Kirjahaku

The definitive monograph on the iconoclastic painter George Condo. With his arresting, unsettling style, George Condo emerged out of the dynamism of the New York art scene in the early 1980s, and he has been restlessly painting, drawing and sculpting - bringing forms into the world in one way or another - ever since. With his 'fake' Old Masters, reconfigured Manets, impossibly intricate paintings that seem abstract only from a distance, fractured and multifaceted 'psychologically Cubist' portraits, and the orgiastic misdemeanours of a host of butlers, bankers and priests, Condo has invented, mastered and expanded not just one painterly language but an entire lexicon. Working closely with Condo, Simon Baker has combined biographical, chronological and thematic approaches to survey the artist's work and career to date. An introductory essay on Condo's contradictory nature and a chapter exploring his phenomenal early career are followed by three thematic chapters that look at the years from 1984 to the present, tracing Condo's systematic reconstruction of the techniques of painting, exploring his relationship to the concept of abstraction, and probing the darker side of his psychological iconography in drawing, painting, sculpture and writing. George Condo is the definitive monograph about a unique artist that will appeal to artists, art students and those with a general interest in art.

An illuminating introduction to little-known photographer Issei Suda, who captured the soul of Japan old and new. The work of Issei Suda (1940–2019) is distinct in contemporary avant-garde Japanese photography for its celebration of the beauty of the everyday. His black and white pictures reflect on apparent banality of urban life, capturing ‘the little surprises usually ignored in our world’: the shadow of a figure, the shapes of the street, the expressions on stranger's faces. Suda’s practice revealed the tensions between old and new Japan, juxtaposing the ingrained visual traditions of Japanese culture with the prevailing western vocabulary of fashion, advertising and leisure, as seen through his observant and tender lens.

In this paper we develop a new approach for studying overlapping iterated function systems. This approach is inspired by a famous result due to Khintchine from Diophantine approximation which shows that for a family of limsup sets, their Lebesgue measure is determined by the convergence or divergence of naturally occurring volume sums. For many parameterised families of overlapping iterated function systems, we prove that a typical member will exhibit similar Khintchine like behaviour. Families of iterated function systems that our results apply to include those arising from Bernoulli convolutions, the {0, 1, 3} problem, and affine contractions with varying translation parameter. As a by-product of our analysis we obtain new proofs of some well known results due to Solomyak on the absolute continuity of Bernoulli convolutions, and when the attractor in the {0, 1, 3} problem has positive Lebesgue measure.For each t ? [0, 1] we let ?t be the iterated function system given by ?t := ?1(x) = x 2 , ?2(x) = x + 1 2 , ?3(x) = x + t 2 , ?4(x) = x +1+ t 2 .We prove that either ?t contains an exact overlap, or we observe Khintchine like behaviour. Our analysis shows that by studying the metric properties of limsup sets, we can distinguish between the overlapping behaviour of iterated function systems in a way that is not available to us by simply studying properties of self-similar measures.Last of all, we introduce a property of an iterated function system that we call being consistently separated with respect to a measure. We prove that this property implies that the pushforward of the measure is absolutely continuous. We include several explicit examples of consistently separated iterated function systems.