Kirjahaku

The Running Sky records a lifetime of looking at birds. Begining in summer with clouds of breeding seabirds in Shetland and ending with crepuscular nightjars like giant moths in the heart of England, Tim Dee maps his own observations and encounters over four decades of tracking birds across the globe.

Four fields spread around the world: their grasses, their hedges, their birds, their skies, and their natural and human histories. Four real fields - walkable, mappable, man-made, mowable and knowable, but also secretive, mysterious, wild, contested and changing. This book tells the story of four green fields.

Over the past hundred years, gulls have been brought ashore by modernity. They now live not only on the coasts but in our slipstream following trawlers, barges, and garbage trucks. They are more our contemporaries than most birds, living their wild lives among us in towns and cities. In many ways they live as we do, walking the built-up world and grabbing a bite where they can. Yet this disturbs us. We've started fearing gulls for getting good at being among us. We see them as scavengers, not entrepreneurs; ocean-going aliens, not refugees. They are too big for the world they have entered. Their story is our story too. Landfill is the original and compelling story of how in the Anthropocene we have learned about the natural world, named and catalogued it, and then colonized it, planted it, or filled it with our junk. While most other birds have gone in the opposite direction, hiding away from us, some vanishing forever, gulls continue to tell us how the wild can share our world. For these reasons Landfill is the nature book for our times, groundbreaking and genre-bending. Without nostalgia or eulogy, it kicks beneath the littered surface of the things to discover stranger truths.

The essential and defining new collection of the best British nature writing‘Tim Dee has brought together a wonderous array of talent for this life-affirming, often magical anthology’ ObserverWe are living in the anthropocene – an epoch where everything is being determined by the activities of just one soft-skinned, warm-blooded, short-lived, pedestrian species. How do we make our way through the ruins that we have made? This anthology tries to answer this as it explores new and enduring cultural landscapes, in a celebration of local distinctiveness that includes new work from some of our finest writers. We have memories of childhood homes from Adam Thorpe, Marina Warner and Sean O’Brien; we journey with John Burnside to the Arizona desert, with Hugh Brody to the Canadian Arctic; going from Tessa Hadley’s hymn to her London garden to caving in the Mendips with Sean Borodale to shell-collecting on a Suffolk beach with Julia Blackburn.Helen Macdonald, in her remarkable piece on growing up in a 50-acre walled estate, reflects on our failed stewardship of the planet: ‘I take stock.’ she says, ‘During this sixth extinction, we who may not have time to do anything else must write now what we can, to take stock.’ This is an important, necessary book.

In the light of these happy coincidences, Greenery recounts how Tim Dee tries to travel with the season and its migratory birds, making remarkable journeys to keep in step with the very best days of the year, the time of buds and blossoms and leafing, the time of song and nests and eggs.

The unlikely stars of Landfill are gulls. No, not seagulls. Gulls. Over the past century gulls have been brought ashore by modernity, living in our slipstream, following trawlers, ploughs and now rubbish trucks. They are more our contemporaries than other birds, living their wild lives in towns and cities, grabbing a bite where they can. Our story is theirs too. In Landfill, Tim Dee follows gulls to rubbish dumps, meets gull-watchers, discovers ancient poets, Victorian novelists and learns how gulls continue to tell us how the wild can share our world, if we'd only listen.