Kirjahaku

Shortlisted for the ASLE-UKI Prize for Best Academic MonographThis is the first ecocritical book on the works of D. H. Lawrence and also the first to consider the links between nature and gender in the poetry and the novels. In his search for a balanced relationship between male and female characters, what role does nature play in the challenges Lawrence offers his readers? How far are the anxieties of his characters in negotiating relationships that might threaten their sense of self derived from the same source as their anxieties about engaging with the Other in nature? Indeed, might Lawrence’s metaphors drawn from nature actually be the causes of human actions in The Rainbow, for example? The originality of Lawrence’s poetic and narrative strategies for challenging social attitudes towards both nature and gender can be revealed by new approaches offered by ecocritical theory and ecofeminist readings of his books. This book explores ecocritical notions to frame its ecofeminist readings, from the difference between the ‘Other’ and ‘otherness’ in The White Peacock and Lady Chatterley’s Lover, ‘anotherness’ in the poetry of Birds, Beasts and Flowers, psychogeography in Sea and Sardinia, emergent ecofeminism in Sons and Lovers, land and gender in The Boy in the Bush, gender dialogics in Kangaroo, human animality in Women in Love, trees as tests in Aaron’s Rod, to ‘radical animism’ in The Plumed Serpent. Finally, three late tales provide a reassessment of ecofeminist insights into Lawrence’s work for readers in the present context of the Anthropocene.

Shortlisted for the ASLE-UKI Prize for Best Academic MonographThis is the first ecocritical book on the works of D. H. Lawrence and also the first to consider the links between nature and gender in the poetry and the novels. In his search for a balanced relationship between male and female characters, what role does nature play in the challenges Lawrence offers his readers? How far are the anxieties of his characters in negotiating relationships that might threaten their sense of self derived from the same source as their anxieties about engaging with the Other in nature? Indeed, might Lawrence’s metaphors drawn from nature actually be the causes of human actions in The Rainbow, for example? The originality of Lawrence’s poetic and narrative strategies for challenging social attitudes towards both nature and gender can be revealed by new approaches offered by ecocritical theory and ecofeminist readings of his books. This book explores ecocritical notions to frame its ecofeminist readings, from the difference between the ‘Other’ and ‘otherness’ in The White Peacock and Lady Chatterley’s Lover, ‘anotherness’ in the poetry of Birds, Beasts and Flowers, psychogeography in Sea and Sardinia, emergent ecofeminism in Sons and Lovers, land and gender in The Boy in the Bush, gender dialogics in Kangaroo, human animality in Women in Love, trees as tests in Aaron’s Rod, to ‘radical animism’ in The Plumed Serpent. Finally, three late tales provide a reassessment of ecofeminist insights into Lawrence’s work for readers in the present context of the Anthropocene.

For the first time, one volume surveys the life, works and critical reputation of one of the most significant British writers of the twentieth-century: Ted Hughes. This accessible guide to Hughes’ writing provides a rich exploration of the complete range of his works. In this volume, Terry Gifford:offers clear and detailed discussions of Hughes’ poetry, stories, plays, translations, essays and lettersincludes new biographical information, and previously unpublished archive material, especially on Hughes’ environmentalism provides a comprehensive account of Hughes’ critical reception, separated into the major themes that have interested readers and criticsoffers useful suggestions for further reading, and incorporates helpful cross-references between sections of the guide. Part of the Routledge Guides to Literature series, Ted Hughes presents an accessible, fresh, and fascinating introduction to a major British writer whose work continues to be of crucial importance today.

For the first time, one volume surveys the life, works and critical reputation of one of the most significant British writers of the twentieth-century: Ted Hughes. This accessible guide to Hughes’ writing provides a rich exploration of the complete range of his works. In this volume, Terry Gifford:offers clear and detailed discussions of Hughes’ poetry, stories, plays, translations, essays and lettersincludes new biographical information, and previously unpublished archive material, especially on Hughes’ environmentalism provides a comprehensive account of Hughes’ critical reception, separated into the major themes that have interested readers and criticsoffers useful suggestions for further reading, and incorporates helpful cross-references between sections of the guide. Part of the Routledge Guides to Literature series, Ted Hughes presents an accessible, fresh, and fascinating introduction to a major British writer whose work continues to be of crucial importance today.

Advancing for the first time the concept of "post-pastoral practice," Reconnecting with John Muir springs from Terry Gifford's understanding of the great naturalist as an exemplar of integrated, environmentally conscious knowing and writing. Just as the discourses of science and the arts were closer in Muir's day—in part, arguably, because of Muir—it is time we learned from ecology to recognize how integrated our own lives are as readers, students, scholars, teachers, and writers.When we defy the institutional separations, purposely straying from narrow career tracks, the activities of reading, scholarship, teaching, and writing can inform each other in a holistic "post-pastoral" professional practice. Healing the separations of culture and nature represents the next way forward from the current crossroads in the now established field of ecocriticism.The mountain environment provides a common ground for the diverse modes of engagement and mediation Gifford discusses. By attempting to understand the meaning of Muir's assertion that "going to the mountains is going home," Gifford points us toward a practice of integrated reading, scholarship, teaching, and writing that is adequate to our environmental crisis.

This innovative casebook introduces readers to wide-ranging critical dialogue about the work of Ted Hughes, one of the most popular and influential British poets of the 20th century. In twelve new essays, international authorities on Hughes examine and debate his work, shedding new light on familiar texts. Split into two parts, the first half of this book examines Hughes' work through cultural contexts, such as postmodernism and the carnivalesque, while the second part uses literary theories including postcolonialism, ecocriticism and trauma theory to interpret his poetry. Providing fresh inspiration and insights into the various diverse ways in which Hughes' writing can be interpreted, this volume is an ideal introduction to both literary theory and the work of Ted Hughes for literature students and scholars alike.

This innovative casebook introduces readers to wide-ranging critical dialogue about the work of Ted Hughes, one of the most popular and influential British poets of the 20th century. In twelve new essays, international authorities on Hughes examine and debate his work, shedding new light on familiar texts. Split into two parts, the first half of this book examines Hughes' work through cultural contexts, such as postmodernism and the carnivalesque, while the second part uses literary theories including postcolonialism, ecocriticism and trauma theory to interpret his poetry. Providing fresh inspiration and insights into the various diverse ways in which Hughes' writing can be interpreted, this volume is an ideal introduction to both literary theory and the work of Ted Hughes for literature students and scholars alike.

Updated throughout, this new edition provides a clear and invaluable introduction to the study of pastoral. Terry Gifford traces the history of the genre from its classical origins through to contemporary writing and introduces the major writers and critical issues relating to pastoral. Gifford breaks the term down into three accessible concepts – pastoral, anti-pastoral, post-pastoral – and provides up-to-date examples from literature and film. New chapters explain the continuing tradition of georgic literature and the recent evolution of pastoral in their historical contexts. Pastoral is essential and engaging reading for students and academics alike.

Updated throughout, this new edition provides a clear and invaluable introduction to the study of pastoral. Terry Gifford traces the history of the genre from its classical origins through to contemporary writing and introduces the major writers and critical issues relating to pastoral. Gifford breaks the term down into three accessible concepts – pastoral, anti-pastoral, post-pastoral – and provides up-to-date examples from literature and film. New chapters explain the continuing tradition of georgic literature and the recent evolution of pastoral in their historical contexts. Pastoral is essential and engaging reading for students and academics alike.

The Joy of Climbing is the result of a search through Britain, Europe and America for the esoteric gems at the easier end of climbing. This special selection demonstrates the sheer fun and enjoyment of climbing. The articles have been especially chosen to provide a stimulating but achievable challenge, whether on a climb itself or appreciating the moves from the comfort of an armchair. In his writing, Terry adopts a variety of styles, resulting in a blend that enhances the dramatic nature of the subject and provides the reader with both the lyrical and the unexpected.