Kirjahaku

From an "astonishing" writer (Toni Morrison), the savagely funny story of a couple who unexpectedly come into some money in a wealth-obsessed America deranged by Mammon. A bag of money drops out of the sky, literally, into the path of a cash-starved citizen named Graveyard. He carries it home to his wife, Ambience, and they embark on the adventure of their lives, finally able to have everything they've always thought they deserved: cars, guns, games, jewels, clothes--and of course sex, travel, and time with friends and family. There is no limit except their imagination and the hours in the day, and even those seem to be subject to their control. Of course, the owner of the bag is searching for it, and will do whatever is necessary to get it back. And, of course, these new riches change everything--and nothing at all. Darkly hilarious, Processed Cheese is both satire and serious as death. It's a road novel, a family story, and a last-girl-standing thriller of once-in-a-generation vitality and inventiveness. With the clarity of a Swift or a Melville, Wright has created a funhouse-mirror drama that puts all the chips on the table and every bullet in the clip, down to the last breathtaking moment.

From an "astonishing" writer (Toni Morrison), the savagely funny story of a couple who unexpectedly come into some money in a wealth-obsessed America deranged by Mammon. A bag of money drops out of the sky, literally, into the path of a cash-starved citizen named Graveyard. He carries it home to his wife, Ambience, and they embark on the adventure of their lives, finally able to have everything they've always thought they deserved: cars, guns, games, jewels, clothes--and of course sex, travel, and time with friends and family. There is no limit except their imagination and the hours in the day, and even those seem to be subject to their control. Of course, the owner of the bag is searching for it, and will do whatever is necessary to get it back. And, of course, these new riches change everything--and nothing at all. Darkly hilarious, Processed Cheese is both satire and serious as death. It's a road novel, a family story, and a last-girl-standing thriller of once-in-a-generation vitality and inventiveness. With the clarity of a Swift or a Melville, Wright has created a funhouse-mirror drama that puts all the chips on the table and every bullet in the clip, down to the last breathtaking moment.

A "beautiful and terrifying" novel about family, faith, and the search for home (San Francisco Chronicle), set amidst a community of UFO cultists in middlest America.As regular guests on late-night radio shows, Dash and Dot are the world's most in-demand lecturers on the topic of UFOs and alien abduction. They believe that we are all descended from M31, the nearest galaxy to ours, and divide their time between life on the road and a decommissioned church in the Midwest. A radar dish on its steeple and a spaceship in its sanctuary complete the modern nuclear-family setting.When a couple of UFO groupies arrive at the church with their own agenda, everything changes, brought to a head by their strange beliefs and the timeless difficulties of modern life. Dash and Dot set out on their last trip, their ultimate journey, with a destination that no one could foretell. Written with a fevered vividness and immediacy, M31: A Family Romance has been hailed as "a devastatingly forceful accomplishment" from "a star of the first magnitude" (the Washington Post).

A dutiful husband and father walks out of his life and into a road trip from hell in a novel Toni Morrison calls "astonishing" and Don Delillo proclaims "a slasher classic . . . strange, dark, and funny." Wylie Jones has a happy marriage, beautiful children, and backyard barbecues in his tastefully decorated suburban house. One night he follows a sudden impulse, leaves his wife in bed, and commandeers his neighbor's emerald-green Ford Galaxy 500, driving away without a second look. He sheds all traces of his old life in favor of a new name and a new life and drives from town to town, following his deepest impulses where they lead.By turns scathing and hilarious, Stephen Wright's outrageous rollercoaster of sex and violence probes the nihilistic and savage core of the American identity.

A Civil War novel unlike any other: the story of a young man's journey through a nation blasted apart.Born in 1844, Liberty Fish is the descendant of both Carolina slaveholders and New York abolitionists. In hopes of reconciling the warring strands of his heritage, he escapes his home in the North -- first into the cauldron of the Civil War, and then into the even more disturbing bedlam that follows.The Amalgamation Polka showcases not only the brutality of this tragic passage in American history, but also its surprising compassion and hope. In language both true to its time and completely modern, it is revelatory and mesmerizing, a novel that "will bring a smile to your own lips as it sets your brain on fire." (Jason McBride, the Village Voice).

In Alive to the Word Stephen Wright offers a constructive introduction to preaching as an existing and varied practice throughout the church on which it is important to continue to reflect theologically, so that it is executed with developing spirituality, understanding and skill.Alive to the Word includes discussion of the full range of key components in the understanding and practice of preaching - from its basic theological rationale right through to the dynamics of live communication and its aftermath.The books begins by reflecting on the nature and the context of preaching, not least in a communications culture and moves on to setting a constructive agenda for the development of preaching as a core practice of the Christian church for the preacher, the congregation and the wider church.

Providing a timely analysis of the foreign policies of African states, this volume of original essays enables the reader to assess the position of African states within an evolving post?Cold War environment and to judge the extent of African marginalization from the global economy. As national foreign policies are increasingly influenced by factors

Our knowledge of the world comes from various sources. But it is sometimes said that testimony, unlike other sources, transmits knowledge from one person to another. In this book, Stephen Wright investigates what the transmission of knowledge involves and the role that it should play in our theorising about testimony as a source of knowledge. He argues that the transmission of knowledge should be understood in terms of the more fundamental concept of the transmission of epistemic grounds, and that the claim that testimony transmits knowledge is not only defensible in its own right, but indispensable to an adequate theory of testimony. This makes testimony unlike other epistemic sources.

This volume of thirteen original essays provides a timely analysis of African foreign policies in a post–Cold War environment where African marginalization from the global economy appears to be increasing. Three thematic essays give an overview of critical changes occurring in African foreign policies, and ten country-by-country case studies provide specific analyses of decisionmaking, intraregional relations, and the struggles over policy with external agencies, including the World Bank and the International Monetary Fund. African Foreign Policies offers explanations for how African states are adapting to the international challenges of the late twentieth century.

This literary study considers how the 'voice' of Jesus has been heard in different periods of parable interpretation, and how the categories of figure and trope may help us towards a sensitive reading of the parables today. This book explores what it means to seek the "voice" of Jesus" in his parables through the interpretive keys of literary tropes. Through a detailed discussion of significant periods of parable interpretation, with reference to six narrative parables peculiar to Luke's Gospel, it demonstrates the continued necessity of a creative response to an intention when confronted with figures of speech. Drawing on the long tradition of interpretation, a fresh hearing of the tone of the parables as exemplary tales is suggested, rooted in both the conditions of Jesus's contemporary culture and the Old Testament Scriptures.

Our knowledge of the world comes from various sources. But it is sometimes said that testimony, unlike other sources, transmits knowledge from one person to another. In this book, Stephen Wright investigates what the transmission of knowledge involves and the role that it should play in our theorising about testimony as a source of knowledge. He argues that the transmission of knowledge should be understood in terms of the more fundamental concept of the transmission of epistemic grounds, and that the claim that testimony transmits knowledge is not only defensible in its own right, but indispensable to an adequate theory of testimony. This makes testimony unlike other epistemic sources.

From an "astonishing" writer (Toni Morrison), the savagely funny story of a couple who unexpectedly come into some money in a wealth-obsessed America deranged by Mammon. A bag of money drops out of the sky, literally, into the path of a cash-starved citizen named Graveyard. He carries it home to his wife, Ambience, and they embark on the adventure of their lives, finally able to have everything they've always thought they deserved: cars, guns, games, jewels, clothes--and of course sex, travel, and time with friends and family. There is no limit except their imagination and the hours in the day, and even those seem to be subject to their control. Of course, the owner of the bag is searching for it, and will do whatever is necessary to get it back. And, of course, these new riches change everything--and nothing at all. Darkly hilarious, Processed Cheese is both satire and serious as death. It's a road novel, a family story, and a last-girl-standing thriller of once-in-a-generation vitality and inventiveness. With the clarity of a Swift or a Melville, Wright has created a funhouse-mirror drama that puts all the chips on the table and every bullet in the clip, down to the last breathtaking moment.

One of the greatest Vietnam War novels ever written, by an award-winning writer who experienced it firsthand.Deployed to Vietnam with the U.S. Army's 1069 Intelligence Group, Spec. 4 James Griffin starts out clear-eyed and hardworking, believing he can glide through the war unharmed. But the kaleidoscope of horrors he experiences gets inside him relentlessly. He gradually collapses and ends up unstrung, in step with the exploding hell around him and waiting for the cataclysm that will bring him home, dead or not.Griffin survives, but back in the U.S. his battles intensify. Beset by addiction, he takes up meditating on household plants and attempts to adjust to civilian life and beat back the insanity that threatens to overwhelm him. Meditations in Green is a haunting exploration of the harrowing costs of war and yet-unhealed wounds, "the impact of an experience so devastating that words can hardly contain it" (Walter Kendrick, the New York Times Book Review). Through passages gorgeous, agonizing, and surreal, Stephen Wright paints a searing portrait of a nation driven to the brink by violence and deceit.

One of the greatest Vietnam War novels ever written, by an award-winning writer who experienced it firsthand.Deployed to Vietnam with the U.S. Army's 1069 Intelligence Group, Spec. 4 James Griffin starts out clear-eyed and hardworking, believing he can glide through the war unharmed. But the kaleidoscope of horrors he experiences gets inside him relentlessly. He gradually collapses and ends up unstrung, in step with the exploding hell around him and waiting for the cataclysm that will bring him home, dead or not.Griffin survives, but back in the U.S. his battles intensify. Beset by addiction, he takes up meditating on household plants and attempts to adjust to civilian life and beat back the insanity that threatens to overwhelm him. Meditations in Green is a haunting exploration of the harrowing costs of war and yet-unhealed wounds, "the impact of an experience so devastating that words can hardly contain it" (Walter Kendrick, the New York Times Book Review). Through passages gorgeous, agonizing, and surreal, Stephen Wright paints a searing portrait of a nation driven to the brink by violence and deceit.

A dutiful husband and father walks out of his life and into a road trip from hell in a novel Toni Morrison calls "astonishing" and Don Delillo proclaims "a slasher classic . . . strange, dark, and funny." Wylie Jones has a happy marriage, beautiful children, and backyard barbecues in his tastefully decorated suburban house. One night he follows a sudden impulse, leaves his wife in bed, and commandeers his neighbor's emerald-green Ford Galaxy 500, driving away without a second look. He sheds all traces of his old life in favor of a new name and a new life and drives from town to town, following his deepest impulses where they lead.By turns scathing and hilarious, Stephen Wright's outrageous rollercoaster of sex and violence probes the nihilistic and savage core of the American identity.

A dutiful husband and father walks out of his life and into a road trip from hell in a novel Toni Morrison calls "astonishing" and Don Delillo proclaims "a slasher classic . . . strange, dark, and funny." Wylie Jones has a happy marriage, beautiful children, and backyard barbecues in his tastefully decorated suburban house. One night he follows a sudden impulse, leaves his wife in bed, and commandeers his neighbor's emerald-green Ford Galaxy 500, driving away without a second look. He sheds all traces of his old life in favor of a new name and a new life and drives from town to town, following his deepest impulses where they lead.By turns scathing and hilarious, Stephen Wright's outrageous rollercoaster of sex and violence probes the nihilistic and savage core of the American identity.

A fresh examination of the Baptist movement, showing its growth and development to be more complex than hitherto assumed. This book challenges the orthodoxy that seventeenth-century Baptists were divided from the first into two separate denominations, 'Particular' and 'General', defined by their differing attitudes to predestination and the atonement, showing how the position was in fact much more complicated. It describes how from the foundation of the 'Generals' in 1609 there were always two tendencies, one clericalist and pacifist, influenced by the Dutch Mennonites, and one reflecting the English traditions of erastianism and local lay predominance in religion. It re-analyses the confessional struggle during and after the civil war, showing how Independent and erastian sentiment in Parliament increasingly combined to baulk Presbyterian ambition; during and partly because of this process (which they also influenced), the Baptists evolved into three recognisable tendencies. Amongst General Baptists there was a politically radical current, but also a more passive tendency which was starting to gain ground. In 1647-9 most but by no means all Particular Baptist leaders were hostile to the Levellers. The book looks at the nature of religious convictionin the New Model Army, reassessing the role and influence of Baptists in it. In the late 40s, many Baptists, soldiers and civilians, rejected formal ordinances altogether. STEPHEN WRIGHT received his Ph.D. from the Universityof London. He has been visiting lecturer at the University of Hertfordshire and the University of North London.