Kirjahaku

This book provides an introduction to one of the greatest civilizations of all time – ancient Egypt. Beginning with a geographical overview that explains the development of Egyptian belief systems as well as its subsequent political development, it examines methodology, the history of the discipline of Egyptology, religion, social organization, urban and rural life, and death. It also includes a section on how people of all ranks lived. Lavishly illustrated, with many unusual photographs of rarely seen sites that are seldom illustrated, this volume is suitable for use in introductory-level courses on ancient Egypt. It offers a variety of student-friendly features, including a glossary, a bibliography, and a list of sources for those who wish to further their interest in ancient Egypt.

This book provides an introduction to one of the greatest civilizations of all time – ancient Egypt. Beginning with a geographical overview that explains the development of Egyptian belief systems as well as its subsequent political development, it examines methodology, the history of the discipline of Egyptology, religion, social organization, urban and rural life, and death. It also includes a section on how people of all ranks lived. Lavishly illustrated, with many unusual photographs of rarely seen sites that are seldom illustrated, this volume is suitable for use in introductory-level courses on ancient Egypt. It offers a variety of student-friendly features, including a glossary, a bibliography, and a list of sources for those who wish to further their interest in ancient Egypt.

A lifelong devotee of ancient Egyptian and Oriental culture, the French author, artist, and scholar Achille-Constant-Théodore-Émile Prisse d’Avennes (1807–1879) is famed as one of the most influential Egyptologists, long before the discipline was even properly established. Prisse first embarked on his explorations in 1836, documenting sites throughout the Nile Valley, often under his Egyptian pseudonym, Edris Effendi. Prisse’s first publication of notes, drawings, and squeezes (a kind of frottage) came in the form of Les Monuments égyptiens, a modest collection of 51 plates, but one met with considerable acclaim in popular and intellectual circles. Encouraged by his success, Prisse returned to Egypt in the late 1850s to expand his work into the collection L’Histoire de l’art égyptien—together with his first volume, these two tomes make up a truly complete survey of Egyptian art. His albums cover architecture, drawing, sculpture, painting, and industrial or minor arts, with sections, plans, architectural details, and surface decoration all documented with utmost sensitivity and accuracy. Even when compared to the products of the great state-sponsored expeditions to Egypt of this period, Prisse’s compendium remains the largest, single-handed illustrated record of Egyptian art in existence. Discover the complete collection of Prisse’s unsurpassed illustrations in a visual and archaeological feast of symmetry and complexity. Once exclusively available as an XL-sized title, this Bibliotheca Universalis edition captures all the mystery and opulence of Prisse’s groundbreaking collection in an affordable, compact format.

This catalogue presents the ancient Egyptian footwear in the collection of the Coptic Museum in Cairo. The catalogue contains detailed descriptions and measurements, photographs and drawings. Each description of a footwear category is followed by short discussions, addressing topics such as typology and dating. In addition a fairly large corpus of comparative material is presented as well, none of which has been published before. The present work will form an important resource for future study.This catalogue is one of the results of the Nuffic Tailor Made Training for the curators of the Coptic Museum in Cairo, jointly organized by the Netherlands-Flemish Institute in Cairo and the American University in Cairo in close collaboration with the Bibliotheca Alexandrina, the Coptic Museum Authorities and the Ministry of State for Antiquities Affairs.