Kirjahaku

In 1977, Innes Haldane was one of seven extremely dysfunctional teenagers incarcerated in the Unit, an avant-garde psychiatric hospital on the outskirts of Edinburgh. There, she and her fellow inmates were forced into each other's lives, exposed to each other's pasts, and now share a collective memory.Since then, they have spent their adult lives trying to forget the unspeakable acts that sent them there and the terrible secret that occurred behind its walls . . . until a message on Innes's answering machine with a voice from the past interrupts the quiet life she has tried so hard to make for herself. There is a murderer stalking the former inmates, and the only way for them to save themselves is by reuniting -- no matter what the emotional cost. If the killer doesn't shatter their new lives, the memories being brought back to light just might.Now Innes must contact the others before someone else finds them first. . . .

It was on a beautiful morning in June 1973 that eleven-year-old Miller McAllister’s world fell apart … That was the weekend that police found the remains of three missing teenage girls on the tiny Scottish island of Fidra. And that was the weekend that Miller’s father, Douglas, was arrested for triple murder. Thirty-two years later, Douglas has died in prison and Miller returns home after decades of self-imposed exile. The McAllister family always maintained Douglas’s innocence – as steadfastly as Miller maintained his guilt. But when Miller is given the legal archive and a letter his father wrote to him just days before his death, suddenly everything looks less clear. To excavate the past and recover the truth, Miller immerses himself in the terrible events of over thirty years ago and his family’s darkest hour. Was nothing quite as it seemed on that fateful June day? Could Douglas McAllister have been innocent after all? And if he didn’t kill the girls … who did?

Typography and Language in Everyday Life provides a detailed look at graphic as well as linguistic aspects of language and suggests there is much to be gained from collaboration between typographers and applied linguists.The first part of the book provides an introduction to aspects of typographic theory and history and suggests some areas of applied linguistics that offer approaches to studying graphic language. The second part comprises case studies which look at the relationship between prescription and practice for visual organisation by considering everyday display typography, house style and typing manuals, and letter-writing. Each of these subjects is looked at from historical and theoretical perspectives.Aimed at those who may be unfamiliar with theoretical and historical perspectives on the graphic aspects of language, and with broad concepts in applied linguistics, the book also directs readers to areas of further reading in each of these fields. Extensively illustrated with examples of past and present graphic language, Typography and Language in Everyday Life is essential reading for students of typography, graphic design, applied linguistics and education, as well as the general reader.

Typography and Language in Everyday Life provides a detailed look at graphic as well as linguistic aspects of language and suggests there is much to be gained from collaboration between typographers and applied linguists.The first part of the book provides an introduction to aspects of typographic theory and history and suggests some areas of applied linguistics that offer approaches to studying graphic language. The second part comprises case studies which look at the relationship between prescription and practice for visual organisation by considering everyday display typography, house style and typing manuals, and letter-writing. Each of these subjects is looked at from historical and theoretical perspectives.Aimed at those who may be unfamiliar with theoretical and historical perspectives on the graphic aspects of language, and with broad concepts in applied linguistics, the book also directs readers to areas of further reading in each of these fields. Extensively illustrated with examples of past and present graphic language, Typography and Language in Everyday Life is essential reading for students of typography, graphic design, applied linguistics and education, as well as the general reader.

One puppy sits excitedly in a pet shop waiting for the perfect home. Will it be the twins, Milly and Max, or Joe who takes him home?

“Don’t touch – it’s poisonous,” thirteen-year-old Jess Ponder, the Schools’ Secret Agency ‘Double A-Star’ agent, tells schoolmate and master of the forged sick-note, Leo Sleepwell, when he sees a trail of dried, gold saliva on the seal of an envelope. The letter it contained was sent to Jess by the notorious Nine-carat, aka ‘The Man with the Golden Tongue’. The head of the agency pulls Jess from the mission to locate Ms Higson, developer of the Plascrylics Aspitator, which could rid the world of its discarded plastic. Jess is just too valuable to risk losing. However, ignoring advice to return to school and improve her algebra, Jess persuades Leo to accompany her to Italy, then Hong Kong, to track down Nine-carat and thwart his dastardly plan to use the Plascrylics Aspitator as a weapon. So begins a fast-paced, James Bond-inspired adventure where Jess must contend with not only Nine-carat’s evil intentions, but also his mischievous monkey, a martial arts-mad man in flares, anxiety-inducing apparatus, and Leo’s gargantuan appetite.