Kirjahaku

Redirect by Timothy D. Wilson, author of Strangers to Ourselves, whose work has been acclaimed by writers such as Malcolm Gladwell, is a groundbreaking book of psychology that shows how changing the stories we tell about ourselves can help solve our problems.Why will most self help books leave you worse off? How do youth rehabilitation programmes backfire? And how can one volunteer help the whole of society? Redirecting the stories you tell about yourself - and changing the stories others are telling about themselves - can help everyone, whether improving education and parenting skills or reducing crime, teen pregnancies, and drug and alcohol abuse. This timely book offers practical advice that has been proven to give real results. Redirect will show you exactly how you can be happier and more successful, using only the power of your own stories.Timothy D. Wilson is the Sherrell J. Aston Professor of Psychology at the University of Virginia. He is the author of Strangers to Ourselves, which was named by New York Times Magazine as one of the Best 100 Ideas of 2002, and is co-author of the bestselling Social Psychology textbook, now in its seventh edition. He lives in Charlottesville, Virginia, with his wife and two children. 'A masterpiece' Malcolm Gladwell, author of Blink'This may well be the single most important psychology book ever written' Daniel Gilbert, author of Stumbling on Happiness'A stimulating, valuable read' New Scientist'With a deft narrative touch . . . and a ferocious commitment to scientific evidence, Timothy Wilson has made a remarkable contribution to knowledge' Robert Cialdini, author of Influence

The brightly colored tin-enameled earthenware called maiolica was among the major accomplishments of decorative arts in 16th-century Italy. This in-depth look at the history of maiolica, told through 140 exemplary pieces from the world-class collection at the Metropolitan Museum, offers a new perspective on a major aspect of Italian Renaissance art. Most of the works have never been published and all are newly photographed. The ceramics are featured alongside detailed descriptions of production techniques and a consideration of the social and cultural context, making this an invaluable resource for scholars and collectors. The imaginatively decorated works include an eight-figure group of the Lamentation, the largest and most ambitious piece of sculpture produced in a Renaissance maiolica workshop; pharmacy jars; bella donna plates; and more.Published by The Metropolitan Museum of Art / Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art (08/29/16–02/26/17)

This book is an introduction to Italian Renaissance ceramics. These colourful and highly decorative wares form a distinctive and significant part of the artistic achievement of the period. The Fortnum collection in the Ashmolean Museum, Oxford, is outstanding in its quality and range. In this selection the author illustrates fine and characteristic pieces by leading artists in the major centres of production, including Florence, Siena and Urbino. The techniques and processes of Renaissance Maiolica are briefly discussed and the subject matter of each painted piece is related to the wider artistic culture of the time. Maiolica serves as a scholarly presentation of the finest pieces from a major collection, while at the same time providing a valuable general introduction to this most vivid and culturally illuminating of the 'minor arts' of Renaissance Italy. It is an expanded and updated edition of the book first published in 1989, incorporating most recent additions to the Museum's collections.

This book is the culmination of nearly thirty years' work in caring for, studying, and developing the collections in this Museum by Timothy Wilson, long-time Keeper of Western Art. Wilson is well-known as a specialist in the study of European Renaissance ceramics. The Ashmolean collections have their origins in the collection of C.D.E. Fortnum (1820-1899), but have been developed further in the last quarter-century, so that they can claim to be one of the top such collections of Renaissance ceramics worldwide. This book, containing 289 catalogue entries, will completely encompass the Museum's collection of postclassical Italian pottery, including pieces from excavations. In addition it will include catalogue entries for some seventy selected pieces of pottery from France, the Low Countries, England, Spain, Portugal, Germany, and Mexico, in order to present a wide-ranging picture of the development of tin-glaze pottery from Islamic Spain through to recent times. It will also include an essay by Kelly Domoney of Cranfield University, and Elisabeth Gardner of the Ashmolean's Conservation Department, on the technical analysis and conservation history of some pieces in the collection.