Kirjahaku

Stephen Cottrell brings home, vividly and poignantly, the physical reality of the passion story. The narrative of Holy Week is powerful and painful, and because we know how the story ends it's easy to gloss over the difficult details, and stay in the comfort zone of our understanding. The Things He Carried is a book to stimulate thought, provoke discussion and create space for contemplation. 'In order to understand the cross you need to stand under it . . . with the imagination as well as the mind... This book aims to help in that process... But however you use it – on your own or with others - I hope you will receive some small appreciation of just how much the cross weighs, and maybe even pick it up yourself.' From the Introduction

The follow-up to the author's highly successful The Things He Carried, this book takes the post-resurrection sayings of Jesus as starting-points and uses the same reflection format. The meaning and significance of the resurrection, how it was first communicated and how it is communicated to us today, are explored by piecing together these sayings of Jesus. However, the content may not quite be what we imagine. Following the resurrection, we would expect the triumphant 'I have risen from the dead'. Yet Jesus' statements are so different, so apparently innocuous, that they are often overlooked. The Christian faith stands or falls on the resurrection of Jesus; without it, says St Paul, we are to be most pitied. In this revelatory book of surprising reflections, Stephen Cottrell's retelling of the Easter story encourages us to slow down and hear it properly - perhaps for the very first time.

'[Cottrell’s] love of the work of the artist Stanley Spencer (1891-1959) has relentlessly deepened over 20 years, and he expresses it here with a spiritual breathlessness that is infectious and transformative.' MARK OAKLEY, CHURCH TIMES In this devotional book, Stephen Cottrell reflects on five paintings from Stanley Spencer's Christ in the Wilderness series. These paintings give us startling insight into Jesus' own vocation and self-understanding of his ministry. They show his great love for the earth, for the whole created order and for all creatures within it. For Christians, the wilderness is a place of discovery. By dwelling in the wilderness of these beautiful and provocative paintings, Stephen Cottrell encourages us to refine our own discipleship and learn again what it means to follow Christ. This book is excellent reading for Lent but can be enjoyed at any time of year. It includes full-colour illustrations, making it a lovely gift book.

This Lent book offers imaginative reflections on Christ's crucifixion. Each of the seven chapters is focused on a different key character, who describes his or her experience of the Passion. The nails used to crucify Christ are used as a jumping off point for their reflections. Each character considers the questions, 'who killed Christ' and 'who was responsible?' Each chapter includes a Biblical passage, a meditative hymn, a reflection from the point of view of the character, and a short prayer. The book finishes with practical suggestions on how the book can be used as a Lent study course. It is ideal for individual reflection or group study, and can also readily be adapted for use as a Good Friday liturgy.

'Cottrell has a gift for inhabiting the most diverse perspectives . . . All are rendered in glorious physical language, a strange but apt mix of Scripture and modern idiom. The result is revelatory.' The Tablet Walking Backwards to Christmas gives you a new and grown-up perspective on the Nativity story you first encountered in school and church Nativity plays. Stephen Cottrell gets you back into the real meaning of the childhood story simply by telling it backwards; from where you are now, to where you need to be to really understand its truth and deeper purpose. On the whole, this familiar version is more concerned with light than darkness. The backwards approach taken here allows the movement to be in the opposite direction, enabling us to get under the skin of a complex narrative. We begin by seeing through the eyes of Anna, the prophetess; followed by Rachel, who weeps for her children; King Herod; Casper, a wise men; David, a shepherd; Martha, the (so-named) innkeeper's wife; Joseph; Elizabeth; Mary; Isaiah and, finally, Moses. Each imaginative reflection is prefaced by a Bible reading and followed by a prayer. Each imaginative and solidly biblical reflection is prefaced by the relevant Bible reading and followed by a thoughtfully crafted, devotional prayer. If you want an Advent and Christmas devotional that will help to change and mature your understanding of the Nativity story, then Walking Backwards to Christmas is probably the way.

Meditations on the story of Holy Week and the things Jesus did, from his entry into Jerusalem on Palm Sunday until his arrest on Maunday Thursday. One extraordinary week. Jesus rides a colt into Jerusalem. He shows righteous rage in the temple. He eats with the wrong sort of people. He lets a woman anoint him with oil. He washes his disciples' feet. He breaks bread and shares wine. He prays passionately in the garden. He allows himself to be arrested. Jesus stands in the prophetic tradition of those who embody what they teach. The things he did were carefully planned. And in this riveting book, Stephen Cottrell draws out their political and religious significance as Jesus moves towards his greatest and final act - his death and resurrection.

The Sleepy Shepherd is so dozy he completely misses the visit of the angels . . . and the chance to greet the Christ-child in Bethlehem. But one crucial night, years later, he makes an important decision - to be a real shepherd to a man whose friends have all fallen asleep . . .

In the first fully comprehensive study of one of the world’s most iconic musical instruments, Stephen Cottrell examines the saxophone’s various social, historical, and cultural trajectories, and illustrates how and why this instrument, with its idiosyncratic shape and sound, became important for so many different music-makers around the world. After considering what led inventor Adolphe Sax to develop this new musical wind instrument, Cottrell explores changes in saxophone design since the 1840s before examining the instrument's role in a variety of contexts: in the military bands that contributed so much to the saxophone's global dissemination during the nineteenth century; as part of the rapid expansion of American popular music around the turn of the twentieth century; in classical and contemporary art music; in world and popular music; and, of course, in jazz, a musical style with which the saxophone has become closely identified.

How to Pray is a basic primer on prayer. It will get you started, keep you going and uses every stage of life and its varied events to renew and expand your understanding of being alive to God. Completely honest about the struggles and difficulties everyone encounters, it will help you discover how natural prayer is, even when you least feel like it. With his characteristic humour and realism, Stephen Cottrell offers a guide 'from an experienced beginner' for those starting out on the Christian journey and for those who feel there is more to discover. Full of stories and examples from the Christian tradition and daily life, simple principles to follow, some prayers to use and helpful insights from spiritual writers through the ages, this is a book to inspire over and over again. A great gift for confirmation or adult baptism. Previously published as Praying Through Life.

Professional Music-Making in London is an engaging yet innovative study which examines the lives and work of Western art musicians from an ethnographic perspective. Drawing in part on his own professional experience, Stephen Cottrell considers to what extent musicians in Western society conform to Alan Merriam's paradigmatic assessment of them as having low status yet high respect, as well as being given an unusual degree of licence to deviate from convention. The book draws on a wide variety of approaches from scholars elsewhere: from ethnomusicologists such as Bruno Nettl and Henry Kingsbury, performance theorists such as Richard Schechner and Victor Turner, as well as psychologists such as Sigmund Freud and Melanie Klein. This rich intellectual heritage provides the framework for discussion of a variety of themes, including how musicians conceive their self identity and how this is negotiated in the professional musical world; how the deputy system facilitates musical exchange and engenders gift relationships; how humour lubricates social and musical relationships and mitigates the stresses of musicians' lives; and how the events in which musicians participate can be viewed as quasi-rituals, and thus related to analogous events in non-Western cultures. The focus of this study is on professional music-making in London, one of the world's busiest centres of musical performance. Yet the issues raised and explored are deeply relevant to other major centres of Western art music, such as New York, Berlin or Sydney. Ethnomusicologists, anthropologists, musicologists, performers, teachers and concert-goers will find this book a stimulating insight into, and investigation of, Western art musicians and their place in today's world.

Professional Music-Making in London is an engaging yet innovative study which examines the lives and work of Western art musicians from an ethnographic perspective. Drawing in part on his own professional experience, Stephen Cottrell considers to what extent musicians in Western society conform to Alan Merriam's paradigmatic assessment of them as having low status yet high respect, as well as being given an unusual degree of licence to deviate from convention. The book draws on a wide variety of approaches from scholars elsewhere: from ethnomusicologists such as Bruno Nettl and Henry Kingsbury, performance theorists such as Richard Schechner and Victor Turner, as well as psychologists such as Sigmund Freud and Melanie Klein. This rich intellectual heritage provides the framework for discussion of a variety of themes, including how musicians conceive their self identity and how this is negotiated in the professional musical world; how the deputy system facilitates musical exchange and engenders gift relationships; how humour lubricates social and musical relationships and mitigates the stresses of musicians' lives; and how the events in which musicians participate can be viewed as quasi-rituals, and thus related to analogous events in non-Western cultures. The focus of this study is on professional music-making in London, one of the world's busiest centres of musical performance. Yet the issues raised and explored are deeply relevant to other major centres of Western art music, such as New York, Berlin or Sydney. Ethnomusicologists, anthropologists, musicologists, performers, teachers and concert-goers will find this book a stimulating insight into, and investigation of, Western art musicians and their place in today's world.

In the Gospel of Mark's account of the Passion narrative, Jesus calls out from the cross 'Eloi, Eloi, lema sabachthani?' which is the Aramaic for 'My God, my God, why have you forsaken me?' - the first line of Psalm 22. It's an anguished expression - traditionally ascribed to King David - of defeat, failure, abandonment and despair.This series of reflections, written for Lent and Holy Week 2023 by the Archbishop of York Stephen Cottrell, ponders the significance of these words. What does it mean for Jesus to have quoted them, at the very end of his life? What do those words mean for us? This is a beautiful and compelling exploration of the dark, suffering side of the Passion - and how Jesus' words lead us to the greatest hope of all.

In the Gospel of Mark's account of the Passion narrative, Jesus calls out from the cross 'Eloi, Eloi, lema sabachthani?' which is the Aramaic for 'My God, my God, why have you forsaken me?' - the first line of Psalm 22. It's an anguished expression - traditionally ascribed to King David - of defeat, failure, abandonment and despair.This series of reflections, written for Lent and Holy Week 2023 by the Archbishop of York Stephen Cottrell, ponders the significance of these words. What does it mean for Jesus to have quoted them, at the very end of his life? What do those words mean for us? This is a beautiful and compelling exploration of the dark, suffering side of the Passion - and how Jesus' words lead us to the greatest hope of all.

As you explore the Christian faith, you will soon encounter some challenging words: Trinity, Sacrament, Reconciliation, Sin, Incarnation, even the word 'Christ' itself. It isn't Jesus's surname! It is a title with a meaning and history.Sooner, or later, these words, and the ideas behind them, must be addressed and understood. It is simply not possible to be a Christian without understanding sin and forgiveness, knowing what a sacrament is, or accepting Jesus as the Christ.This book is here to help. It explores and explains many of the key concepts and ideas that underpin the Christian faith."I had assumed that someone else had already written a book like this. It seemed such an obvious thing to do. But while I could find weighty tomes on the topics explored here, I couldn't find a book which covered all these things in ways that were accessible, comprehensive and friendly: a simple book about complex things, one which just about anyone could read and find helpful. So, I wrote one." - Archbishop Stephen Cottrell

Archbishop of York Stephen Cottrell argues that the first two words of Christianity's most famous prayer - the Lord's Prayer - encapsulate the radical heart of the Christian faith: that we belong to each other, and that we all have access to God. And if we could understand both these ideas they would truly change our lives - and the world.Unpacking each clause of this ancient prayer both for those who want to encounter it afresh and those beyond church circles, this is the Lord's Prayer recast as a manifesto for the 21st-century church and all who are searching to belong.

Archbishop of York Stephen Cottrell argues that the first two words of Christianity's most famous prayer - the Lord's Prayer - encapsulate the radical heart of the Christian faith: that we belong to each other, and that we all have access to God. And if we could understand both these ideas they would truly change our lives - and the world. Unpacking each clause of this ancient prayer both for those who want to encounter it afresh and those beyond church circles, this is the Lord's Prayer recast as a manifesto for the 21st-century church and all who are searching to belong.

'In less than seventy words, Jesus gives us a prayer to learn by heart and a prayer to get inside our hearts, shaping the way we live.'This book is for beginners of all ages: Whether you know this simple prayer already, or this is your first encounter, be inspired to learn more about how and why we pray these words in this simple guide.Each phrase and page is illustrated with original lino print artworks from Jack Seymour

'A movingly personal book ... the fruit of much deeply meditated sharing of the good news with people of all sorts. Reading it is a real discovery of the fresh waters of faith.' - from the foreword by Rowan Williams 'After this, when Jesus knew that all now was finished, he said, "I am thirsty."' Jesus' words from the cross - a picture of God sharing the world's suffering, experiencing our humanity - can be a window onto God's purposes, leading to a deeper appreciation of his overwhelming love. I Thirst, the Archbishop of Canterbury's Lent book for 2004, helps us explore what the death of Jesus means and how it relates to our lives today.Bishop Stephen Cottrell follows the passion story in John's Gospel, penetrating the deep mystery of a God who loves humanity no matter the cost. Each layer of meaning in the simple cry 'I thirst' is an invitation to consider our own lives and think again about what it means to be a follower of Christ in the modern world.