Kirjahaku

Wordsworth was an eighteenth-century contemporary of Blake and his greatest poetry was composed before Keats had written a line. His impact, however, was not fully registered until the Victorian period, when it became common to place his poetry in the great line of Spenser, Shakespeare, and Milton. In part this book examines how it influenced the Victorian poets and novelists who acknowledged its importance to them. However, drawing on a variety of sources from autobiographical memoirs to publishers' accounts, Wordsworth and the Victorians also examines the emergence of Wordsworth as a cultural icon and the various ways in which his reputation was constructed and transmitted through the agency not of literary giants but of critics, scholars, publishers, and latterly the disciples of the Wordsworth Society. For some readers, ranging from Quakers to Anglo-Catholics, Wordsworth was primarily a religious poet. For others, by contrast, his strength was that he was spiritually uplifting without being doctrinally specific, and this study includes testimonies from many who witnessed what Wordsworth had meant to them at times of crisis. For other readers, who valued the Guide to the Lakes as much as, if not more than, Wordsworth's verse, Wordsworth's importance was that as laureate of Nature he could be pressed into service for the cause of environmental protection. The book finally examines Wordsworth's role, thirty and more years after his death, in the battle to establish the National Trust.

Stephen Gill uses anecdotal and biographical material - the personal testimony of critics, scholars, publishers, and ordinary readers - to illustrate just what Wordsworth's poetry meant to his Victorian readers.

In this second edition of William Wordsworth: A Life, Stephen Gill draws on knowledge of the poet's creative practices and his reputation and influence in his life-time and beyond. Refusing to treat the poet's later years as of little interest, this biography presents a narrative of the whole of Wordsworth's long life--1770 to 1850--tracing the development from the adventurous youth who alone of the great Romantic poets saw life in revolutionary France to the old man who became Queen Victoria's Poet Laureate. The various phases of Wordsworth's life are explored with a not uncritical sympathy; the narrative brings out the courage he and his wife and family were called upon to show as they crafted the life they wanted to lead. While the emphasis is on Wordsworth the writer, the personal relationships that nourished his creativity are fully treated, as are the historical circumstances that affected the production of his poetry. Wordsworth, it is widely believed, valued poetic spontaneity. He did, but he also took pains over every detail of the process of publication. The foundation of this second edition of the biography remains, as it was of the first, a conviction that Wordsworth's poetry, which has given pleasure and comfort to generations of readers in the past, will continue to do so in the years to come.

Nothing was more important to Wordsworth than tracing the evidence that affinities had been preserved between all the stages of the life of man. In this beautifully written and thoughtful book Wordsworth's biographer and editor Stephen Gill explores the ways in which the poet attempted as an artist to maintain such continuities and shows how revisitings of various kinds are at the heart of his creativity. Habitually reviewing all of his work, both published and that still in manuscript, Wordsworth painstakingly revised at the level of verbal detail or recast it more largely. New poems frequently emerged from re-engagement with old, often serving as a sequel to or commentary from the maturer poet on his own earlier creation, and acts of self-borrowing and self-reference are plentiful. These linkings provide insights into the powerful vision the poet maintained that his imaginative creation was one evolving unity and reveal much about the obsessions and drives of the great poet. Combining textual analysis, critical commentary, and biographical narrative, Gill explores what binds Wordsworth's later, less well-known poems to his earlier work. At the centre of the book is an account of the evolution of The Prelude from 1804 to 1839, in which it is argued that Wordsworth's masterpiece must be followed through all its versions, seen as a poem growing old alongside its creator.

Nothing was more important to Wordsworth than tracing the evidence that affinities had been preserved between all the stages of the life of man. In this beautifully written and thoughtful book Wordsworth's biographer and editor Stephen Gill explores the ways in which the poet attempted as an artist to maintain such continuities and shows how revisitings of various kinds are at the heart of his creativity. Habitually reviewing all of his work, both published and that still in manuscript, Wordsworth painstakingly revised at the level of verbal detail or recast it more largely. New poems frequently emerged from re-engagement with old, often serving as a sequel to or commentary from the maturer poet on his own earlier creation, and acts of self-borrowing and self-reference are plentiful. These linkings provide insights into the powerful vision the poet maintained that his imaginative creation was one evolving unity and reveal much about the obsessions and drives of the great poet. Combining textual analysis, critical commentary, and biographical narrative, Gill explores what binds Wordsworth's later, less well-known poems to his earlier work. At the centre of the book is an account of the evolution of The Prelude from 1804 to 1839, in which it is argued that Wordsworth's masterpiece must be followed through all its versions, seen as a poem growing old alongside its creator.

In this introduction to Wordsworth’s greatest poem, its creation, historical context, structure and reception history, Stephen Gill places The Prelude in the context of Wordsworth’s life, and discusses the various states in which it survives. He gives an account of each book of the 1805 poem, and provides detailed discussion of its blank verse and of the religious viewpoint of the whole. The final chapter is a survey of the work’s scholarly and critical reception.

American Hegemony and the Trilateral Commission, first published in 1991, makes an original contribution to a subject of great interest to specialists and students of international relations and international political economy - the extent and nature of America as an international power and a hegemonic state up until the end of the 1980s. In examining the role of the USA in the post-war world order, Stephen Gill challenges arguments concerning the relative decline of American hegemony. He maintains that instead of equating hegemony with the dominance of one state over other states, one should redefine the question of hegemony in terms of the relationship between economic, military, cultural and political forces. Gill also develops a concept of transnational hegemony - the rise in the power of internationally mobile capital.

This challenging work develops a radical theory of the new world order to argue that as the globalization of power intensifies, so too do globalized forms of resistance. Stephen Gill explains how the dialectic of power and resistance involves issues of governance, economy and culture. This struggle is reflected in the questions of American supremacy, the power of capital, market civilization and surveillance power. Thus new forms of political agency and collective action are emerging to challenge dominant powers.

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