Kirjahaku

"A blissful treasure trove of gossipy insider details that Dolls fans will swiftly devour."--Kirkus ReviewsThe unbelievable-but-true, inside story of Jacqueline Susann's pop culture icon Valley of the Dolls--the landmark novel and publishing phenomenon, the infamous smash hit film ("the best worst movie ever made"), and Dolls's thriving legacy today Since its publication in 1966, Jacqueline Susann's Valley of the Dolls has reigned as one of the most influential and beloved pieces of commercial fiction. Selling over thirty-one million copies worldwide, it revolutionized overnight the way books got sold, thanks to the tireless and canny self-promoting Susann. It also generated endless speculation about the author's real-life models for its larger-than-life characters. Turned in 1967 into an international box-office sensation and morphing into a much-beloved cult film, its influence endures today in everything from films and TV shows to fashion and cosmetics tributes and tie-ins. Susann's compulsive readable expos of three female friends finding success in New York City and Hollywood was a scandalous eye-opener for its candid treatment of sex, naked ambition, ageism, and pill-popping, and the big screen version was one of the most-seen and talked-about movies of the time.Dolls Dolls Dolls digs deep into the creation of that hugely successful film--a journey nearly as cut-throat, sexually-charged, tragic, and revelatory as Susann's novel itself--and uncovers how the movie has become a cherished, widely imitated camp classic, thanks to its over-the-top performances, endlessly quotable absurd dialogue, outr costumes and hairdos, despite the high aspirations, money, and talent lavished on it. Screenwriter-journalist-film historian Stephen Rebello has conducted archival research and new interviews to draw back the velvet curtain on the behind-the-scenes intrigue, feuds and machinations that marked the film's production. In doing so, he unveils a rich, detailed history of fast-changing, late 1960s Hollywood, on screen and off.

For the very first time the tense and drama-filled story of the making Alfred Hitchcock's Strangers on a Train is revealed as author Stephen Rebello takes readers deep into the shadows and light of one of the most subversive, corrosively funny, and beloved suspense thriller masterworks.As entertaining as it is to watch Strangers on a Train, so too is the previously untold backstory that packs all the suspense, drama, and twists of a thriller. After all, what are the hallmarks of a great Hitchcock movie? A larger-than-life, complex cast of characters, each with something to prove, lose, or hide. Check. Tremendous risk, outsized conflict, and emotion as those men and women confront challenges off the set. Check. Feuds, deceptions, unlikely alliances, and double-crosses. Check. Coming off a 5-year-string of flops, Alfred Hitchcock gambled big on adapting Patricia Highsmith's debut novel, which critics called "preposterous" and "unconvincing," in addition to "unsavory," and "sick" (1950s code words for "gay" and "perverted"). Each step of the production was fraught with battles, but Hitchcock masterfully stayed two steps ahead of his opponents as he fought to bring his vision to life. Strangers on a Train became not only a creative high-water mark and box-office smash for Hitchcock, but also kicked off his unmatched decade of classics including Dial M for Murder, Rear Window, Vertigo, North by Northwest, and Psycho. Richly documented, meticulously researched, and stylishly written, Criss-Cross is more than an authoritative film book. It is a portrait of an especially politically paranoid, misogynistic, and homophobic era in America, a time of dramatic transition in the entertainment industry, and a day of reckoning for Alfred Hitchcock and a few other talents with whom he made a dark, resonant, and prescient work of art.

A CITY FULL OF HAWKS: ON THE WATERFRONT SEVENTY YEARS LATER, STILL THE GREAT CONTENDER

During Alfred Hitchcock's five-decade reign as the screen's internationally celebrated Master of Suspense, he directed 53 motion pictures - hence the number in the title of this book. In such Hitchcock gold standard classics as The 39 Steps, Rear Window, Vertigo, North by Northwest, Psycho, and The Birds, he staked his claim as the architect, the O.G. of the thriller. He laid down the rules and rhythm of the genre, created an immediately identifiable visual style, experimented constantly with technique, pushed boundaries, tweaked censors, and shattered the expectations of his audiences -- along with their nerves. In exploiting his private fears and vulnerabilities, Hitchcock was as brilliant as making us think and feel as he was at making us scream and invading our nightmares. His films elevated the form and were among the biggest box-office successes and most influential of their time. They were and are emulated for their fashion sense and, more lastingly, even nudged the culture forward by liberalizing attitudes toward cinematic violence and sexual frankness. Hitchcockian Thrillers: 53 Must-See Suspense Movies in the Alfred Hitchcock Style is a curated, opinionated, authoritative, highly personal, lavishly illustrated guide to nine decades of international moviemaking featuring films by directors - beginning in the era of Fritz Lang, Billy Wilder, and Sir Carol Reed and moving right up through today's David Fincher, Jordan Peele, Paul Thomas Anderson, and Martin Scorsese - who have all tried to 'do a Hitchcock.'