Kirjahaku

In The Show I'll Never Forget , writer Sean Manning has gathered an amazing array of unforgettable concert memories from a veritable A-list of acclaimed novelists, poets, biographers, cultural critics, and songwriters. Their candid, first-person recollections reveal as much about the writers' lives at the time as they do about the venues where the shows occurred or the artists onstage. Ishmael Reed on Miles Davis Luc Sante on Public Image Ltd. Heidi Julavits on Rush Daniel Handler and Andrew Sean Greer on Metric Diana Ossana on Led Zeppelin Maggie Estep on Einsturzende Neubauten Dani Shapiro on Bruce Springsteen Gary Giddins on Titans of the Tenor! Nick Flynn on Mink DeVille Susan Straight on The Funk Festival Rick Moody on the The Lounge Lizards Jennifer Egan on Patti Smith Harvey Pekar on Joe Maneri Thurston Moore on Glen Branca, Rudolph Grey, and Wharton Tiers Chuck Klosterman on Prince Sigrid Nunez on Woodstock Jerry Stahl on David Bowie Charles R. Cross on Nirvana Marc Nesbitt on The Beastie Boys And many more . . . No matter where your musical taste falls, these often funny, occasionally sad, always thought-provoking essays-all written especially for The Show I'll Never Forget -are sure to connect with anyone who loves, or has ever loved, live music.

The armies of Cyrus, Xerxes and Darius III are usually understood through the lens of classical literature and stereotypes about the orient. Sean Manning proposes a new understanding based on all kinds of evidence and the study of the ancient Near East. He examines the last century and a half of research in its historical and ideological context. Three core chapters treat Akkadian tablets, Aramaic documents, royal inscriptions, and artifacts as sources in their own right, not compliments to Herodotus. The different perspectives of Iranian philologists, Mesopotamian archaeologists and historians of ancient Greece are considered and addressed. A series of case studies show that the Greek and Latin texts can be read in unfamiliar ways which can survive stronger criticism than traditional interpretations. The king's troops were not literary foils to show the virtues of Greek hoplites or Scythian horsemen, they were agents of an early world empire which drew on long traditions and the latest innovations to gather money, soldiers, and workers and deploy them at the will of the king.