Kirjahaku

Not long ago, Zuzanna Uritski was a cleaner at the 1893 Chicago World's Fair, Archibald Campion was the Fair's most imaginative engineer, and Elspeth was a lifeless automaton. But now? Now they're demon hunters, pursuing an ancient evil that has traveled across universes to take residence in one of history's most famous serial killers. Travel to an alternate history where no one is safe from demon possession, automatons are self-aware, and the world's greatest hope lies with a clever engineer, a dauntless young woman, and a paladin from another world.

Do you enjoy creepy stories about people who don't quite fit in? Dead Girls Don't Love is a collection of poignant tales for the outsider in all of us. For a domestic violence victim, there is no life after death--but could there be revenge? Can a woman returning to her life after 40 years with the fae remember how to be human?When two Buddhist monks travel to China to spread the dharma, will they survive the unspeakable horror they find instead?What really happened when the Big Bad Wolf ate the lonely grandmother living in the woods?Will the love between two zombified women help them break the spell that binds them in eternal servitude?And, perhaps most importantly, can an Elder God find true love?These and many more fascinating questions will be answered on the pages within, if you dare to read them. But be warned: the strange and horrifying realities contained in Dead Girls Don't Love may haunt you long after you close the back cover.

Ashleigh and her little family of misfits are on the run, searching for a new home where they can rest and finally get clean. The police hot on their heels, they flee to the abandoned asylum at the top of the mountain, thinking it's the perfect starting point for their long road to recovery. They're ready for this. They long for their new life. The asylum is in disrepair with no running water or electricity. It does provide shelter, but maybe they are not alone in seeking it. If only they'd considered that the darkness they had run to might be even more shadowed than the one they were running from."Hans treats readers to a journey as they watch Ashleigh traverse a tightrope of emotions and treacherous situations only to find herself in an unfathomable reality...Spine-tingling fun " -L. Marie Wood author of 12 Hours"Fast-paced, gritty, and entertaining "- Lucy A. Snyder, 5-time Stoker award winning author of Sister, Maiden, Monster

Inhaltlich unver nderte Neuauflage. Als Kurt Tucholskys Bilderbuch mit dem provokanten Titel "Deutschland, Deutschland ber alles" 1929 auf den Markt kam, l ste es heftige Reaktionen, vor allen im konservativen Lager, aus. Diese Reaktionen waren eine Best tigung von Tucholskys Ideen. Lange hatte er nach einem Weg gesucht, Fotografien als Tendenzbild zu benutzen, die Bilder zum Sprechen zu bringen und so zur Waffe werden zu lassen. Die Rezeption seines Deutschland-Buches, das in Zusammenarbeit mit dem Fotomontagek nstler John Heartfield entstand, zeigt, wie treffend es Tucholsky verstanden hatte, diese Waffe zu f hren und brennende, aber auch unliebsame Fragen seiner Zeit anzur hren. Diese Arbeit von Sarah Hans zeichnet den Weg Tucholskys und seiner Auseinandersetzung mit dem Medium Fotografie nach. Der ersten Begeisterung folgten theoretische berlegungen und praktische Erprobungen. "Deutschland, Deutschland ber alles" steht am Ende dieser Entwicklung. Das Buch zeigt die unterschiedlichen Montagetechniken und Kombinationsstrategien von Text und Fotografie. Es liefert ein beredtes Zeugnis von Tucholskys berzeugung, die im Untertitel des Buches ihren Niederschlag findet: Ein Bild sagt mehr als tausend Worte.