Kirjahaku

This multidisciplinary volume illustrates how representations of magic in fourteenth-century romances link the supernatural, spectacle, and morality in distinctive ways.Supernatural marvels represented in vivid visual detail are foundational to the characteristic Middle English genres of romance and hagiography. In Middle English Marvels, Tara Williams explores the didactic and affective potential of secular representations of magic and shows how fourteenth-century English writers tested the limits of that potential. Drawing on works by Augustine, Gervase of Tilbury, Chaucer, and the anonymous poets of Sir Orfeo and Sir Gawain and the Green Knight, among others, Williams examines how such marvels might convey moral messages within and beyond the narrative. She analyzes examples from both highly canonical and more esoteric texts and examines marvels that involve magic and transformation, invoke visual spectacle, and invite moral reflection on how one should relate to others. Within this shared framework, Williams finds distinct concerns—chivalry, identity, agency, and language—that intersect with the marvelous in significant ways.Integrating literary and historical approaches to the study of magic, this volume convincingly shows how certain fourteenth-century texts eschewed the predominant trends and developed a new theory of the marvelous. Williams’s engaging, erudite study will be of special interest to scholars of the occult, the medieval and early modern eras, and literature.

This multidisciplinary volume illustrates how representations of magic in fourteenth-century romances link the supernatural, spectacle, and morality in distinctive ways.Supernatural marvels represented in vivid visual detail are foundational to the characteristic Middle English genres of romance and hagiography. In Middle English Marvels, Tara Williams explores the didactic and affective potential of secular representations of magic and shows how fourteenth-century English writers tested the limits of that potential. Drawing on works by Augustine, Gervase of Tilbury, Chaucer, and the anonymous poets of Sir Orfeo and Sir Gawain and the Green Knight, among others, Williams examines how such marvels might convey moral messages within and beyond the narrative. She analyzes examples from both highly canonical and more esoteric texts and examines marvels that involve magic and transformation, invoke visual spectacle, and invite moral reflection on how one should relate to others. Within this shared framework, Williams finds distinct concerns—chivalry, identity, agency, and language—that intersect with the marvelous in significant ways.Integrating literary and historical approaches to the study of magic, this volume convincingly shows how certain fourteenth-century texts eschewed the predominant trends and developed a new theory of the marvelous. Williams’s engaging, erudite study will be of special interest to scholars of the occult, the medieval and early modern eras, and literature.

In Inventing Womanhood, Tara Williamsinvestigates new ideas about womanhood that arose in fourteenth-century Britain and evolved throughout the fifteenth century. In the aftermath of the plague and the substantial cultural shifts of the late 1300s, female roles expanded temporarily. As a result, the dominant models of maiden, wife, and widow could no longer adequately describe women's roles and lives. Middle English writers responded by experimenting with new ways of representing women across a variety of genres, from courtly poetry to devotional texts and from royal correspondence to cycle plays. In particular, writers coined new terms, including "womanhood" and "femininity," and refashioned others, such as "motherhood." These experiments allowed writers to develop and define a larger idea of womanhood underlying more specific identities like wife or mother and to re-imagine women's relationships to different kinds of authority-generally masculine and frequently religious. By exploring the medieval origins of some of our most important gender vocabulary, Inventing Womanhood defamiliarizes our modern usage, which often treats those terms as etymologically transparent and almost limitlessly capacious. It also restores a necessary historical and linguistic dimension to gender studies, providing the groundwork for reconsidering how that language and the categories it creates have determined the ways in which gender has been imagined since the Middle Ages.

An inspiring story about friendship, kindness, resilience, bravery and self-acceptance.Most people don't realize how often bullying occurs with young children.Join Aria, India, and their Angel Friends, as they deal with the difficult issue of bullying and smart ways to resolve an upsetting experience. Aria's Angel Friend, Michael, gives her some great ideas like to hold her head high, walk away and sing..."I will smile and I will shine.Look at me, I'm just fine.I won't let you bring me down.You won't even see me frown.I will smile and I will shine.Look at me. I'm just fine."Parents can use this approachable book to discuss bullying with their children in a comforting way.

Get ready to take daily action.Uncover what truly motivates and inspires you.Remember what you're grateful for each day.Manifest your dream life.Are you a busy mom trying to find yourself again?Are you a man or woman trying to find purpose and passion in your life?Are you ready to manifest the life of your dreams?It's your Time to SHINE This workbook is specifically designed to help you create your life, by design, in less than 5 minutes a day It is simple, yet effective. I know all about the hustle and bustle of LIFE. I was struggling to find a balance as a busy mom, military wife, teacher, and friend. I knew I needed to get back to ME, so I developed this daily routine for myself, and my life is forever changed.Are YOU ready to shine?

""This is a collection of poems and Haikus. The Missing Harp is about a young angel who plays the sounds of nature. She lost her precious harp and has to tell Mother Nature, before the world goes quiet. There are other poems about a messy bedroom and an annoying little sister; a poem about a puppy named Peanut, and a year of Haikus.""