Kirjahaku

Three early plays by Sean O'Casey--arguably his three greatest--demonstrate vividly O'Casey's ability to convey the reality of life and the depth of human emotion, specifically in Dublin before and during the Irish civil war of 1922-23, but, truly, throughout the known universe. In mirroring the lives of the Dublin poor, from the tenement dwellers in The Shadow of a Gunman and Juno and the Paycock to the bricklayer, street vendor, and charwoman in The Plough and the Stars, Sean O'Casey conveys with urgency and eloquence the tiny details that create a total character as well as the terrors, large and small, that the constant threat of political violence inevitably brings. As Seamus Heaney has written, "O'Casey's characters are both down to earth and larger than life . . . His democratic genius was at one with his tragic understanding, and his recoil from tyranny and his compassion for the oppressed were an essential - as opposed to a moral and thematic - part of his art."

This educational edition, with the full play text and an introduction to the playwright, features a detailed analysis of the language, structure and characters of the play, and textual notes explaining difficult words and references. It contains:- The full playtext- An introduction to the playwright, his background and his work- A detailed analysis of language, structure and characters in the play- Features of performance- Textual notes explaining difficult words and referencesProfessor Murray's notes, to be read alongside the full playtext provided here, will enable students to better understand, appreciate, enjoy and write about O'Casey's greatest play.

'I thought that no man liveth and dieth to himself, so I put behind what I thought and what I did the panorama of the world I lived in - the things that made me.' Sean O'Casey, 1948Sean O'Casey's six-part Autobiography, originally published between 1939 and 1955, is an eloquently comprehensive self-portrait of an artist's life and times, unsurpassed in literature.Drums Under the Windows (1945) sees O'Casey's young (pre-writing) life taking shape amid the extraordinary tumult of Ireland in the early twentieth century, thus leading him into the fray of the Easter Rising of 1916. Inishfallen, Fare Thee Well (1949) charts the steps towards his emigration from Ireland in 1926: a move pressed upon O'Casey by his hard struggle against the restrictions and prohibitions wrought by Irish society, church and state.Faber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog, www.faberfindsblog.co.uk.

'I thought that no man liveth and dieth to himself, so I put behind what I thought and what I did the panorama of the world I lived in - the things that made me.'Sean O'Casey, 1948Sean O'Casey's six-part Autobiography, originally published between 1939 and 1955, is an eloquently comprehensive self-portrait of an artist's life and times, unsurpassed in literature.As its title suggests, Rose and Crown (1952) reflects O'Casey's experience of making a new home in England where, socialist passion intact, he makes a sharp study of the General Strike of 1926. Sunset and Evening Star (1954) offers both valediction and celebration: for though O'Casey views Ireland as 'a decaying ark... afraid of the falling rain of the world's thought', he can still envisage the nation's young 'throwing out some of the musty stuff, bringing the fresh and the new...'Faber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please seeour blog, www.faberfindsblog.co.uk.

Ah, what can God do agen the stupidity o' men!Dublin, 1922. The Irish Civil War is tearing the nation apart. In the cauldron of the family's tiny tenement flat, Juno Boyle, a beleaguered matriarch whose sharp wit is a survival tool, struggles to make ends meet and keep the family together. Her husband, 'Captain' Jack Boyle, fancies himself a ship's commander but sails no further than the pub. Then providence comes knocking with news of a greatinheritance.Sean O'Casey's tragicomic masterpiece was first performed at the Abbey Theatre, Dublin, in 1924, and revived at the Gielgud Theatre, London, in September 2024.'The power of Juno and the Paycock never fails to surprise and enthral and inspire. Its violent passion, its deep humanity, its bubbling humour and its appalling tragedy are soaked in the very spirit of Ireland itself.' Daily Mail

The most famous play by this remarkable Irish dramatist. Juno and the Paycock has been produced throughout the world and offers a compelling look at the family conflicts of struggling Irish matriarch Juno Boyle's Herculean attempts to keep her children safe and her husband "Captain" Jack Boyle sober despite his foolish schemes and the ongoing "troubles" in early 20th century Dublin.

Drama Sean O'Casey Characters: 10 male, 5 female Three interior and exterior scenes This play is gripping from beginning to end. It has to do with the futile efforts of the leader of one of the Irish revolutions. He is finally killed and his wife goes mad after losing her unborn child.

The Drums of Father Ned is a play written by Irish playwright Sean O'Casey. The story is set in Dublin during the Easter Rising of 1916, a pivotal moment in Irish history. The play revolves around the character of Father Ned, a Catholic priest who is torn between his loyalty to the British Crown and his love for his country. As the rebellion unfolds, Father Ned's beliefs and loyalties are put to the test, and he must ultimately decide where his allegiances lie. The play explores themes of patriotism, loyalty, and the struggle for independence, and is considered a classic of Irish literature. O'Casey's vivid portrayal of the events of the Easter Rising, combined with his sharp wit and poignant dialogue, make The Drums of Father Ned a powerful and moving work of drama.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is the first account of the formation of the Irish Citizen Army during the Dublin strike of 1913-1914, and the part it played in the subsequent history of Ireland. The author, who was himself a leading figure in the movement, writes with vigor and conviction on the role of labor in Ireland, and expresses a very definite opinion on the relations of the workers to the Nationalist movement. The book contains character portraits of Larkin, Connolly and the Countess Markiewicz; and facts bearing on the relations between the Citizen Army and the Volunteers emerge here for the first time.This dramatic account of the Irish Citizen Army also has its special importance in literary history as the first published work by Sean O'Casey (under the pseudonym of P. O. Cathasaigh). Sean O'Casey went on to become Ireland's greatest playwright as well as the author of one of the most fascinating autobiographies in the history of literature.