Kirjahaku

An NPR Best Book of 2014 A Time Top Ten Fiction Book of 2014 A New York Times Book Review Editors' Choice A BBC Top Ten Book of 2014 "Exquisite...As inspiring in its way as Patti Smith's memoir Just Kids." --Los Angeles Times "Briskly addictive . . . Told in the voice of a female rock Ulysses." --O, the Oprah Magazine "Marvelous . . . D'Erasmo conjures up the seedy, sexy spectacle of life on the road with amazing vividness, and fills in the inner life of a woman who has one last chance to get her voice heard." --Lev Grossman, Time Anna Brundage is a rock star. She was an overnight indie sensation, but lost her fame just as fast as she found it. Now forty-four, she pours everything into a comeback, selling her famous father's art to finance an album and a European tour. A riveting look at the life of a musician and the moving story of a woman's unconventional path, Wonderland is a glimpse of how it feels when a wish just might come true. "Anna made me think of Florence Welch of Florence and the Machine, mixed with a little bit of Janis." -- Paste "Richly interior . . . What makes Anna such a powerful narrator is her seductive desire to keep her options open." -- Washington Post

From a rising literary star "in the tradition of Carol Shields and A. S. Byatt" comes this luminous story of a contemporary man's metamorphosis.Andrea Barrett and Michael Cunningham have lauded Stacey D'Erasmo for the beauty of her language and her ability to create worlds that leave a lasting impression. In her new novel, D'Erasmo reaches back to Ovid for inspiration in this tale of how the mythic animates our everyday lives. At thirty-seven, Gabriel Collins works halfheartedly as an obituary writer at a fading newspaper in lower Manhattan, which, since 9/11, feels like a city of the dead. This once dreamy and appealing boy has turned from a rebellious adolescent to an adult who trades in petty crimes.His wealthy, older boyfriend is indulgent of him--to a point. But after a brush with his own mortality, Gabriel must flee to Mexico in order to put himself back together. By novel's end, we know all of Gabriel's ratty little secrets, but by dint of D'Erasmo's spectacular writing, we exult in the story of an imperfect man who--tested by a world that is often too much for him--rises to meet the challenge.

In Stacey D'Erasmo's acclaimed second novel, a quintessentially modern family is ultimately transformed by the emerging breakdown of their teenaged son, Christopher. When he disappears from his San Francisco home, his extended family comes together in a frantic search. But Christopher is in much more trouble than they know, and their attempts to support him and to save him will challenge their assumptions about themselves and one another. Exquisitely crafted, A Seahorse Year is an absorbing read that explores the ways in which love moves us to actions that have both redemptive and disastrous consequences, sometimes in the same heartbeat. "A Seahorse Year compellingly explores love's connections and limits . . . D'Erasmo] writes with a graceful, sometimes devastating directness, in clear, crisp phrases lined with subtle lyricism." -- Boston Globe "Beautiful, addictive . . . an elegant, glancing humor flecks the book . . . wonderfully observed ." -- Newsday "You could read Stacey D'Erasmo for the subtlety of her insights or the beauty of her language or for her tumbling, shifting arrangements of plot and characters . . . Or you could just open A Seahorse Year and be mesmerized." -- The Advocate Stacey D'Erasmo is the author of the novel Tea, which was selected as a New York Times Notable Book and a Book Sense 76 Pick. A Seahorse Year, her second novel, was a San Francisco Chronicle bestseller. She lives in New York City.

What is the nature of intimacy, of what happens in the space between us? And how do we, as writers, catch or reflect it on the page?' Stacey D'Erasmo's insightful and illuminating study examines the craft and the contradictions of creating relationships, not only between two lovers, but also between friends, family members, acquaintances and enemies in fiction. Referencing works by such writers as Didion, Morrison, Lawrence, Woolf and Maxwell, D'Erasmo explores the craft behind literature's most memorable relationships.'

“ELECTRIFYING—A TREASURED WRITER WORKING AT THE HEIGHT OF HER POWERS.” —Laura van den Berg, author of I Hold a Wolf by the EarsA haunting and emotionally fraught story of a woman dealing with the ripple effects of her husband’s financial fraud—and with what she knew, or pretended not to know, about it After her husband Alan’s massive white-collar crimes are exposed, Suzanne’s wealthy, com­fortable life shatters: Alan goes to prison, and Suzanne files for divorce. Ignoring a steady stream of calls from her ex at Norfolk State Prison, Suzanne thinks she can cleanse herself of all connections to her ex-husband and their old life together. Instead, she decamps to a Massachusetts beach town where she creates a new life and identity. Then Alan is released early, and the many peo­ple whose lives he has ruined demand restitution. At the same time, awestruck and obsessed by the spectacle of a major whale stranding on a beach near her home, Suzanne makes an apparently high-minded decision that in turn reverberates not only through Alan’s life as he tries to rebuild but also through the lives of their son, Alan’s new wife, his estranged mother, and, ultimately, Suzanne herself. A resonant and bitingly perceptive story about the people next to the bad guys—the queasy and ambiguous territory people like Suzanne inhabit as they stand by, and the ways in which they try to thread the needle of their culpability—The Complicities is a searing look at moral responsi­bility, and about who, in the end, pays for a crime.

After her husband Alan's decades of financial fraud are exposed, Suzanne's wealthy, comfortable life shatters. Alan goes to prison. Suzanne files for divorce, decamps to a barely middle-class Massachusetts beach town, and begins to create a new life and identity. Ignoring a steady stream of calls from Norfolk State Prison, she tries to cleanse herself of all connections to her ex-husband. She tells herself that he, not she, committed the crimes.Then Alan is released early, and the many people whose lives he ruined demand restitution. But when Suzanne finds herself awestruck at a major whale stranding, she makes an apparently high-minded decision that ripples with devastating effect not only through Alan's life as he tries to rebuild but also through the lives of Suzanne and Alan's son, Alan's new wife, his estranged mother, and, ultimately, Suzanne herself.When damage is done, who pays? Who loses? Who is responsible?With biting wisdom, The Complicities examines the ways in which the stories we tell ourselves-that we didn't know, that we weren't there, that it wasn't our fault-are also finally stories of our own deep complicity.