behind the screen, as producers, distributors, directors, script-writers, composers, set designers; and on the screen, as Jewish actors and as named Jewish characters in the film's plot. Some of these characters are fictional; others, ranging from Rabbi Loew of Prague to Ferdinand Lassalle and Alfred Dreyfus, have a historic original. This book examines how a variety of German and Austrian films treat aspects of Jewish life, at home and in the synagogue, and Jewish interaction with fellow Jews in different cultural environments; conflicts and accommodations between Jews and non-Jews at various times, ranging from the medieval to the contemporary. The author, one of the best known scholars in film history, theory and criticism, offers the reader a rich panorama of the many Jews involved in all spheres of the cinema and who, as the author reminds us repeatedly, together with their non-Jewish contemporaries, created a great industry and new forms of art.

Jews have been well represented in the cinema industry from the beginning of the film era: behind the screen, as producers, distributors, directors, script-writers, composers, set designers; and on the screen, as Jewish actors and as named Jewish characters in the film's plot. Some of these characters are fictional; others, ranging from Rabbi Loew of Prague to Ferdinand Lassalle and Alfred Dreyfus, have a historic original. This book examines how a variety of German and Austrian films treat aspects of Jewish life, at home and in the synagogue, and Jewish interaction with fellow Jews in different cultural environments; conflicts and accommodations between Jews and non-Jews at various times, ranging from the medieval to the contemporary. The author, one of the best known scholars in film history, theory and criticism, offers the reader a rich panorama of the many Jews involved in all spheres of the cinema and who, as the author reminds us repeatedly, together with their non-Jewish contemporaries, created a great industry and new forms of art.

This study traces the successive stages of Thackeray's contact with the German world and analyses the discourse he developed as a result. The author is concerned with the fiction and criticism of Thackeray's :Paris Sketch Book" and the impressions related by the cockney traveller in "Irish Sketch Book" and "Notes of a Journey from Cornhill to Grand Cairo". Thackeray's own pictorial illustrations of his writings and those by Cruikshank, Doyle and Walker, which he supervised and supplemented, are recognized as an integral part of his German discourse. The study is a chronological one, setting Thackeray's construction of "German" and "the Germans" against the background of his own development and of the social, industrial, cultural and political history of Britain and its continental neighbours.

This book is based on the German editions of Sigmund Freud's works and letters. It presents various examples from English and American literatures that suggest several questions Freud asked of literary works in general.