Kirjahaku

The most important things are hardest to find words for, her father once said. That's why people make music.When Ana returns to the ramshackle cottage of her youth in the seaside village of Noordhoek, near Cape Town, she does so with the intention of sorting out her father's affairs. It soon becomes clear that more is at stake. After a decade in London, where she has failed to find work as a musician, her return to South Africa puts further distance into an already strained marriage, not only because she is out of reach, but because Michael, her husband, has lost faith in the country.Quick to welcome her is her neighbour, Franz van der Veer, an architect searching for redemption. This is further complicated by the arrival of his eccentric brother, Daniel. Against a tangle of childhood memories, scarred histories and renewed hope, Ana finally starts to confront the death of Sam, her Irish luthier father, and with it, questions of guilt and belonging. Lyrical and beautifully told, Quarter Tones is a story about music and love and loss.

This guide is an excellent beginning for the study of a little-recognized genre and will be needed by all academic libraries. Choice During the 1970s many distinguished writers began experimenting with the short story cycle, a literary form that achieved prominence in the early decades of the century through such works as James Joyce's Dubliners and Sherwood Anderson's Winesburg, Ohio. Despite the growing interest of both writers and readers, no theoretical work has been done on this genre in the past ten years. The Short Story Cycle provides a wide-ranging survey of the subject, offering detailed analyses of nine classic short story cycles and an annotated listing of over 120 others, many by contemporary authors. In addition, the introduction includes a history of the genre and its related forms as well as a discussion of conventions associated with the cycle. Short story cycles by Joyce, Anderson, Hemingway, Steinbeck, Faulkner, Welty, O'Connor, and Updike are described in individual chapters. These works illustrate the genre's diversity and vitality, ranging from cycles that are explicitly related through chronology, plot, and character to collections that reveal subtler, implicit unities. The author looks at the ways different writers use repeated or developed characters, themes, myth, imagery, setting, point of view, and plot or chronology to create the sense of a larger whole. Chapter bibliographies supply information on relevant critical writings as well as biographical and autobiographical materials. The volume concludes with an annotated listing of important twentieth-century short-story cycles by American, British, European, Canadian, Australian, Polish, Soviet, and Latin American writers.

The history of China in the nineteenth century usually features men as the dominant figures in a chronicle of warfare, rebellion, and dynastic decline. This book challenges that model and provides a different account of the era, history as seen through the eyes of women. Basing her remarkable study on the poetry and memoirs of three generations of literary women of the Zhang family - Tang Yaoqing, her eldest daughter, and her eldest granddaughter - Susan Mann illuminates a China that has been largely invisible. Drawing on a stunning array of primary materials - published poetry, gazetteer articles, memorabilia - as well as a variety of other historical documents, Mann reconstructs these women's intimate relationships, personal aspirations, values, ideas, and political consciousness. She transforms our understanding of gender relations and what it meant to be an educated woman during China's transition from empire to nation and offers a new view of the history of late imperial women.

Essential reading for an understanding of contemporary Quebec, The Dream of Nation traces the changing nature of various "dreams of nation," from the imperial dream of New France to the separatist dream of the 1980 referendum. Susan Mann demonstrates that these dreams, fashioned by elites in response to the recurring question of how to be French in North America, proposed an ever-elusive unanimity. She discusses how social, economic, and political pressures, as well as changing populations, invariably thwarted one dream and provided the makings of another. A work of pioneering scholarship and remarkable synthesis, The Dream of Nation weaves together two of the dominant ideologies of the twentieth century: nationalism and feminism. A new preface contextualizes the 1982 edition and outlines the different contours of Quebec's latest thoughts on sovereignty.

During an era of separate spheres for men and women, Margaret Macdonald used her nurse's training to gain access to the military and a life of work, travel, and adventure. In 1906, she was one of the first two nurses to receive a permanent appointment to the Canadian Army Medical Corps. She became matron-in-chief of Canada's overseas nursing service during World War I with the rank of major - the first such appointment for a woman in the British Empire. Macdonald also served as a nurse in the military during the Spanish-American and Boer Wars and in Panama during the construction of the canal.

During an era of separate spheres for men and women, Margaret Macdonald used her nurse's training to gain access to the military and a life of work, travel, and adventure. In 1906, she was one of the first two nurses to receive a permanent appointment to the Canadian Army Medical Corps. She became matron-in-chief of Canada's overseas nursing service during World War I with the rank of major - the first such appointment for a woman in the British Empire. Macdonald also served as a nurse in the military during the Spanish-American and Boer Wars and in Panama during the construction of the canal. Margaret Macdonald traces the life and work of this extraordinary woman from rural Nova Scotia whose sense of duty and ambition found an outlet in the imperialism of Great Britain and the US. Susan Mann weaves the threads of character, ideology, and opportunity into a vivid portrait of Macdonald and her impact on the professionalization of military nursing.

This first book-length study of gender relations in the Lower Yangzi region during the High Qing era (c. 1683-1839) challenges enduring late-nineteenth-century perspectives that emphasized the oppression and subjugation of Chinese women. Placing women at the center of the High Qing era shows how gender relations shaped the economic, political, social, and cultural changes of the age, and gives us a sense of what women felt and believed, and what they actually did, during this period. Most analyses of gender in High Qing times have focused on literature and on the writings of the elite; this book broadens the scope of inquiry to include women's work in the farm household, courtesan entertainment, and women's participation in ritual observances and religion. In dealing with literature, it shows how women's poetry can serve the historian as well as the literary critic, drawing on one of the first anthologies of women's writing compiled by a woman to examine not only literary sensibilities and intimate emotions, but also political judgments, moral values, and social relations. After an introductory chapter that evaluates the historiography of Chinese women, the book surveys High Qing history, charts the female life course, and discusses women's place in writing and learning, in entertainment, at work, and in religious practice. The concluding chapter returns to broad historiographic questions about where women figure in space and time and why we can no longer write histories that ignore them.