Kirjahaku

This traditional auteurist survey closely examines the films of director John Frankenheimer, assessing the thematic and stylistic elements of such films as The Iceman Cometh, The Manchurian Candidate, and Bird Man of Alcatraz. It begins with a complete overview of Frankenheimer's life and career. A chronology lists production history details for each of his films, and a comprehensive biography draws attention to Frankenheimer's early artistic development. Subsequent chapters categorize his films by genre and theme, examining each film through analytical critiques and plot synopses. Multiple appendices include an analysis of Frankenheimer's short films Maniac at Large and Ambush, a complete filmography, and a suggested reading list.

Here is a comprehensive survey of the film and television career of London-born director Andrew V. McLaglen. An opening biography considers the events and circumstances that contributed to his development as a filmmaker, including his relationships with his actor father Victor McLaglen, fellow director John Ford, and motion picture icon John Wayne, who collaborated with Andrew McLaglen on such films as McLintock! (1963), Hellfighters (1968), The Undefeated (1969) and Chisum (1970). An extensive annotated filmography covers every theatrical feature film McLaglen directed, as well as his television productions and the films he worked on prior to becoming a director. Appendices provide information on the numerous documentaries in which McLaglen has appeared, and a list of stage plays he has directed since his retirement from motion pictures in 1989.

Director Paul Bartel enjoyed poking holes in the expectations of audiences and critics with amusing films about murder, greed and transgressive sex--among them Death Race 2000 (1975), Eating Raoul (1982) and Scenes from the Class Struggle in Beverly Hills (1989). He believed that strange stories that aroused laughter had the potential to disorient viewers and challenge their beliefs about American culture and values. This first book-length study of Bartel's life and work traces his emergence as an independent auteur whose work was praised by Hollywood luminaries like Steven Spielberg, Jim Jarmusch and Brian De Palma. Bartel's experiences as a gay man are explored. Interviews with people who knew him--including Roger Corman, Joe Dante and John Waters--are provided, along with critical analysis of each film.

THE RAMONES AND THE MAKING OF ROCK 'N' ROLL HIGH SCHOOL