Kirjahaku

In 1942, Friedrich, an even-keeled but unworldly young man, arrives in Berlin from bucolic Switzerland with dreams of becoming an artist. At a life drawing class, he is hypnotized by the beautiful model, Kristin, who soon becomes his energetic yet enigmatic guide to the bustling and cosmopolitan city, escorting him to underground jazz clubs where they drink cognac, dance and kiss. The war feels far away to Friedrich, who falls in love with Kristin as they spend time together in his rooms at the Grand Hotel, but as the months pass, the mood in the city darkens as the Nazis tighten their hold on Berlin, terrorizing any who are deemed foes of the Reich.One day, Kristin comes back to Friedrich's rooms in tears, battered and bruised. She tells him that her real name is Stella, and that she is Jewish, passing for Aryan. More disturbing still, she has troubling connections with the Gestapo that Friedrich does not fully understand. As Friedrich confronts Stella's unimaginable choices, he finds himself woefully unprepared for the history he is living through. Based in part on a real historical character, Stella sets a tortured love story against the backdrop of wartime Berlin, and powerfully explores questions of naiveté, young love, betrayal, and the horrors of history.

In 1942, Friedrich, an even-keeled but unworldly young man, arrives in Berlin from bucolic Switzerland with dreams of becoming an artist. At a life drawing class, he is hypnotized by the beautiful model, Kristin, who soon becomes his energetic yet enigmatic guide to the bustling and cosmopolitan city, escorting him to underground jazz clubs where they drink cognac, dance and kiss. The war feels far away to Friedrich, who falls in love with Kristin as they spend time together in his rooms at the Grand Hotel, but as the months pass, the mood in the city darkens as the Nazis tighten their hold on Berlin, terrorizing any who are deemed foes of the Reich.One day, Kristin comes back to Friedrich's rooms in tears, battered and bruised. She tells him that her real name is Stella, and that she is Jewish, passing for Aryan. More disturbing still, she has troubling connections with the Gestapo that Friedrich does not fully understand. As Friedrich confronts Stella's unimaginable choices, he finds himself woefully unprepared for the history he is living through. Based in part on a real historical character, Stella sets a tortured love story against the backdrop of wartime Berlin, and powerfully explores questions of naiveté, young love, betrayal, and the horrors of history.

A blistering, timely and gripping novel set at Cambridge University, centring around an all-male dining club for the privileged and wealthy.Hans Stichler's uncomplicated German childhood ends abruptly when his aunt invites him to study at Cambridge, where she teaches. She will ensure his application is accepted, but in return he must help her investigate an elite university society, the Pitt Club, which has existed for centuries, its long legacy of tradition and privilege largely unquestioned. But there are secrets in the club's history, as well as in its present, and Hans soon finds himself in the inner sanctum of an increasingly dangerous institution, forced to grapple with the notion that sometimes one must do wrong to do right.

Neljateistkümneaastaselt armub Hannes Prager tüdrukusse nimega Polina. Oma armastuse näitamiseks loob erakordselt andekas poiss meloodia, mis puudutab Polina kõige hellemaid hingekeeli, sest see ongi Polina ise oma tunnete ja salajaste soovidega. Kuid siis võetakse Hanneselt kõik: tema ema hukkub, muusika sureb koos emaga ja Polina kaob Hannese elust. Aastaid ei tunne noormees midagi muud peale tühjuse. Leiba teenib ta kolimisfirmas, kuid klaverite transport on tema jaoks palju enamat kui mööblitüki liigutamine ühest kohast teise - ta viib inimestele koju muusika ja vahel teeb ta nad sellega õnnelikuks. Ühel spontaansel hetkel annab Hannes järele oma igatsusele ja sealsamas, kolimisauto kõrval, kõlab suurepärasel Erardi klaveril tema loodud pala "Polinale". Muusikaga ütleb ta seda, mida sõnadega öelda ei suuda. Ja tema sõnatu kutse kandub üle Hamburgi.

V polurazrushennoj ville na torfjanykh bolotakh junyj Khannes igraet melodiju sobstvennogo sochinenija dlja Poliny, edinstvennoj svoej podrugi. Emu kazhetsja, chto krome nikh, chetyrnadtsatiletnikh podrostkov, da starogo rojalja, net i ne budet nikogo v etom ogromnom dome. Stav vzroslym, Khannes ne tolko ne nakhodit nuzhnykh slov i smelosti, chtoby priznatsja Poline v svoikh chuvstvakh, no i sovershaet oprometchivyj postupok, kotoryj razluchaet ikh na dolgoe vremja. Posle mnogikh let, kogda Khannes ne chuvstvuet nichego, krome pustoty, on ponimaet, chto dolzhen najti Polinu. I edinstvennoe, chto emu mozhet v etom pomoch - eto ee melodija. Pronzitelnaja istorija o vzroslenii, pervoj ljubvi, reshenijakh, prinimajuschikhsja poroj na emotsijakh, no nezrimo vlijajuschikh na zhizn neskolkikh ljudej, a esche - o muzyke, svetloj, nevesomoj, sposobnoj rastopit dazhe samye ledjanye serdtsa.