Kirjahaku

The naturalist and acclaimed author of Refuge celebrates her long-time love affair with the desert country of the American Southwest in lyrical essays that capture the beauty and power of the desert environment and eloquently evoke her fierce commitment to protect the fragile environment from human destruction. Reprint. 25,000 first printing.

"Shards of glass can cut and wound or magnify a vision," Terry Tempest Williams tells us. "Mosaic celebrates brokenness and the beauty of being brought together." Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation. In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.

As Utah-born naturalist Terry Tempest Williams records the simultaneous tragedies of her mother's death of cancer and the flooding of the Bear River Migratory Bird Sanctuary, she creates a document of renewal and spiritual grace destined to become a classic in the literature of nature, women, and grieving.

"Williams is a master . . . She gives us a reason to follow her example: refusing to look away from the degradation, in hopes of preserving the wild places we have left."--Outside MagazineFrom the acclaimed nature writer and New York Times bestselling author, a revelatory work of narrative nonfiction exploring beauty, climate change, and transformative moments of hope in a world beset by uncertaintyWhether we believe it or not, rapid change is upon us. I am searching for grace.In this time of political fragility, climate chaos, and seeking hope wherever we can find its glimmer, Terry Tempest Williams introduces us to the Glorians. They are not distant deities, but the ordinary, often overlooked presences--animal, plant, memory, moment--that reveal our shared vulnerability and interconnectedness with the natural world. The Glorians can be as small as an ant ferrying a coyote willow blossom to its queen or as commonplace as the night sky. But what they can collectively teach us--about the radical act of attending to beauty and carrying forward against all odds--is immense.Journeying through encounters with the Glorians in the red rock desert of Utah during the pandemic to Harvard University where she teaches in the Divinity School, Williams weaves a story of astonishing personal and societal insight. As she grapples with the unsettled state of the world, she turns not to despair but to deep reflection. She sees how the Glorians are calling us all to attention, not as an army, but as fellow inhabitants of our sacred, threatened home. They remind us of the power of contact between species and the profound courage--and awareness--it will take to dream a more cohesive future into being.Wise and lyrical, The Glorians is a testament to the power of witness, a field guide to finding grace in the unexpected, and a moving invitation to engage with one another and our surroundings with renewed intention. In a modern world filled with increasing noise and anxiety, Terry Tempest Williams offers honest sustenance for the mind and spirit and distinguishes herself again as a trusted voice to whom we can turn to more fully understand our times.

"I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone." This is what Terry Tempest Williams' mother, the matriarch of a large Mormon clan in northern Utah, told her a week before she died. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock to discover that the three shelves of journals were all blank. In fifty-four short chapters, Williams recounts memories of her mother, ponders her own Mormon faith, and contemplates the notion of absence in art and in our world. When "Women Were Birds" is a carefully crafted kaleidoscope that keeps turning around the question: What does it mean to have a voice?

An ode to our national parks, timed for the centennial, by the beloved author of When Women Were BirdsLonglisted for an Andrew Carnegie Medal for ExcellenceA Washington Post Notable Book of the YearAmerica's national parks are breathing spaces in a world in which such spaces are steadily disappearing, which is why more than 300 million people visit the parks each year. Now Terry Tempest Williams, the New York Times bestselling author of the environmental classic Refuge and the beloved memoir When Women Were Birds, returns with The Hour of Land, a literary celebration of our national parks and an exploration of what they mean to us and what we mean to them. From the Grand Tetons in Wyoming to Acadia in Maine to Big Bend in Texas, Williams creates a series of lyrical portraits that illuminate the unique grandeur of each place while delving into what it means to shape a landscape with its own evolutionary history into something of our own making. Part memoir, part natural history, and part social critique, The Hour of Land is a meditation and a manifesto on why wild lands matter to the soul of America.

Timely and unsettling essays from an important and beloved writer and conservationist In Erosion, Terry Tempest Williams's fierce, spirited, and magnificent essays are a howl in the desert. She sizes up the continuing assaults on America's public lands and the erosion of our commitment to the open space of democracy. She asks: "How do we find the strength to not look away from all that is breaking our hearts?" We know the elements of erosion: wind, water, and time. They have shaped the spectacular physical landscape of our nation. Here, Williams bravely and brilliantly explores the many forms of erosion we face: of democracy, science, compassion, and trust. She examines the dire cultural and environmental implications of the gutting of Bear Ears National Monument--sacred lands to Native Peoples of the American Southwest; of the undermining of the Endangered Species Act; of the relentless press by the fossil fuel industry that has led to a panorama in which "oil rigs light up the horizon." And she testifies that the climate crisis is not an abstraction, offering as evidence the drought outside her door and, at times, within herself. These essays are Williams's call to action, blazing a way forward through difficult and dispiriting times. We will find new territory--emotional, geographical, communal. The erosion of desert lands exposes the truth of change. What has been weathered, worn, and whittled away is as powerful as what remains. Our undoing is also our becoming. Erosion is a book for this moment, political and spiritual at once, written by one of our greatest naturalists, essayists, and defenders of the environment. She reminds us that beauty is its own form of resistance, and that water can crack stone.

With Leap, Terry Tempest Williams, award-winning author of Refuge, offers a sustained meditation on passion, faith, and creativity-based upon her transcendental encounter with Hieronymus Bosch's medieval masterpiece The Garden of Delights. Williams examines this vibrant landscape with unprecedented acuity, recognizing parallels between the artist's prophetic vision and her own personal experiences as a Mormon and a naturalist. Searing in its spiritual, intellectual, and emotional courage, Williams's divine journey enables her to realize the full extent of her faith and through her exquisite imagination opens our eyes to the splendor of the world.