Kirjahaku

In Spectacular Men, Sarah E. Chinn investigates how working class white men looked to the early American theatre for examples of ideal manhood. Theatre-going was the primary source of entertainment for working people of the early Republic and the Jacksonian period, and plays implicitly and explicitly addressed the risks and rewards of citizenship. Ranging from representations of the heroes of the American Revolution to images of doomed Indians to plays about ancient Rome, Chinn unearths dozens of plays rarely read by critics. Spectacular Men places the theatre at the center of the self-creation of working white men, as voters, as workers, and as Americans.

The 1960s are commonly considered to be the beginning of a distinct "teenage culture" in America. But did this highly visible era of free love and rock 'n' roll really mark the start of adolescent defiance? In Inventing Modern Adolescence Sarah E. Chinn follows the roots of American teenage identity further back, to the end of the nineteenth and beginning of the twentieth centuries. She argues that the concept of the "generation gap"—a stereotypical complaint against American teens—actually originated with the division between immigrant parents and their American-born or -raised children. Melding a uniquely urban immigrant sensibility with commercialized consumer culture and a youth-oriented ethos characterized by fun, leisure, and overt sexual behavior, these young people formed a new identity that provided the framework for today's concepts of teenage lifestyle.Addressing the intersecting issues of urban life, race, gender, sexuality, and class consciousness, Inventing Modern Adolescence is an authoritative and engaging look at a pivotal point in American history and the intriguing, complicated, and still very pertinent teenage identity that emerged from it.

An exploration of technology and the logic of American racism. Sarah E. Chinn pulls together what seem to be opposite discourses - the information-driven languages of law and medicine and the subjective logics of racism - to examine a range of primary social case studies such as the American Red Cross's lamentable decision to segregate black blood during World War II and its ramifications for American culture, and more recent examples revealing the eugenicist roots of criminology such as the trial of O.J. Simpson. She also analyzes several key American literary texts such as Mark Twain's novel "Pudd'nhead Wilson", the plot of which turns issues of racial identity, and which was written at a time when scientific and popular interest in evidence of the body - not only in fingerprinting, but in phrenology and blood typing -was at a peak. Through her analysis of the history of science, US popular culture, sensationalized court cases, forensic technology and literary texts, the author reveals how in the United States issues of blood and skin have been manipulated to bear the evidence of racial identity during the 20th century.

During the Civil War, hundreds of thousands of men were injured, and underwent amputation of hands, feet, limbs, fingers, and toes. As the war drew to a close, their disabled bodies came to represent the future of a nation that had been torn apart, and how it would be put back together again. In her authoritative and engagingly written new book, Sarah Chinn claims that amputation spoke both corporeally and metaphorically to radical white writers, ministers, and politicians about the need to attend to the losses of the Civil War by undertaking a real and actual Reconstruction that would make African Americans not just legal citizens but actual citizens of the United States. She traces this history, reviving little-known figures in the struggle for Black equality, and in so doing connecting the racial politics of 150 years ago with contemporary debates about justice and equity.