Kirjahaku

After the phenomenal success of Steve Wright’s Book of Factoids, Steve returns with Further Factoids, bringing together the weirdest and most extraordinary factoids from BBC Radio 2’s Steve Wright in the Afternoon. Steve Wright, one of nation's favourite DJs, is a man with a brain the size of a small planet. Unfortunately for him, this brain appears to be filled with trivia that would make Magnus Magnuson green with envy. Fortunately for us, he has decided to let his brain gush out into another hilarious, fascinating and informative compendium of strange and bizarre facts from around the world. For example, did you know that:• Worcestershire sauce is basically anchovy ketchup?• They add liquid detergent to our favourite bevvy in beer commercials to make it foam more?• Austria was the first country ever to use postcards?• A hippo can open its mouth wide enough to fit Little Ant and Dec inside? Bringing together more of the strangest and most hilarious factoids from Steve's show, he provides explanations, commentary and anecdotes to enhance this entertaining collection of hundreds of fun facts.

Put the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a valuable vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role.Beginning with an inspirational tour of the scope and magnitude of digital compositing, you get a solid overview of the kinds of digital effects routinely executed today. See how CGI is composited with live action, how set extensions are done, and what a match-move shot is. Following that you learn each of the key applications of digital compositing, which include bluescreen compositing, bullet-time shots, motion tracking, and rotoscoping. The subsequent chapters dig down into each of the major digital compositing applications, introducing the fundamental concepts, and processes behind them. Learn what is easy and hard, possible and impossible, and what to expect when working on a job that entails digital compositing. New to this edition are 4 new chapters on:* 3D compositing, with lessons on what camera tracking is, how it is used to put CGI into a live-action plate, as well as live action into a 3D scene. * Stereo compositing, with descriptions of key stereoscopic terms and concepts, lessons on compositing shots that were filmed in stereo (both bluescreen and CGI), as well as the stereo conversion process when a flat 2D movie is converted to a stereo 3D movie* RED and Digital Capture with Log Images, including log image formats. This is a very hot topic these days. Colleges hang around video because it is cheaper. Film is still big in the real world of production.* Tracking an entire project from start to finishThis is in addition to robust updates on topics such as:* planar tracking, Z compositing, working with Anamorphic HD formats, mocap, and moreThis edition also includes a companion website (https://routledgetextbooks.com/textbooks/_author/wright-9780240817811/resources.php) with images from the book for you to work with in your own compositing exercises.An accessible introduction to a complex subject for novice and aspiring compositors, from experienced author and compositing whose compositing credits include Night at the Museum 2, Shutter Island, Solaris, Traffic, and more Full color presentation illustrating the art and techniques of the practice, provides inspiration along with instruction New to this edition is a companion website, new chapters on 3D compositing, stereo compositing, RED and digital capture with log images, and more will have you understanding the latest in compositing technology in no time

In the past decade, primal-dual algorithms have emerged as the most important and useful algorithms from the interior-point class. This book presents the major primal-dual algorithms for linear programming in straightforward terms. A thorough description of the theoretical properties of these methods is given, as are a discussion of practical and computational aspects and a summary of current software. This is an excellent, timely, and well-written work. The major primal-dual algorithms covered in this book are path-following algorithms (short- and long-step, predictor-corrector), potential-reduction algorithms, and infeasible-interior-point algorithms. A unified treatment of superlinear convergence, finite termination, and detection of infeasible problems is presented. Issues relevant to practical implementation are also discussed, including sparse linear algebra and a complete specification of Mehrotra's predictor-corrector algorithm. Also treated are extensions of primal-dual algorithms to more general problems such as monotone complementarity, semidefinite programming, and general convex programming problems.

Graham Bonnet was born in Skegness in 1947 and had his first hit single with The Marbles in 1968, "Only One Woman" which reached Number 5 in the UK Singles Chart.....So runs Graham Bonnet's wikipedia entry. Of his earlier bands not a word. This new biography of the much travelled rock singer more than fills the missing gaps.

Written by senior compositor, technical director, and master trainer Steve Wright, this book condenses years of production experience into an easy-to-read and highly informative guide suitable for both working and aspiring visual effects artists. This updated edition of Digital Compositing for Film and Video addresses the problems and difficult choices that professional compositors face daily with an elegant blend of theory, practical production techniques, and workflows. It is written to be software-agnostic, so it applies to any brand of software. It features many step-by-step workflows, powerful new keying techniques, and updates on the latest tech in the visual effects industry with all-new content on artificial intelligence (AI) for visual effects (VFX), Universal Scene Description (USD), Virtual Production, and Cryptomattes. A companion website offers images from the examples discussed in the book allowing readers to experiment with the material first-hand. This edition also adds Nuke workflows to the companion website for the first time.

Written by senior compositor, technical director, and master trainer Steve Wright, this book condenses years of production experience into an easy-to-read and highly informative guide suitable for both working and aspiring visual effects artists. This updated edition of Digital Compositing for Film and Video addresses the problems and difficult choices that professional compositors face daily with an elegant blend of theory, practical production techniques, and workflows. It is written to be software-agnostic, so it applies to any brand of software. It features many step-by-step workflows, powerful new keying techniques, and updates on the latest tech in the visual effects industry with all-new content on artificial intelligence (AI) for visual effects (VFX), Universal Scene Description (USD), Virtual Production, and Cryptomattes. A companion website offers images from the examples discussed in the book allowing readers to experiment with the material first-hand. This edition also adds Nuke workflows to the companion website for the first time.

This book, written by a leading expert in the field of visual effects (VFX), demystifies the complex subject of color science and how it should be managed from project ideation to completion. Readers will learn not only how things work, their capabilities and limitations, but also the color science that goes along with them, in an accessible and informative manner. Starting in the real world, with an understanding of light and our human perception of it, the book then explores how digital cameras "see" and digitize the scene. From the capture of these images, the author then explores the fundamental concerns of storage, editing, and managing color images, including with OpenColorIO and ACES, the Academy Color Encoding System. Written for professional photographers, cinematographers, VFX, motion graphics and computer graphics artists, editors, and colorists, this book will provide you with knowledge of the upstream and downstream technology of your job that will not only give you a competitive advantage and help you to make better images, but also give you a real-world working knowledge of color science.

This book, written by a leading expert in the field of visual effects (VFX), demystifies the complex subject of color science and how it should be managed from project ideation to completion. Readers will learn not only how things work, their capabilities and limitations, but also the color science that goes along with them, in an accessible and informative manner. Starting in the real world, with an understanding of light and our human perception of it, the book then explores how digital cameras "see" and digitize the scene. From the capture of these images, the author then explores the fundamental concerns of storage, editing, and managing color images, including with OpenColorIO and ACES, the Academy Color Encoding System. Written for professional photographers, cinematographers, VFX, motion graphics and computer graphics artists, editors, and colorists, this book will provide you with knowledge of the upstream and downstream technology of your job that will not only give you a competitive advantage and help you to make better images, but also give you a real-world working knowledge of color science.

In November 1981, I teamed up with guitarist's John Clover & John Potter and bassist Steve Dyson and by April 1982, Huddersfield had a new band, The End. We prided ourselves on playing originally penned songs, but at some venues it was more about cover versions. So we accumulated a large amount in our locker from the 60s to the present day. Before the year was through, we had recorded at Cargo studios in Rochdale and Leader Sound in Greetland laying down 'Standing On The Platform', 'Time', 'She's A Winner' (all originals) and three covers. In Feb' 1983, we qualified for the Yorkshire Supergroup comp' in Wakefield, but by the end (no pun) of May I chose to leave. The story is fattened out with what we all got up to afterwards.

Written by senior compositor, technical director and master trainer Steve Wright, this book condenses years of production experience into an easy-to-read and highly-informative guide suitable for both working and aspiring visual effects artists. This expanded and updated edition of Digital Compositing for Film and Video addresses the problems and difficult choices that professional compositors face on a daily basis with an elegant blend of theory, practical production techniques and workflows. It is written to be software-agnostic, so it is applicable to any brand of software. This edition features many step-by-step workflows, powerful new keying techniques and updates on the latest tech in the visual effects industry.Workflow examples for: Grain Management Lens Distortion Management Merging CGI Render Passes Blending Multiple Keys Photorealistic Color Correction RotoscopingProduction Techniques for: Keying Difficult Greenscreens Replicating Optical Lens Effects Advanced Spill Suppression Fixing Discoloured Edges Adding Interactive Lighting Managing Motion BlurWith brand new information on: Working in linear ACES Color Management Light Field Cinematography Planar Tracking Creating Color Difference Keys Premultiply vs. Unpremultiply Deep Compositing VR Stitching 3D Compositing from 2D Images How Color Correction ops Effect Images Color Spaces Retiming Clips Working with Digital Cinema Images OpenColorIOA companion website offers images from the examples discussed in the book allowing readers to experiment with the material first-hand.

Put the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a valuable vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role.Beginning with an inspirational tour of the scope and magnitude of digital compositing, you get a solid overview of the kinds of digital effects routinely executed today. See how CGI is composited with live action, how set extensions are done, and what a match-move shot is. Following that you learn each of the key applications of digital compositing, which include bluescreen compositing, bullet-time shots, motion tracking, and rotoscoping. The subsequent chapters dig down into each of the major digital compositing applications, introducing the fundamental concepts, and processes behind them. Learn what is easy and hard, possible and impossible, and what to expect when working on a job that entails digital compositing. New to this edition are 4 new chapters on: 3D compositing, with lessons on what camera tracking is, how it is used to put CGI into a live-action plate, as well as live action into a 3D scene. Stereo compositing, with descriptions of key stereoscopic terms and concepts, lessons on compositing shots that were filmed in stereo (both bluescreen and CGI), as well as the stereo conversion process when a flat 2D movie is converted to a stereo 3D movie RED and Digital Capture with Log Images, including log image formats. This is a very hot topic these days. Colleges hang around video because it is cheaper. Film is still big in the real world of production. Tracking an entire project from start to finish. This is in addition to robust updates on topics such as: planar tracking, Z compositing, working with Animatronics.

Christians have been missing out on the richness and hidden mysteries of their Jewish faith through the Messiah. Jew and Gentile must come together to embrace the salvation of Yeshua (Jesus). Take a journey into the Jewish roots of the Bible and learn how it all points to the Messiah.

Apps have taken the world by storm, and now they're taking SharePoint as well. The biggest new thing in SharePoint 2013, apps are the solution to creating custom code that runs on not just your own SharePoint deployment, but also on others' implementations as well. Pro SharePoint 2013 App Development is your must-have guide to developing app solutions that run on the SharePoint 2013 platform. Using step-by-step tutorials, author Steve Wright creates a sample SharePoint app throughout the course of the book, and you can walk with him through the entire lifecycle of a SharePoint app. Get expert guidance and advice on creating an app, provisioning it for use in SharePoint, securing it from unauthorized use and from other applications, integrating your app with SharePoint search and other platform features, and much more. You'll even discover how to present your app to users on mobile devices like iPads, smartphones, and Microsoft Surface tablets.Apps in SharePoint are here to stay. Don't miss out - pick up a copy of Pro SharePoint 2013 App Development and get started on your own custom apps today.Introduces the architecture for creating and hosting SharePoint apps. Leads the reader through the creation and deployment of a complete solution. Provides an understanding of the security features in the SharePoint app model. Helps the organization leverage internal data securely over the network. Leverages SharePoint search and other services to create rich SharePoint solutions. Introduces the techniques for delivering data on a multitude of web and mobile platforms.

Das kleine Zebra und sein gro es Abenteuer - Eine Geschichte f r Kinder (und Zebras)Mr. Zebra ist die Geschichte eines kleinen, jungen Zebras mit einer roten Baseball-Kappe, das genug davon hat, immer nur Gras zu fressen. So beschlie t es, sich auf den Weg in die Stadt zu machen. Und hier beginnt das Abenteuer. F r Leseanf nger und deren Eltern. Mr. Zebra eignet sich f r tierliebende Kinder jeden Alters, aber vor allem zwischen den Lebensjahren 3-7. In dem Buch finden Sie auf jeder Seite bunte Illustrationen. Verf gbar auf dem Kindle und als Taschenbuch.

In The Weight of the Printed Word, Steve Wright explores the creation and use of documents as a key dimension in the activities of Italian workerists during the 1960s and 1970s. From leaflets and newspapers to books, internal documents and workers' enquiries; the operaisti deployed a wide variety of printed materials in their efforts to organise among new subjectivities of mass rebellion. As Wright demonstrates, the practice of working with print was a central part of what it meant to be a workerist or autonomist militant during these years: one that throws light both on the meaning of political engagement, as well as the challenges posed by the use of technologies of communication and by emergent social subjects.

This comprehensive, step-by-step guide is for anyone interested in owning or working pointing dogs. Aimed at complete novices and those with more experience, it is easy to read, and written with great enthusiasm for the subject. It helps you select a breed and source good breeders, choose your puppy, and covers its early socialisation and care – then clearly describes how to train each aspect of the pointing dog’s work. Completing the ‘full circle’ it moves on to breeding future generations. Lavishly illustrated with over 80 full-colour photographs and diagrams, it also has helpful, fault-solving charts.

No need to travel halfway round the globe to spot iconic wildlife – it's right here on our doorstep in the UK and Steve Wright, keen amateur naturalist, travels from the Isle of Man to Norfolk, to the Orkneys, Northern Ireland and everywhere in-between on his various short holiday expeditions, clutching his specific wildlife wish-list for each trip. The result is an inspiring and engaging diary of his personal encounters with white-tailed eagles, otters, bottlenose dolphins, fulmars, puffins, osprey, sand lizards, even red-necked wallabies. And the characters he meets on the way. He hears snipe drumming, watches a shrew in Wales, admires pilot whales off Lewis. Steve's wildlife travel diaries give excellent practical tips, such as bird-hide etiquette, how to identify birds on the wing, how to consult local wildlife rangers about what might be spotted on each outing and where to find that species. But most importantly his highly-readable wildlife travels are a call to others to book themselves in to pubs and small hotels the length and breadth of Britain and follow his example, for a series of fun British wildlife safaris.

This book offers an account of the classical theory of quadratic residues and non-residues with the goal of using that theory as a lens through which to view the development of some of the fundamental methods employed in modern elementary, algebraic, and analytic number theory. The first three chapters present some basic facts and the history of quadratic residues and non-residues and discuss various proofs of the Law of Quadratic Reciprosity in depth, with an emphasis on the six proofs that Gauss published. The remaining seven chapters explore some interesting applications of the Law of Quadratic Reciprocity, prove some results concerning the distribution and arithmetic structure of quadratic residues and non-residues, provide a detailed proof of Dirichlet’s Class-Number Formula, and discuss the question of whether quadratic residues are randomly distributed. The text is a valuable resource for graduate and advanced undergraduate students as well as for mathematicians interested in number theory.

Based on lectures delivered to the Seminar on Operator Algebras at Oakland University during the Winter semesters of 1985 and 1986, these notes are a detailed exposition of recent work of A. Connes and U. Haagerup which together constitute a proof that all injective factors of type III1 which act on a separable Hilbert space are isomorphic. This result disposes of the final open case in the classification of the separably acting injective factors, and is one of the outstanding recent achievements in the theory of operator algebras. The notes will be of considerable interest to specialists in operator algebras, operator theory and workers in allied areas such as quantum statistical mechanics and the theory of group representations.