Kirjahaku

Outsider Citizens examines a foundational moment in the writing of race, gender, and sexuality––the decade after 1945, when Richard Wright, Simone de Beauvoir, and others sought to adapt existentialism and psychoanalysis to the representation of newly emerging public identities. Relyea offers the first book-length study bringing together Wright and Beauvoir to reveal their common sources and concerns. Relyea's discussion begins with Native Son and then examines Wright's postwar exile in France and his engagement with existentialism and psychoanalysis in The Outsider. Beauvoir met Wright during her postwar tour of America, chronicled in America Day by Day. After returning to France, Beauvoir adapted American social constructionist concepts of race as one source for her philosophical investigation of gender in The Second Sex, while also rejecting 1940s psychoanalytic theories of femininity. Relyea examines later representations of race and gender in a discussion of James Baldwin's critique of postwar American liberalism and ideals of innocence and masculinity in Giovanni's Room, which represents the remaking of white American identity through the risks of exile and the return of the gaze.

Outsider Citizens examines a foundational moment in the writing of race, gender, and sexuality––the decade after 1945, when Richard Wright, Simone de Beauvoir, and others sought to adapt existentialism and psychoanalysis to the representation of newly emerging public identities. Relyea offers the first book-length study bringing together Wright and Beauvoir to reveal their common sources and concerns. Relyea's discussion begins with Native Son and then examines Wright's postwar exile in France and his engagement with existentialism and psychoanalysis in The Outsider. Beauvoir met Wright during her postwar tour of America, chronicled in America Day by Day. After returning to France, Beauvoir adapted American social constructionist concepts of race as one source for her philosophical investigation of gender in The Second Sex, while also rejecting 1940s psychoanalytic theories of femininity. Relyea examines later representations of race and gender in a discussion of James Baldwin's critique of postwar American liberalism and ideals of innocence and masculinity in Giovanni's Room, which represents the remaking of white American identity through the risks of exile and the return of the gaze.

It's the season of siren songs and loosened bonds - as well as war, campaign slogans, and assassination. At the height of the Vietnam War protests, Washington lawyer Tom Rayson uproots his family for the freewheeling city of Berkeley. While Tom pursues a romance with a sexy colleague in the Marin County woods, Marian joins a peace party that's running a Black Panther for president and meets the Berkeley revolution. But for young Alice, her parents' liberating forays become a blind leap in a city marked by beauty and social change - and for a girl, that's no Summer of Love. Feeling estranged from her family, Alice embraces the moment and falls in with Jim and Valerie Dupres. Jim and Valerie have been learning the ropes on Telegraph Avenue, cadging meals at a nearby communal house and camping out in People's Park. Soon they're confronting National Guardsmen. As family and school fade away in a tear-gas fog, Alice feels an ambiguous freedom. Caught up in a rebellion that feels equally compelling, scary, and absurd, Alice could become a casualty - or she could defy the odds and become her own person. One thing is sure: there's no going back.