Kirjahaku

In this world of mystery and the unknown, the lives and energies of multiple occult groups and individuals inevitably intertwine. The various goals, beliefs, and agendas of these groups and individuals at times come into such tremendous conflict that a war begins. It is in this world of shadows and secrecy that the occult history of the world has unfolded for untold generations. The Occult Art of War is a derivative work based upon the teachings of Sun Tzu in his ancient strategy manual,The Art of War. This text applies Sun Tzu's teachings to the conflicts that arise in the paths of those living in conjunction with the supernatural. This book not only lays out specific methods of strategy, but also provides a code of ethics and mental attitude for responsible application of the strategies. At its core this book is a manual for spiritual conflict and occult warfare.

"Blood Magick" is a synthesis of ancient tradition and contemporary innovations designed for both the discerning adept seeking to incorporate blood into existing disciplines and beginning practitioners taking their first steps into the occult world.

Magick is cheap and power is all around you. The most vibrant magick in the world is that of survival. If you know how it works you can use it anywhere, with anything, to do whatever you need or desire. Tactics is defined as the choice and application of technique in a specific situation. The purpose of tactical magick is to take the magick of survival and incorporate it into our daily lives. So called High Magick is chiefly concerned with expanding consciousness, contacting higher planes, and achieving gnosis. Tactical magick is about learning from the plight of those less fortunate and building upon their techniques to create an eclectic grimoire of daily survival. This is a patchwork system of pop-culture sorcery, techno-alchemy, and hermetic street magick.

Palookaville #20 is the first volume of the seminal comic book series to be published in book form. The expansion into hardcover from pamphlet is a parallel that illustrates Seth's growth into an award-winning cartoonist, book designer, hobbyist, editor, essayist, and installation artist. Seth's first autobiographical comics since Palookaville #2 and #3 will be featured in #20. Drawing in his loose sketchbook style, similar to his book Wimbledon Green, Seth details his trip to a book festival and his awkward struggle to overcome isolation and communicate with the people around him. Seth continues the serialization of his acclaimed Clyde Fans story line, about which The New York Times Book Review aptly noted, "Seth truly believes in his wares--the little meanings of regular lives." This is, perhaps, nowhere more apparent than in the cartoonist's ongoing three-dimensional rendering of his fictional Dominion City, most recently featured in his book George Sprott. Using sketches, photographs, and an essay, the cartoonist explains why the need to conceptualize the fictional city in sculptures was a natural extension from comics storytelling, and how if he had his way, it would have stayed in his basement forever.

Palookaville 22 is an all-new collection of work from It's a Good Life, If You Don't Weaken's Seth. This instalment of Seth's critically acclaimed one-man anthology features an autobiographical comic about Seth's childhood, part four of his long-running Clyde Fans se--rial, a photo essay about a barbershop he designed, and a comic strip about the art of barbering. Nothing Lasts revisits Seth's childhood in 1960s Ontario, with a special focus on the salvation that he found in library books and drug-store comics. Drawn in the sketchbook style Seth popularized in his books Wimbledon Green and The Great Northern Brotherhood of Canadian Cartoonists, "Nothing Lasts" offers a glimpse at the agonies of adolescence for a shy, often alienated, small-town teen. The Clyde Fans chapter included here shows the conclusion of brothers Abe and Simon Matchcard's first lengthy conversation, and Abe's pensive, self-questioning mood as he drives back to Dominion to meet up with his old flame, Alice. Rounding out the collection is a photo essay on Seth's wife's barbershop, The Crown Barber--shop, and a short story in comics form about barbering. Palookaville 22 displays the range of Seth's cartooning and design career, and is a thing of beauty from cover to cover.

The most anticipated issue to date of Seth s iconic comics digest, Palookaville 23 marks the culmination of twenty years of serialization: here, Clyde Fans comes to a conclusion. In this final chapter, we return to Simon Matchcard and the year 1957 exactly where we left off at the end of the first Clyde Fans volume. After his disastrous attempt at sales in the city of Dominion, we witness the out of body experience and ecstatic vision that sets Simon on his path of lonely isolation in the years to come. But of course that s not all an issue of Palookaville always feels a bit like coming home a comforting structure that promises new surprises and updates on old favourites. The next instalment in Seth s memoir, Nothing Lasts, follows him from late childhood to his high school years, from innocent crushes to adolescent brooding, all told with what has become Seth s signature anecdotal approach to autobiography. Readers will also be privy to highlights of Seth s exquisite fine-art practice paintings and drawings from two recent gallery exhibitions which transport us back to an era where style was snappier, moldings more ornate. As always, the three-part digest is care- fully designed by Seth in a call back to classic 1940s textural book design. From one of Canada s greatest artists, Palookaville 23 offers closure, while evoking excitement about what s to come.

The first graphic novel ever nominated for the Scotiabank Giller Prize! Legendary Canadian cartoonist Seth s magnus opus Clyde Fans, two decades in the making, appeared on twenty best of 2019 lists, including those from the New York Times, the Guardian, and Washington Post, and was nominated for an Eisner Award and the Giller Prize. Clyde Fans peels back the optimism of mid-twentieth century capitalism, showing the rituals, hopes, and delusions of a vanished middleclass garrulous self-made men in wool suits extolling the virtues of their wares to taciturn shopkeepers. Much like the myth of an ever-growing economy, the Clyde Fans family business is a fraud. The patriarch has abandoned it to mismatched sons, one who strives to keep the company afloat and the other who retreats into his memories. Abe and Simon Matchcard are brothers, struggling to save their archaic family business selling oscillating fans in a world switching to air conditioning. Simon flirts with becoming a salesman as a last-ditch effort to leave the protective walls of the family home, but is ultimately unable to escape Abe s critical voice in his head. As Clyde Fans Co. crumbles, so does the relationship between the two men, who choose very different life paths but both end up utterly unhappy. Seth s intimate storytelling and gorgeous art allow cityscapes and detailed period objects to tell their own stories as the brothers struggle to find themselves suffocating in an airless home.

The semi-periodical look into the expansive art practice of an acclaimed cartoonist Palookaville 25 houses three benchmark projects from the artistic practice of cartoonist and New Yorker cover artist Seth (Clyde Fans). His highly-acclaimed memoir "Nothing Lasts" returns. A wave farewell to his youth and a love letter to Toronto in the 1980s, this installment of his memoir caps off his teenage years and the budding romance at the Cove Inn, and sees Seth setting off for the big city where he moves to attend art school. Showcasing Seth's fine-art practice, Palookaville 25 also includes a photo essay about the creation of "Living Room Suite," his bronze sculpture installation in Guelph. Through text and photographs, Seth documents early pieces in the same series, followed by maquettes of the sculpture, photos showing the fabrication process, and then, finally, a series of photos showing the completed installation. Lastly, the life and death of post-humorously renowned Dominion painter Owen Moore is told through comics in ten episodes. Originally serialized in The Walrus, this is the first time the story has been collected. Pages from the original sketchbook version and the final art are presented in pairs, revealing Seth's process to readers. A rarity in the world of publishing, Seth's Palookaville series has become an ongoing monograph of sorts, a deep look into an idiosyncratic mind, and a survey of a singular artist's multifaceted output.

I denne billedromanen møter vi Seth som samler på gamle 78-plater, tegneserier og bøker fra 20- til 50-tallet. Han prøver å finne ut alt om Kalo, en glemt tegner som brått avsluttet karrieren i "The New Yorker" på 40-tallet. Seths søken etter Kalo blir etter hvert en søken etter mening i hans eget liv.. Fortellingen ble opprinnelig publisert i hefte nr. fire til ni av tegneserieheftet Palookaville.