Kirjahaku

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature.Robert Herrick was born in London, in 1591, the seventh child of a prosperous goldsmith. He graduated from St. John's College, Cambridge in 1617, and became a Cavalier poet in the mould of Ben Jonson, mixing in literary circles in London. He was ordained in 1623 and subsequently appointed by Charles I to the living of Dean Prior in Devon, where he lived in the reluctant seclusion of country life and wrote some of his best work. In 1647, under the Commonwealth, Herrick was expelled from the priory and returned to London, where he published his major work, Hesperides, the following year. With the restoration of Charles II in 1660 he was returned to Devon and died a bachelor in 1674.

Stephen Romer's essays range from the key figures of French and English Modernism to the contemporary practice of poetry, and its translation. At the heart of Chaos and the Clean Line is an enquiry into the talismanic power that a source of order can possess for the poet who lives in a disordered world. It is what drives Mallarm 's 'fury against the formless'. Sometimes it may be found in a longed-for sense of psychological detachment, as when Laforgue invents the figure of Pierrot. Or it may be the craft and genius of a former age, safely removed from the alienating cities of today, such as Eliot finds in Dante, or in Gautier's chiseled verse. For Pierre Reverdy, the clean line of order may come from a Cubist painting; for Ezra Pound, it may be an epiphany of angled sunlight fallen on stone in Provence; for Apollinaire, the shockingly original analogies he draws between physical eroticism and trench warfare.Stephen Romer is Associate Professor of English at the University of Tours, and Lecturer in French at Brasenose College, Oxford.

Set Thy Love in Order: New & Selected Poems gathers the work of some thirty years, taken from Stephen Romer’s four previous collections, along with a substantial selection of new poems. The title is a Dantesque imperative as old as the Trecento: Ordina questo amore, O tu che m’ ami – set thy love in order, o thou who lovest me. Romer’s central theme is encapsulated by these words, and his prolonged and painstaking exploration of the ‘intermittences of the heart’, frequently carried out with a Francophile self-consciousness and rueful wit, constitute so many variations on the theme. Romer’s New & Selected articulates the constant oscillation between love, loss and longing, and the religious desire for ‘refuge’ or ‘higher things’, and how powerfully these can come to rhythm the life of the mind and the emotions. His more recent work has included poems of love and mourning for his parents, and elegies for friends. Derek Mahon singled out Romer’s first collection Idols for its ‘emotional candour and intellectual clarity’, and since then the poet has endeavoured to turn the light of the intellect (and the wit) on the frequently chaotic and contradictory material of the heart.