Kirjahaku

An essential new look at the diverse work and artistic methods of beloved American realist painters Andrew and Jamie Wyeth Father and son artists Andrew Wyeth (1917–2009) and Jamie Wyeth (b. 1946) are among the most celebrated American realist painters of the 20th century. Despite their similar habits of mind, studio practice, and rural Pennsylvania upbringing, the two artists produced strikingly different work. However, they also employed a wide range of processes in works that parallel and complement each other. This artistic conversation is evident when considering the artists’ vast output of preliminary work—much of which has remained unpublished until now—alongside their iconic paintings. This groundbreaking publication takes a novel approach in exploring the Wyeths’ working methods and processes. Author Timothy J. Standring also provides the reader with a rare personal glimpse into the artists’ world by chronicling his visits to their studios in the Brandywine Valley and Midcoast Maine over the course of four years. With over 200 color illustrations showing works in a variety of media—including pen and ink, graphite, chalk, watercolor, dry brush, tempera, and oil—this handsome book situates each artist’s oeuvre in the context of their shared biographies, place, and artistic practices. Published in association with the Denver Art MuseumExhibition Schedule:Denver Art Museum (11/08/15–02/07/16)Thyssen-Bornemisza Museum, Madrid (03/01/16–06/19/16)

A revelatory look at an underexplored chapter of American art, which took place not on American soil but in France “Reveals the fertile creative ground Americans discovered in Paris and beyond.”—Judith H. Dobrzynski, Wall Street Journal, exhibition review In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing—part of the association known as The Ten—found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists—styles ranging from conservative academic modes to Tonalism—and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art.Published in association with the Denver Art MuseumExhibition Schedule:Denver Art Museum (November 14, 2021–March 13, 2022)Virginia Museum of Fine Arts (April 16–July 31, 2022)