Kirjahaku

Royal Bling Thing. The second book in the popular Icky Doo Dah series.When an old radio springs to life in the Copperpot loft and announces that the crown jewels are going on special display, Icky Doo Dah can't resist the idea of borrowing them. There's just one problemHow's he going to get there?. Advertising books on website, followed by tour of schools and bookshops nationwide during summer and autumn 2007.

Christmas Hoo-Hah. The third book in the Icky Doo Dah series. A magical tale involving mischief and mayhem as Icky Doo Dah promises an unforgettable Christmas for the inhabitants of Copperpot Farm. Advertising books on website, followed by tour of schools and bookshops nationwide during summer and autumn 2007.

This volume offers a concise guide to the teaching and philosophy of one of the most significant figures in twentieth century actor training. Jacques Lecoq's influence on the theatre of the latter half of the twentieth century cannot be overestimated.Now reissued Jacques Lecoq is the first book to combine:an historical introduction to his life and the context in which he workedan analysis of his teaching methods and principles of body work, movement, creativity, and contemporary theatredetailed studies of the work of Theatre de Complicite and Mummenschanzpractical exercises demonstrating Lecoq's distinctive approach to actor training.

This volume offers a concise guide to the teaching and philosophy of one of the most significant figures in twentieth century actor training. Jacques Lecoq's influence on the theatre of the latter half of the twentieth century cannot be overestimated.Now reissued Jacques Lecoq is the first book to combine:an historical introduction to his life and the context in which he workedan analysis of his teaching methods and principles of body work, movement, creativity, and contemporary theatredetailed studies of the work of Theatre de Complicite and Mummenschanzpractical exercises demonstrating Lecoq's distinctive approach to actor training.

The French Foreign Legion: a true adventure of determination and grit in the hostile North African desert.In 1960, at only nineteen years old, Simon Murray traveled alone to Paris, Marseilles, and on to Algeria to fulfill the toughest contract of his life: a five-year stint in the mysterious, romantic, and deadly French Foreign Legion. Along the way, he kept a diary.Legionnaire is Murray's compelling, firsthand account of his experience with this legendary band of soldiers. Subjected to brutal sergeants, merciless training methods and barbaric punishments – all under the scorching desert sun – Murray and his fellow men were pushed beyond breaking point.Filled with drama, excitement and vivid characters, Murray's memoir is 'one of the greatest adventure stories in years' (Chris Patten) and 'a good guts-and-glory thriller' (Dr. Henry Kissinger). Sixty years on, it remains a remarkable tale of true adventure and one man's determination never to surrender.

In Nobody Will Shoot You If You Make Them Laugh: One Man's Journey Through The Mountains And Valleys of Life, the businessman and adventurer Simon Murray tells his extraordinary life story. From an orphanage in Leicester through the rigours and brutality of the English public school system in the 1950s, to a five-year spell in French Foreign Legion, his early life was recounted in his million-selling book Legionnaire. Since 1965 he has been one of the most successful businessmen operating out of Hong Kong. Starting as a sales manager for Jardine Matheson he worked his way up to running Hutchison Whampoa. He has also been actively involved with the Hong Kong Electricity Company, Deutsche Bank Asia Pacific, Glencore and Huawei among others. In-between he founded Orange and other mobile telephone operators across Asia and Africa. He has been off the path many times: climbed in the Atlas Mountains; trekked up to Everest and Annapurna; climbed Kilimanjaro and abseiled down the Shard in London. He is the oldest man to walk unsupported to the South Pole. He has run the Marathon des Sables, 250 kilometres across the Moroccan desert when he was 60 years old, and follows his motto ‘Do not follow where the path may lead, but go instead where there is no path and leave a trail’ somewhat earnestly. He was awarded the CBE from the Queen and been decorated with the Order of Merit and the Legion d’Honneur in France. He claims his greatest success is his marriage of 54 years to Jennifer and the raising of three children and his six grandchildren.

This book engages with the relationship between ruins, dilapidation, and abandonment and cultural events performed within such spaces. Following the author’s fieldwork in the UK, Bosnia Herzegovina, Poland, Germany, Greece, and Sicily, chapters describe, investigate, and reflect upon live performance events which have taken place in sites of decay and abandonment. The book’s main focus is upon modern economic ruins and ruins of warfare. Each chapter provides several case studies based upon the author’s own site visits and interviews with actors, directors, producers, curators, writers, and other artists. The book contextualises these events within the wider framework of Ruin Studies and provides brief summaries of how we might understand the ruin in terms of time, politics, culture, and atmospheres. The book is particularly preoccupied with artists’ reasons and motivations for placing performance events in ruined spaces and how these work dramaturgically.

This book engages with the relationship between ruins, dilapidation, and abandonment and cultural events performed within such spaces. Following the author’s fieldwork in the UK, Bosnia Herzegovina, Poland, Germany, Greece, and Sicily, chapters describe, investigate, and reflect upon live performance events which have taken place in sites of decay and abandonment. The book’s main focus is upon modern economic ruins and ruins of warfare. Each chapter provides several case studies based upon the author’s own site visits and interviews with actors, directors, producers, curators, writers, and other artists. The book contextualises these events within the wider framework of Ruin Studies and provides brief summaries of how we might understand the ruin in terms of time, politics, culture, and atmospheres. The book is particularly preoccupied with artists’ reasons and motivations for placing performance events in ruined spaces and how these work dramaturgically.

Provides a firsthand account of a young Englishman's five-year stint with the French Foreign Legion, detailing his enlistment in the 1960s, the merciless training and brutal conditions he endured, his dangerous mission to Algeria, and the camaraderie he experienced. Reprint.