Kirjahaku

Thomas Chatterton (1752–70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged medieval pieces numbered in the hundreds. Chatterton is best known for the Rowley poems, which he claimed were transcribed from the work of a fifteenth-century monk. Although the precocious skill of his forgeries, once exposed, often went unrecognised by critics, Chatterton's legacy influenced the Romantics for decades after his death. This three-volume collection of his work, edited by Joseph Cottle and Robert Southey, first appeared in 1803. Volume 1 includes his earliest poetry, and a biography by George Gregory (also reissued separately in this series).

Thomas Chatterton (1752–70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged medieval pieces numbered in the hundreds. They were to influence the Romantics for decades after his death. This three-volume collection of his work, edited by Joseph Cottle and Robert Southey, first appeared in 1803. Volume 2 contains the Rowley poems, for which Chatterton is best known. Ironically, they were never published under his own name in his lifetime: he claimed that the poems were transcripts he had taken from the work of Thomas Rowley, a fifteenth-century monk. The value of these ambitious forgeries is still underappreciated.

Thomas Chatterton (1752–70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged medieval pieces numbered in the hundreds. Chatterton is best known for the Rowley poems, which he claimed were transcribed from the work of a fifteenth-century monk. Although the precocious skill of his forgeries, once exposed, often went unrecognised by critics, Chatterton's legacy influenced the Romantics for decades after his death. This three-volume collection of his work, edited by Joseph Cottle and Robert Southey, first appeared in 1803. Volume 3 includes Chatterton's prose works, selected letters, some contemporary discussion of his work, and Cottle's account of the Rowley manuscripts.

Title: The Poetical Works of Thomas Chatterton. With an essay on the Rowley Poems by the Rev. Walter W. Skeat ... and a memoir by Edward Bell. The Rowley poems modernized.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Chatterton, Thomas; 1871. 2 vol.; 8 . 11613.f.6.

In 1763, an 11-year-old boy named Thomas Chatterton began publishing mature works of poetry. Before long, he was fooling the literary world by passing his work off as that of a non-existent 15th-century poet named Thomas Rowley-which he did until unmasked by Horace Walpole. Brought up in poverty and without a father, he studied furiously and went on to try and earn a living from his writing. After impressing the likes of the Lord Mayor, William Beckford and the radical leader John Wilkes, he eagerly looked for an outlet in London for his political works, but was unable to make a decent living and, despairing, poisoned himself at the age of seventeen. Chatterton had a significant impact on Romantic artists including Coleridge, Wordsworth, Shelley, and Keats; with numerous notable poems, plays, and paintings having been dedicated to him since his untimely death. This book contains volumes I and II of "The Complete Poetical Works of Thomas Chatterton", first published in 1906. Contents include: "African Eclogues", "The Revenge: A Burletta", "Songs in 'The Revenge'", "The Woman of Spirit: A Burletta", "Poems Addressed to Certain Persons", "Satires", "Satres-continued", "Elegies", "Miscellaneous Poems", and "Miscellaneous Poems-continued". As part of our poetry imprint, "Ragged Hand", Read & Co. is republishing this classic collection of poetry now in a new edition complete with John Keats' "Sonnet to Chatterton" (1848).

Wordsworth's lines on Thomas Chatterton (1752-1770) contributed to a legend that became better known than Chatterton's work itself. His story is moving: a sensitive, unhappy boy, he fell in love with the medieval world and escaped into it from miserable schooling and the drudgery of apprenticeship. He read and then wrote "medieval" poetry which he passed off as genuine. When the poems he wrote in his own name brought him some success, he went to London to seek his fortune as a writer. After six months' struggle, too proud to admit defeat, starving and alone, he killed himself in his attic room. He was seventeen. There is more to Chatterton than the romantic archetype. His poetry was admired by Keats, Shelley, Coleridge and Wordsworth; as Grevel Lindop says in his introduction, "Chatterton's work contains in essence the whole of Romanticism". This selection, with its detailed notes, shows the historical significance and unexpected range of Chatterton's poetry, and also enables the reader to enjoy it for its rich resonance and wonderfully memorable rhythms.

Reprint of the original, first published in 1875.

Reprint of the original, first published in 1875.