Kirjahaku

The New York Times bestseller?and the candid voice of an American president In 1974, Newsweek correspondent Thomas M. DeFrank was interviewing Gerald Ford when the Vice President blurted out something astonishingly indiscreet. He then extracted a promise not to publish it. ?Write it when I?m dead, ? Ford said? and thus began a thirty-two-year relationship. During the last fifteen years of their conversations, Ford opened up to DeFrank, speaking in a way few presidents ever have. Here the award-winning journalist reveals these private talks, as Ford discusses his experiences with his fellow presidents, the Warren Commission, and his exchanges with Bill Clinton during the latter's impeachment process. In addition, he shares his thoughts about both Bush administrations, the Iraq war, his beloved wife Betty, and the frustrations of aging. Write It When I?m Gone is not only a historical document but an unprecedented portrait of a president.

The relationship between the presidency and the press has transformed—seemingly overnight—from one where reports and columns were filed, edited, and deliberated for hours before publication into a brave new world where texts, tweets, and sound bites race from composition to release within a matter of seconds. This change, which has ultimately made political journalism both more open and more difficult, brings about many questions, but perhaps the two most important are these: Are the hard questions still being asked? Are they still being answered?In Columns to Characters, Stephanie A. Martin and top scholars and journalists offer a fresh perspective on how the evolution of technology affects the way presidents interact with the public. From Bill Clinton’s saxophone playing on the Arsenio Hall Show to Barack Obama’s skillful use of YouTube, Twitter, and Reddit as the first “social media president,” political communication appears to reflect the increasing fragmentation of the American public.The accessible essays here explore these implications in a variety of real-world circumstances: the “narcotizing” numbness of information overload and voter apathy; the concerns over privacy, security, and civil liberties; new methods of running political campaigns and mobilizing support for programs; and a future “post-rhetorical presidency” in which the press is all but irrelevant. Each section of the book concludes with a “reality check,” a short reflection by a working journalist (or, in one case, a former White House insider) on the presidential beat.