Kirjahaku

Here lies Lord Berners/One of life's learners,Thanks be to the Lord/He was never bored.So reads the epitaph on the gravestone of Lord Berners. In its witty way, it hints at his range of accomplishment. He was a composer (admired by Stravinsky), writer, painter, aesthete and eccentric, indeed in Mark Amory's words 'The Last Eccentric', famously dyeing the pigeons at his house, Faringdon, in vibrant colours, and, for a time, having a giraffe as a pet and tea companion. His literary and artistic milieu was glittering: Stravinsky, Picasso, Salvador Dali, Siegfried Sassoon, John Betjeman, the Sitwells, Harold Nicolson, Frederick Ashton and Gertrude Stein - they all belonged to it.In fiction, he was famously portrayed as Lord Merlin in Nancy Mitford's The Pursuit of Love.'As social history and a chronicle of a mad-cap English eccentric this long awaited, much needed and beautifully written book is, to use a simple cliche, indispensable.' Alexander Waugh, Literary Review'In Amory, this engaging character has found the ideal biographer. Getting the exact measure of its subject throughout, written in a dry, wittily ironic prose ... the biography offers of sheer bliss.' Gilbert Adair, Sunday Times

*A Sunday Times, Irish Times, Financial Times, Independent, Daily Mail, TLS, Economist, Prospect, Evening Standard and New Statesman Book of the Year 2024* Can you remember the first time you fell in love with a book? The stories we read as children matter. The best ones are indelible in our memories; reaching far beyond our childhoods, they are a window into our deepest hopes, joys and anxieties. They reveal our past – collective and individual, remembered and imagined – and invite us to dream up different futures. In a pioneering history of the children’s literary canon, The Haunted Wood reveals the magic of childhood reading, from the ancient tales of Aesop, through the Victorian and Edwardian golden age to new classics. Excavating the complex lives of our most beloved writers, Sam Leith offers a humane portrait of a genre and celebrates the power of books to inspire and console entire generations. *** 'A MARVEL' PHILIP PULLMAN 'A DELIGHT' JULIA DONALDSON 'GLORIOUSLY ENTERTAINING' TOM HOLLAND

Shortlisted for the Bollinger Everyman Wodehouse Prize for Comic Fiction‘A tremendous novel - droll, savvy, original. An invigorating blast of fiction' William Boyd‘A superbly entertaining brain-twister' The TimesA hurricane sweeps off the Gulf of Mexico and in the back-country of Alabama, assembles a passenger jet out of old bean-cans and junkyard waste. An eccentric mathematician - last heard of investigating the physics of free will and ranting about the devil - vanishes in the French Pyrenees.And the thuggish operatives of a multinational arms conglomerate are closing in on Alex Smart - a harmless Cambridge postgraduate who has set off with hope in his heart and a ring in his pocket to ask his American girlfriend to marry him.At the Directorate of the Extremely Improbable - an organisation so secret that many of its operatives aren't 100 per cent sure it exists -- Red Queen takes an interest. What ensues is a chaotic chase across an imaginary America, haunted by madness, murder, mistaken identity, and a very large number of unhealthy but delicious snacks. The Coincidence Engine exists. And it has started to work.The Coincidence Engine is consistently engaging - one of the most enjoyable, entertaining debut novels you'll come across for ages.

A parliament of fools, or a confederacy of dunces? Blethering celebrities and blundering politicians, royal babies and right royal cock-ups, milkshake madness and vegan sausage rolls - and, of course, the long and winding road to Brexit. If ever the times were ripe for a return to the high days of Augustan satire, it’s now – and the Spectator’s literary editor Sam Leith provides it. Our Times in Rhymes is a waspish, affectionate and very funny look at the state of our nation as it – let's be even-handed - teeters on the cliff-edge of a marvellous opportunity. Here is all the insanity and inanity of 2019, month by cherishable month, rendered in galloping comic verse and paired with satirical drawings by the brilliant cartoonist Edith Pritchett. It makes the perfect Christmas stocking filler for anyone who needs a good laugh at the damnable times we live in.

"An entertaining history of great oratory" (New Yorker) and a primer to rhetoric's key techniques Rhetoric gives our words the power to inspire. But it's not just for politicians: it's all around us, whether you're buttering up a key client or persuading your children to eat their vegetables. You have been using rhetoric yourself, all your life. After all, you know what a rhetorical question is, don't you? In Words Like Loaded Pistols, Sam Leith traces the art of argument from ancient Greece through the present day. He introduces verbal villains from Hitler to Donald Trump--and the three musketeers: ethos, pathos, and logos. He explains how rhetoric works in speeches from Cicero to Zelensky and pays tribute to the rhetorical brilliance of AC/DC's "Back in Black." Before you know it, you'll be confident in chiasmus and proud of your panegyrics--because rhetoric is useful, relevant, and crucial to understanding the world around us.

Writing tends to make people anxious, and with good reason. The first sentence of a job application letter can consign it to the bin. A speech intended to rouse can put a room to sleep. A mistimed tweet can cost you your job. And a letter to a beloved may aim to convey feelings of tenderness but end up making the recipient laugh rather than melt. In this complete guide to persuasive writing, Sam Leith shows how to express yourself fully across any medium, and how to maximise your chances of getting your way in every situation. From work reports to Valentine cards, and from emails of condolence to tweets of complaint, Leith lays bare the secrets to successful communication, eloquence and off- and online etiquette. How do you write a job application, a thank-you card, or an email to your bank manager, to your children's headteacher, to your clients or your boss? How do you prepare a speech to win the argument, get the vote of confidence, or embarrass the bridegroom? Getting these things right - or wrong - can be life-changing. Succinct treatments of the most general principles of style and composition, as well as examinations of specific modes of address (What is a subtweet? How do I write a moving elegy?) are accompanied by concrete and well-illustrated dos and don'ts and examples of wins and fails. Astute, sprightly and illuminating, Write to the Point will give you the skills and confidence you need to get your message across on every occasion.

Rhetoric gives our words the power to inspire. But it's not just for politicians: it's all around us, whether you're buttering up a key client or persuading your children to eat their greens. You have been using rhetoric yourself, all your life. After all, you know what a rhetorical question is, don't you? In this updated edition of his classic guide, Sam Leith traces the art of argument from ancient Greece down to its many modern mutations. He introduces verbal villains from Hitler to Donald Trump - and the three musketeers: ethos, pathos and logos. He explains how rhetoric works in speeches from Cicero to Richard Nixon, and pays tribute to the rhetorical brilliance of AC/DC's "Back In Black". Before you know it, you'll be confident in chiasmus and proud of your panegyrics - because rhetoric is useful, relevant and absolutely nothing to be afraid of.

*A Sunday Times, Irish Times, Financial Times, Independent, Daily Mail, TLS, Economist, Prospect, Evening Standard and New Statesman Book of the Year 2024* Can you remember the first time you fell in love with a book? The stories we read as children matter. The best ones are indelible in our memories; reaching far beyond our childhoods, they are a window into our deepest hopes, joys and anxieties. They reveal our past – collective and individual, remembered and imagined – and invite us to dream up different futures. In a pioneering history of the children’s literary canon, The Haunted Wood reveals the magic of childhood reading, from the ancient tales of Aesop, through the Victorian and Edwardian golden age to new classics. Excavating the complex lives of our most beloved writers, Sam Leith offers a humane portrait of a genre and celebrates the power of books to inspire and console entire generations. *** 'A MARVEL' PHILIP PULLMAN 'A DELIGHT' JULIA DONALDSON 'GLORIOUSLY ENTERTAINING' TOM HOLLAND

To every explorer with his map upside down, to every air-traffic controller suddenly receiving Magic FM through his headphones, to every astronomer whose new planet turns out to be a bit of bran-flake on the eyepiece of his telescope, Sod's Law says: you are not alone. Sam Leith tells the hilarious - and painful - stories of the unsinkable boat that sunk, the unbeatable horse that lost, and the fireproof theatre that burned to the ground. Sod's Law demonstrates that the entire universe is actually set up to ensure that your toast always lands butter side down and, what's more, that it lands precisely where the cat has shed hair all over the carpet.In this age of doubt, fewer and fewer of us are able to believe that a higher power takes an interest in our fate. This book reassures us that indeed it does - and that that higher power is hell bent on buggering things up. Only by laughing heartlessly at the misfortunes of others can we make ourselves feel better. Sod's Law enables us to do just that.

Do you remember the first time you fell in love with a book? The stories we read as children extend far beyond our childhoods; they are a window into our deepest hopes, joys and anxieties. They reveal our past - collective and individual, remembered and imagined - and invite us to dream up different futures. In a pioneering history of children's literature, from the ancient world to the present day, Sam Leith reveals the magic of our most cherished stories, and the ways in which they have shaped and consoled entire generations. Excavating the complex lives of beloved writers, Leith offers a humane portrait of a genre - one acutely sensitive to its authors' distinct contexts.