Kirjahaku

Siri Hustvedt's What I Loved begins in New York in 1975, when art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a SoHo gallery. He buys the work; tracks down the artist, Bill Wechsler; and the two men embark on a life-long friendship. Leo's story, which spans twenty-five years, follows the growing involvement between his family and Bill's--an intricate constellation of attachments that includes the two men, their wives, Erica and Violet, and their sons, Matthew and Mark. The families live in the same New York apartment building, rent a house together in the summers and keep up a lively exchange of ideas about life and art, but the bonds between them are tested, first by sudden tragedy, and then by a monstrous duplicity that slowly comes to the surface. A beautifully written novel that combines the intimacy of a family saga with the suspense of a thriller, What I Loved is a deeply moving story about art, love, loss, and betrayal.

The protagonist of Siri Hustvedt's astonishing second novel The Enchantment of Lily Dahl is a heroine of the old style: tough, beautiful, and brave. Standing at the threshold of adulthood, she enters a new world of erotic adventure, profound but unexpected friendship, and inexplicable, frightening acts of madness. Lily's story is also the story of a small town--Webster, Minnesota--where people are brought together by a powerful sense of place, both geographical and spiritual. Here gossip, secrets, and storytelling are as essential to the bond among its people as the borders that enclose the town. The real secret at the heart of the book is the one that lies between reality and appearances, between waking life and dreams, at the place where imagination draws on its transforming powers in the face of death.

From the author of the international bestseller What I Loved, a provocative collection of autobiographical and critical essays about writing and writers.Whether her subject is growing up in Minnesota, cross-dressing, or the novel, Hustvedt’s nonfiction, like her fiction, defies easy categorization, elegantly combining intellect, emotion, wit, and passion. With a light touch and consummate clarity, she undresses the cultural prejudices that veil both literature and life and explores the multiple personalities that inevitably inhabit a writer’s mind. Is it possible for a woman in the twentieth century to endorse the corset, and at the same time approach with authority what it is like to be a man? Hustvedt does. Writing with rigorous honesty about her own divided self, and how this has shaped her as a writer, she also approaches the works of others - Fitzgerald, Dickens, and Henry James - with revelatory insight, and a practitioner’s understanding of their art.

When Erik Davidsen and his sister, Inga, find a disturbing note among their late father's papers, they believe he may be implicated in a mysterious death. Siri Hustvedt's The Sorrows of an American tells the story of the Davidsen family as brother and sister unbandage its wounds in the year following their father's funeral. Erik is a psychiatrist dangerously vulnerable to his patients; Inga is a writer whose late husband, a famous novelist, seems to have concealed a secret life. Interwoven with each new mystery in their lives are discoveries about their father's youth--poverty, the War, the Depression--that bring new implications to his relationship with his children. This masterful novel reveals one family's hidden sorrows in an "elegant meditation on familial grief, memory, and imagination" (Minneapolis Star-Tribune).

Iris Vegan, a graduate student living alone and impoverished in New York, encounters four strong characters who fascinate and in different ways subordinate her: an inscrutable urban recluse who employs her to record the possessions of a murdered woman; a photographer whose eerie portrait of Iris takes on a life of its own; an old woman in hospital who tries to claim a remnant of the ailing Iris; and a professor she has an affair with. An exploration of female identity in an age when the old definitions - as some man's daughter/wife/mother - no longer apply, fuelled with eroticism and a sense of menace.

LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION'A taut and convincing drama, as well as an intriguing metaphysical thriller' Sunday Times'Full of humour, surprise and powerful images' ObserverLily Dahl is a heroine of the old school: tough, beautiful and brave. A nineteen-year-old waitress and aspiring actress living in Webster, Minnesota, she becomes enchanted by an exotic outsider - an artist from New York. Drawn into a world of erotic adventure, she finds herself the target of mysterious acts of madness as she strains against the confines of small town life.'Queasily erotic, Gothic and menacing' Evening Standard

The international phenomenon by one of America's most acclaimed and beloved writers, longlisted for the Women's Prize for Fiction

FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED AND A WOMAN LOOKING AT MEN LOOKING AT WOMEN'A luminous collection of mind-expanding pieces on literary and philosophical themes' Observer'Thoughtful and sensuous'Daily TelegraphThis illuminating collection brings together Siri Hustvedt's earliest essays, exploring the themes that have preoccupied her writing throughout her career: memory and imagination, psychology and art, love and desire. Drawing on her personal experience - as daughter, sister, mother and wife; student, teacher, reader and writer - she illustrates fundamental aspects of our lives.Wise, honest and fiercely intelligent, this is a book that invites us to look afresh at ourselves and the world we inhabit.'One of the most talented voices in contemporary fiction . . . Hustvedt brings the same visual power, sensuality and intelligence to her collection of essays'Los Angeles Times

FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED'An astonishing family drama . . . almost certainly the best American novel you will read this year'Sunday Telegraph'Almost impossible to put down'Independent'Masterful'The Times'Wonderful'ObserverWhile clearing out their late father's papers, Erik and Inga Davidsen unearth a cryptic letter from his adolescence. Desperate to discover the man they never fully understood, they set about reading his memoir. As the siblings are drawn into his past, their lives are upended by two strangers. Erik becomes captivated by Miranda, a young mother who moves into his garden flat. And Inga, still grieving her husband's recent death, is threatened by a journalist in possession of a devastating secret. 'One of the most profound and absorbing books I've read in a long time'Washington Post

FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED AND A WOMAN LOOKING AT MEN LOOKING AT WOMEN'Provocative but often funny, encyclopedic but down to earth . . . an extraordinary double story' Oliver Sacks'It is Hustvedt's gift to write with exemplary clarity of what is by necessity unclear' Hilary Mantel, GuardianWhile speaking at a memorial event for her father, the novelist Siri Hustvedt suffered a violent seizure from the neck down. Was it triggered by nerves, emotion - or something else entirely?In this profoundly thought-provoking and revealing book, Hustvedt takes the reader on her journey through psychiatry, philosophy, neuroscience and medical history in search of a diagnosis. Conveying the often frightening mysteries of illness, she illuminates the perennially mysterious connection between mind and body and what we mean by 'I'.'She has an enviable ability to digest and reframe her discoveries into clear, accessible prose' Sunday TelegraphPRAISE FOR SIRI HUSTVEDT:'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie'It is Hustvedt's gift to write with exemplary clarity of what is by necessity unclear' Hilary Mantel'Her novels have received a deserved acclaim. But to my mind, she is even more to be admired as an essayist . . . in this regard I feel that she resembles Virginia Woolf ' Observer'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post

In this moving new memoir, celebrated writer Siri Hustvedt recounts the experience of navigating with her husband, Paul Auster, what she'd dubbed "Cancerland." She walks us through his diagnosis, the treatments, the peaks of hope and the valleys of suffering, and the love they continued to share along the way. It is a patchwork-quilt memoir that stitches together emails sent by Siri to update friends on Paul's health, letters drafted by Paul for their grandson to one day read, and memories recounted by Hustvedt with her signature lyricism and poetic prose. The result is an emotional, full-bodied story of Siri Hustvedt and Paul Auster's life together and its battling final chapter, and an examination of the state Siri has found herself in in the time since that parting.

FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED'Funny, moving and erudite, playfully reminding us of a contemporary Jane Austen'Daily Mail'Astoundingly joyful'Guardian'Alarmingly funny'Times Literary SupplementAfter Mia's husband of thirty years asks for a 'pause', to indulge his infatuation with a young French colleague, she briefly breaks down before retreating to the prairie town of her childhood, to rage and reassess her life. Slowly, however, she's drawn into the lives of the women around her: her mother's circle of feisty widows, her young neighbour with two small children, the teenage girls in her poetry class. As Mia faces her summer without men, she must discover what's worth fighting for - and on whose terms. 'A rich and intelligent meditation on female identity'Sunday Times'A mordant comedy'Observer

FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED AND A WOMAN LOOKING AT MEN LOOKING AT WOMEN'Lucid, absorbing and vigorous'Independent'Richly intelligent'Financial TimesIn these fascinating essays, Siri Hustvedt shows what lies behind her fiction: an abiding curiosity about who we are and how we got that way. Covering a wide range of subjects, from the nature of desire to false memories and the paintings of Goya, she draws on the insights provided by both the arts and sciences to deepen our understanding of what it means to be human - to live, think and look.'As an essayist, Hustvedt is the best kind: superbly clear, intellectually challenging but always human'Independent on Sunday

LONGLISTED FOR THE BOOKER PRIZEWINNER OF THE LOS ANGELES TIMES FICTION PRIZE'Dazzling' Sunday Times'Truly wonderful' Daily MailArtist Harriet Burden, consumed by fury at the lack of recognition she has received from the New York art establishment, embarks on an experiment: she hides her identity behind three male fronts who exhibit her work as their own. Yet when Harriet unmasks herself to claim her rightful praise, not everyone believes her - submerging the art world in a scandal that soon turns deadly.'A novel that gloriously lives up to its title, one blazing with energy and thought' The Times'I have told nearly everyone I love - and some random acquaintances - to stop whatever they are doing and read The Blazing World'Financial Times

A trailblazing and inspiring collection of essays on art, feminism, and psychology by the internationally bestselling novelist Siri Hustvedt

A provocative, wildly funny, intellectually rigorous and engrossing novel, punctuated by Siri Hustvedt's own illustrations - a tour de force by one of America's most acclaimed and beloved writers.

Named one of the New York Times Book Review's 100 Notable Books of the Year ** Publishers Weekly's Best Fiction Books of 2014 ** NPR Best Books of 2014 ** Kirkus Reviews Best Literary Fiction Books of 2014 ** Washington Post Top 50 Fiction Books of 2014 ** Boston Globe's Best Fiction of 2014 ** The Telegraph's Best Fiction to Read 2014 ** St. Louis Post Dispatch's Best Books of 2014 ** The Independent Fiction Books of the Year 2014 ** One of Buzzfeed's Best Books Written by Women in 2014 ** San Francisco Chronicle's Best of 2014 ** A Nancy Pearl Pick ** PopMatters.com's Best of 2014 Fiction Winner of the 2014 LA Times Book Prize for Fiction Finalist for the 2014 Kirkus Prize Hailed by The Washington Post as "Siri Hustvedt's best novel yet, an electrifying work," The Blazing World is a masterful novel about perception, prejudice, desire, and one woman's struggle to be seen. In a new novel called "searingly fresh... A Nabokovian cat's cradle" on the cover of The New York Times Book Review, the internationally bestselling author tells the provocative story of artist Harriet Burden, who, after years of having her work ignored, ignites an explosive scandal in New York's art world when she recruits three young men to present her creations as their own. Yet when the shows succeed and Burden steps forward for her triumphant reveal, she is betrayed by the third man, Rune. Many critics side with him, and Burden and Rune find themselves in a charged and dangerous game, one that ends in his bizarre death. An intricately conceived, diabolical puzzle presented as a collection of texts, including Harriet's journals, assembled after her death, this "glorious mashup of storytelling and scholarship" (San Francisco Chronicle) unfolds from multiple perspectives as Harriet's critics, fans, family, and others offer their own conflicting opinions of where the truth lies. Writing in Slate, Katie Roiphe declared it "a spectacularly good read...feminism in the tradition of Simone de Beauvoir's The Second Sex or Virginia Woolf's A Room of One's Own: richly complex, densely psychological, dazzlingly nuanced." "Astonishing, harrowing, and utterly, completely engrossing" (NPR), Hustvedt's new novel is "Blazing indeed: ...with agonizing compassion for all of wounded humanity"(Kirkus Reviews, starred review). It is a masterpiece that will be remembered for years to come.

A compelling, radical, "richly explored" (The New York Times Book Review), and "insightful" (Vanity Fair) collection of essays on art, feminism, neuroscience, psychology, and philosophy from prize-winning novelist Siri Hustvedt, the acclaimed author of The Blazing World and What I Loved. In a trilogy of works brought together in a single volume, Siri Hustvedt demonstrates the striking range and depth of her knowledge in both the humanities and the sciences. Armed with passionate curiosity, a sense of humor, and insights from many disciplines she repeatedly upends received ideas and cultural truisms. "A Woman Looking at Men Looking at Women" (which provided the title of this book) examines particular artworks but also human perception itself, including the biases that influence how we judge art, literature, and the world. Picasso, de Kooning, Louise Bourgeois, Anselm Kiefer, Susan Sontag, Robert Mapplethorpe, and Karl Ove Knausgaard all come under Hustvedt's intense scrutiny. "The Delusions of Certainty" exposes how the age-old, unresolved mind-body problem has shaped and often distorted and confused contemporary thought in neuroscience, psychiatry, genetics, artificial intelligence, and evolutionary psychology. "What Are We? Lectures on the Human Condition" includes a powerful reading of Kierkegaard, a trenchant analysis of suicide, and penetrating reflections on the mysteries of hysteria, synesthesia, memory and space, and the philosophical dilemmas of fiction. A Woman Looking at Men Looking at Women is an "erudite" (Booklist), "wide-ranging, irreverent, and absorbing meditation on thinking, knowing, and being" (Kirkus Reviews, starred review).

From the author of The Blazing World, "a work of dizzying intensity...eloquent and vivid" (Don DeLillo), about a young Midwestern woman who finds herself entangled in intense circumstances--physical, cerebral, and existential--when she moves to New York City.Iris Vegan, a young, impoverished graduate student from the Midwest, finds herself entangled with four powerful but threatening characters as she tries to adjust to life in New York City. Mr. Morning, an inscrutable urban recluse, employs Iris to tape-record verbal descriptions of objects that belonged to a murder victim. George, a photographer, takes an eerie portrait of Iris, which then acquires a strong life of its own, appearing and disappearing without warning around the city. After a series of blinding migraines, Iris ends up in a hospital room with Mrs. O., a woman who has lost her mind and memory to a stroke, but who nevertheless retains both the strength and energy to torment her fellow patient. And finally, there is Professor Rose, Iris's teacher and eventually her lover. While working with him on the translation of a German novella called The Brutal Boy, she discovers in its protagonist, Klaus, a vehicle for her own transformation and ventures out into the city again--this time dressed as a man.