Kirjahaku

When Edith Wharton became friends with Henry James, she joined a group of men who became her "inner circle." This group included both well-known figures, such as James, Percy Lubbock, and Bernard Berenson, and several now forgotten, including John Hugh Smith, Walter Berry, Gaillard Lapsley, Robert Norton, and Howard Sturgis.Drawing on unpublished archival material by and about members of the circle, Susan Goodman here presents an intimate view of this American expatriate community, as well as the larger transatlantic culture it mirrored. She explores how the group, which began forming around 1904 and lasted until Wharton's death in 1937, defined itself against the society its founders had left in the United States, while simultaneously criticizing and accommodating the one it found in Europe. Tracing Wharton's individual relationships with these men and their relationships with one another, she examines literary kinships and movements in the biographical and feminist context of gender, exile, and aesthetics. She also relates the group to other literary circles, such as the Bloomsbury group and Gertrude Stein's salon.

Helicopters are amazing machines that go places and do things that other vehicles cannot. Readers will love learning about the many daring jobs and rescues they undertake every day. Chock full of exciting color photographs, too! Susan E. Goodman is a writer and journalist. Michael Doolittle is a photographer and photo editor. Together they have collaborated on many children’s books, including beginning readers and the Ultimate Field Trip series. Susan lives in Boston; Michael lives in Connecticut.

On This Spot...See buildings soar and traffic zoom, a kaleidoscope of color and movement. Now turn the page and time-travel back 175 years, where on the same spot carriages bumped and pigs raced across cobblestones. Turn again and go back 400 years to when a Lenape Indian trail crossed the spot. Now travel farther still, to when glaciers crept . . . dinosaurs preyed . . . a tropical sea teemed with ancient creatures . . . back 540 million years, when rock was all you could see.What happened on this spot?What will happen next?Look out your window. What happened on that spot?

Observers from Alexis de Tocqueville to Lionel Trilling have found the United States wanting in what it takes to produce a novelist of manners-namely, a rich enough past and sufficiently stratified classes. In a work that recovers the broader meaning of "manners" for past generations, Susan Goodman demonstrates that American writers have consistently tied the subject of national identity to the norms and behaviors of everyday life-that, in fact, the novel of manners is a dominant form of American fiction. Goodman concentrates on a cluster of writers-William Dean Howells, Henry James, Edith Wharton, Willa Cather, Ellen Glasgow, and Jessie Fauset-whose analyses of manners offer several distinct social histories. Under her scrutiny, these writers' works allow us to view the creative interaction of individual lives, social dynamics, and historical legacies-what might be called the panorama of manners themselves-as well as the development of American fiction. Above all, Goodman shows that novels of manners are central to American literature, and that these novels speak in a large cultural way about who and what composes America.

During her lifetime the name of Gertrude Bell evoked rich images of the exotic and mysterious Arab world. But her fame faded and now she is remembered only as a friend and colleague of T.E. Lawrence. She was an intrepid traveller, journeying alone through the deserts of the Middle East or scaling testing peaks in the Swiss Alps. Later, as a British political officer in Baghdad, where she died and is buried, she was able to play a considerable role in determining the future of Mesopotamia, later to be called Iraq.