Kirjahaku

This beautifully written book, now in its second edition, tells the haunting saga of a quintessentially American family. It is the story of Shoe Boots, a famed Cherokee warrior and successful farmer, and Doll, an African slave he acquired in the late 1790s. Over the next thirty years, Shoe Boots and Doll lived together as master and slave and also as lifelong partners who, with their children and grandchildren, experienced key events in American history including slavery, the Creek War, the founding of the Cherokee Nation and subsequent removal of Native Americans along the Trail of Tears, and the Civil War. This is the gripping story of their lives, in slavery and in freedom. Meticulously crafted from historical and literary sources, Ties That Bind vividly portrays the members of the Shoeboots family. Doll emerges as an especially poignant character, whose life is mostly known through the records of things done to her purchase, her marriage, the loss of her children but also through her moving petition to the federal government for the pension owed to her as Shoe Boots's widow. A sensitive rendition of the hard realities of black slavery within Native American nations, the book provides the fullest picture we have of the myriad complexities, ironies, and tensions among African Americans, Native Americans, and whites in the first half of the nineteenth century. Updated with a new preface and an appendix of key primary sources, this remains an essential book for students of Native American history, African American history, and the history of race and ethnicity in the United States.

Finalist for the National Book Critics Circle Award in Biography - A Washington Post Notable Book - Finalist for the PEN America Literary Award -One of Smithsonian Magazine's Ten Best History Books of the Year - One of AAIHS's Best Black History Books of 2024 "Though broad strokes of Tubman's story are widely known, Miles probes deeper, examining her inner life, faith and relationships with other enslaved Black women to paint a deeper, more vibrant portrait of a historical figure whose mythic status can sometimes overshadow her humanity." -The New York Times From the National Book Award-winning author of All That She Carried, an intimate and revelatory reckoning with the myth and the truth behind an American everyone knows and few really understand Harriet Tubman is among the most famous Americans ever born and soon to be the face of the twenty-dollar bill. Yet often she's a figure more out of myth than history, almost a comic-book superhero. Despite being barely five feet tall, unable to read, and suffering from a brain injury, she managed to escape from her own enslavement, return again and again to lead others north to freedom without loss of life, speak out powerfully against slavery, and then become the first American woman in history to lead a military raid, freeing some seven hundred people. You could almost say she's America's Robin Hood, a miraculous vision, often rightly celebrated but seldom understood. Tiya Miles's extraordinary Night Flyer changes all that. With her characteristic tenderness and imaginative genius, Miles explores beyond the stock historical grid to weave Tubman's life into the fabric of her world. She probes the ecological reality of Tubman's surroundings and examines her kinship with other enslaved women who similarly passed through a spiritual wilderness and recorded those travels in profound and moving memoirs. What emerges, uncannily, is a human being whose mysticism becomes more palpable the more we understand it--a story that offers us powerful inspiration for our own time of troubles. Harriet Tubman traversed many boundaries, inner and outer. Now, thanks to Tiya Miles, she becomes an even clearer and sharper signal from the past, one that can help us to echolocate a more just and sustainable path.

Finalist for the National Book Critics Circle Award in Biography - A Washington Post Notable Book - Finalist for the PEN America Literary Award -One of Smithsonian Magazine's Ten Best History Books of the Year - One of AAIHS's Best Black History Books of 2024 "Though broad strokes of Tubman's story are widely known, Miles probes deeper, examining her inner life, faith and relationships with other enslaved Black women to paint a deeper, more vibrant portrait of a historical figure whose mythic status can sometimes overshadow her humanity." -The New York Times From the National Book Award-winning author of All That She Carried, an intimate and revelatory reckoning with the myth and the truth behind an American everyone knows and few really understand Harriet Tubman is among the most famous Americans ever born and soon to be the face of the twenty-dollar bill. Yet often she's a figure more out of myth than history, almost a comic-book superhero. Despite being barely five feet tall, unable to read, and suffering from a brain injury, she managed to escape from her own enslavement, return again and again to lead others north to freedom without loss of life, speak out powerfully against slavery, and then become the first American woman in history to lead a military raid, freeing some seven hundred people. You could almost say she's America's Robin Hood, a miraculous vision, often rightly celebrated but seldom understood. Tiya Miles's extraordinary Night Flyer changes all that. With her characteristic tenderness and imaginative genius, Miles explores beyond the stock historical grid to weave Tubman's life into the fabric of her world. She probes the ecological reality of Tubman's surroundings and examines her kinship with other enslaved women who similarly passed through a spiritual wilderness and recorded those travels in profound and moving memoirs. What emerges, uncannily, is a human being whose mysticism becomes more palpable the more we understand it--a story that offers us powerful inspiration for our own time of troubles. Harriet Tubman traversed many boundaries, inner and outer. Now, thanks to Tiya Miles, she becomes an even clearer and sharper signal from the past, one that can help us to echolocate a more just and sustainable path.

Three women uncover the secrets of a Georgia plantation that embodies the intertwined histories of Indigenous and enslaved Black communities--the fascinating debut novel, inspired by a true story, of the National Book Award-winning and New York Times bestselling author of All That She Carried, now featuring a new introduction and discussion guide. "The Cherokee Rose is a mic drop--an instant classic. An invitation to listen to the urgent, sweet choruses of past and present."--Honor e Fanonne Jeffers, author of The Love Songs of W.E.B. Du Bois LAMBDA LITERARY AWARD FINALIST Conducting research for her weekly history column, Jinx, a free-spirited Muscogee (Creek) historian, travels to Hold House, a Georgia plantation originally owned by Cherokee chief James Hold, to uncover the mystery of what happened to a tribal member who stayed behind after Indian removal, when Native Americans were forcibly displaced from their ancestral homelands in the nineteenth century. At Hold House, she meets Ruth, a magazine writer visiting on assignment, and Cheyenne, a Southern Black debutante seeking to purchase the estate. Hovering above them all is the spirit of Mary Ann Battis, the young Indigenous woman who remained in Georgia more than a century earlier. When they discover a diary left on the property that reveals even more about the house's dark history, the three women's connections to the place grow deeper. Over a long holiday weekend, Cheyenne is forced to reconsider the property's rightful ownership, Jinx reexamines assumptions about her tribe's racial history, and Ruth confronts her own family's past traumas before surprising herself by falling into a new romance. Imbued with a nuanced understanding of history, The Cherokee Rose brings the past to life as Jinx, Ruth, and Cheyenne unravel mysteries with powerful consequences for them all.

Harriet Tubman, forced to labour outdoors on a Maryland plantation, learned a terrain for escape. Louisa May Alcott ran wild, eluding gendered expectations in New England. The Indigenous women’s basketball team from Fort Shaw, Montana, recaptured a sense of pride in physical prowess as they trounced the white teams of the 1904 World’s Fair. Celebrating women like these who acted on their confidence outdoors, Wild Girls also brings new context to misunderstood icons like Sakakawea and Pocahontas, and to under-appreciated figures like Gertrude Bonin, Dolores Huerta and Grace Lee Boggs. For the girls at the centre of this book, woods, rivers, ball courts and streets provided not just escape from degrees of servitude but also space to envision new spheres of action. Lyrically written and full of archival discoveries, this book evokes landscapes as richly as the girls who roamed in them—and argues for equal access to outdoor spaces for girls of every race and class today.

Harriet Tubman, forced to labour outdoors on a Maryland plantation, learned from the land a terrain for escape. Louisa May Alcott ran wild, eluding gendered expectations in New England. The Indigenous women’s basketball team from Fort Shaw, Montana, recaptured a sense of pride in physical prowess as they trounced the white teams of the 1904 World’s Fair. Celebrating women like these who acted on their confidence outdoors, Wild Girls brings new context to misunderstood icons like Sacagawea and Pocahontas and to under-appreciated figures like Native American activist writer Zitkála-Šá, also known as Gertrude Bonnin, farmworkers’ champion Dolores Huerta and labour and Civil Rights organiser Grace Lee Boggs. This beautiful, meditative work of history puts girls of all races—and the landscapes they loved—at centre stage and reveals the impact of the outdoors on women’s independence, resourcefulness and vision. For these trailblazing women of the nineteenth and early twentieth centuries, navigating the woods, following the stars, playing sports and taking to the streets in peaceful protest were not only joyful pursuits, but also techniques to resist assimilation, racism and sexism. Lyrically written and full of archival discoveries, Wild Girls evokes landscapes as richly as the girls who roamed in them—and argues for equal access to outdoor spaces for young women of every race and class today.

In this paradigm-shifting book, celebrated historian Tiya Miles reveals that slavery was at the heart of the Midwest's iconic city: Detroit. Miles has pieced together the experience of the unfree - both native and African American - in the frontier outpost of Detroit, a place wildly remote yet at the centre of national and international conflict. The result is fascinating history, little-explored and eloquently told, of the limits of freedom in early America, one that adds new layers of complexity that completely change our understanding of slavery's American legacy.

LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION NATIONAL BOOK AWARD WINNER ~ NEW YORK TIMES BESTSELLER ~ WINNER OF THE CUNDILL HISTORY PRIZE 'An astonishing account of love, resilience and survival' Sunday Times 'A remarkable book' New York Times 'An extraordinary tale through the generations' Guardian In 1850s South Carolina, Rose, an enslaved woman, faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few items. Soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley's granddaughter Ruth embroidered this family history on the sack in spare, haunting language. That, in itself, is a story. But it's not the whole story. How does one uncover the lives of people who, in their day, were considered property? Harvard historian Tiya Miles carefully traces these women's faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery, and the uncertain freedom afterward. All That She Carried gives us history as it was lived, a poignant story of resilience and love passed down against steep odds.

SHORTLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION NATIONAL BOOK AWARD WINNER NEW YORK TIMES BESTSELLER WINNER OF THE CUNDILL HISTORY PRIZE 'An astonishing account of love, resilience and survival' Sunday Times 'A remarkable book' New York Times 'An extraordinary tale through the generations' Guardian In 1850s South Carolina, Rose, an enslaved woman, faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few items. Soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley's granddaughter Ruth embroidered this family history on the sack in spare, haunting language. That, in itself, is a story. But it's not the whole story. How does one uncover the lives of people who, in their day, were considered property? Harvard historian Tiya Miles carefully traces these women's faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery, and the uncertain freedom afterward. All That She Carried gives us history as it was lived, a poignant story of resilience and love passed down against steep odds.

A renowned historian and MacArthur Genius Grant fellow traces a single object handed down through three generations of Black women, from slavery and into the twentieth century, to craft an extraordinary meditation on people who are left out of the archives of history. Sitting in the Smithsonian's National Museum of African American History and Culture is a rough cotton bag, called Ashley's Sack, embroidered with just a handful of words that evoke a sweeping family story of loss and of love passed down through generations. In 1850s South Carolina, just before nine-year-old Ashley was sold, her mother, Rose, gave her a sack filled with just a few things as a token of her love. Decades later, Ashley's granddaughter, Ruth, embroidered this history on the bag--including Rose's message that It be filled with my Love always. Historian Tiya Miles carefully follows faint archival traces back to Charleston to find Rose in the kitchen where she may have packed the sack for Ashley. From Rose's last resourceful gift to her daughter, Miles then follows the paths their lives and the lives of so many like them took to write a unique, innovative history of the lived experience of slavery in the United States. The contents of the sack--a tattered dress, handfuls of pecans, a braid of hair, my Love always--speak volumes and open up a window on Rose and Ashley's world. As she follows Ashley's journey, Miles metaphorically unpacks the sack, deepening its emotional resonance and revealing the meanings and significance of everything it contained. These include the story of enslaved labor's role in the cotton trade and apparel crafts and the rougher cotton negro cloth that was left for enslaved people to wear; the role of the pecan in nutrition, survival, and southern culture; the significance of hair to Black women and of locks of hair in the nineteenth century; and an exploration of Black mothers' love and the place of emotion in history. This is the poignant story of love passed down through generations of women and a testament to the creativity and resourcefulness it takes to keep and to reveal the histories of people left out of the archives.

NATIONAL BOOK AWARD WINNER - NEW YORK TIMES BESTSELLER - A renowned historian traces the life of a single object handed down through three generations of Black women to craft an extraordinary testament to people who are left out of the archives. KIRKUS PRIZE FINALIST - FINALIST FOR THE PEN/JOHN KENNETH GALBRAITH AWARD - ONE OF THE TEN BEST BOOKS OF THE YEAR: The Washington Post, Slate, Vulture, Publishers Weekly - ONE OF THE BEST BOOKS OF THE YEAR: The New York Times, NPR, Time, The Boston Globe, The Atlantic, The Atlanta Journal-Constitution, Smithsonian Magazine, St. Louis Post-Dispatch, Ms. magazine, Book Riot, Library Journal, Kirkus Reviews, Booklist "Deeply layered and insightful . . . a] bold reflection on American history, African American resilience, and the human capacity for love and perseverance in the face of soul-crushing madness."--The Washington Post "A history told with brilliance and tenderness and fearlessness."--Jill Lepore, author of These Truths: A History of the United States In 1850s South Carolina, an enslaved woman named Rose faced a crisis, the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few precious items as a token of love and to try to ensure Ashley's survival. Soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley's granddaughter Ruth embroidered this family history on the bag in spare yet haunting language--including Rose's wish that "It be filled with my Love always." Ruth's sewn words, the reason we remember Ashley's sack today, evoke a sweeping family story of loss and of love passed down through generations. Now, in this illuminating, deeply moving book inspired by Rose's gift to Ashley, historian Tiya Miles carefully unearths these women's faint presence in archival records to follow the paths of their lives--and the lives of so many women like them--to write a singular and revelatory history of the experience of slavery, and the uncertain freedom afterward, in the United States. The search to uncover this history is part of the story itself. For where the historical record falls short of capturing Rose's, Ashley's, and Ruth's full lives, Miles turns to objects and to art as equally important sources, assembling a chorus of women's and families' stories and critiquing the scant archives that for decades have overlooked so many. The contents of Ashley's sack--a tattered dress, handfuls of pecans, a braid of hair, "my Love always"--are eloquent evidence of the lives these women lived. As she follows Ashley's journey, Miles metaphorically unpacks the bag, deepening its emotional resonance and exploring the meanings and significance of everything it contained.All That She Carried is a poignant story of resilience and of love passed down through generations of women against steep odds. It honors the creativity and fierce resourcefulness of people who preserved family ties even when official systems refused to do so, and it serves as a visionary illustration of how to reconstruct and recount their stories today.