Kirjahaku

Elvis Presley musicals, beach romps, biker flicks, and alienated youth movies were some of the most popular types of drive-in films during the sixties. The actresses interviewed for this book (including Celeste Yarnall, Lana Wood, Linda Harrison, Pamela Tiffin, Deanna Lund, Diane McBain, Judy Pace, and Chris Noel) all made their mark in these genres. These fantastic femmes could be found either twisting on the shores of Malibu, careening down the highway on a chopper, being serenaded by Elvis, or taking on the establishment as hip coeds. As cult figures, they contributed greatly to that period of filmmaking aimed at the teenage audience who frequented the drive-ins of America. They frolicked, screamed, and danced their way into B-movie history in such diverse films as Eve, Teenage Millionaire, The Girls on the Beach, Dr. Goldfoot and the Bikini Machine, Three in the Attic, Wild in the Streets, and Paradise, Hawaiian Style. This book is a celebration of the actresses' careers. They have for the most part been overlooked in other publications documenting the history of film. Fantasy Femmes addresses their film and television careers, focusing on their view of the above genres, their candid comments and anecdotes about their films, the people they worked with, and their feelings in general regarding their lives and the choices they made. The book is well illuminated and contains a complete list of film and television credits.

During the 1960s, a bushel of B-movies were produced and aimed at the predominantly teenage drive-in movie audience. At first teens couldn't get enough of the bikini-clad beauties dancing on the beach or being wooed by Elvis Presley, but by 1966 young audiences became more interested in the mini-skirted, go-go boot wearing, independent-minded gals of spy spoofs, hot rod movies and biker flicks. Profiled herein are fifty sexy, young actresses that teenage girls envied and teenage boys desired including Quinn O'Hara, Melody Patterson, Hilarie Thompson, Donna Loren, Pat Priest, Meredith MacRae, Arlene Martel, Cynthia Pepper, and Beverly Washburn. Some like Sue Ane Langdon, Juliet Prowse, Marlyn Mason, and Carole Wells, appeared in major studio productions while others, such as Regina Carrol, Susan Hart, Angelique Pettyjohn and Suzie Kaye were relegated to drive-in movies only. Each biography contains a complete filmography. Some also include the actresses' candid comments and anecdotes about their films, the people they worked with, and their feelings about acting. A list of web sites that provide further information is also included.

Dark-haired 60s cult pop icon Pamela Tiffin debuted in Summer and Smoke (1961) and was a scene-stealing comedienne opposite James Cagney in Billy Wilder's One, Two, Three (1961) before becoming the queen of teenage drive-in movies in State Fair (1963), Come Fly with Me (1963), For Those Who Think Young (1964), The Lively Set (1964) and The Pleasure Seekers (1964). After landing a sexy adult role opposite Paul Newman in Harper (1966), she went blonde and ran away to Italy to star in such films as Kiss the Other Sheik (1968), The Fifth Cord (1971) and Deaf Smith & Johnny Ears (1973). This thoroughly researched career retrospective pays tribute to the talented Tiffin, hailed by Cagney for her "remarkable flair for comedy," and addresses why she did not achieve superstardom. Interviews with co-stars, including Franco Nero, and film historians offer a behind-the-scenes look at her most popular films.

A behind-the-scenes look at the show that changed daytime drama, an in-depth, intimate and entertaining cultural history, told in the words of its cast, crew, and creators. From the opening scene of its first episode, in which Mary Ryan walks jauntily down a New York City street to her family's neighborhood bar, it was clear that Ryan's Hope would be unlike every daytime soap that had come before. Indeed, from 1975 to 1989, the Emmy award-winning ABC TV serial drew viewers into the world of Maeve and Johnny Ryan, their children, friends, and extended family. This page-turning chronicle gathers memories and exclusive interviews to reveal the show's fascinating origin story--and explore why it's missed to this day. Ryan's Hope was the first soap to be set in a real city, within recognizable communities. The working-class, Irish-Catholic, immigrant Ryans were the core of a show that credibly tackled such topics as infidelity, addiction, religious faith, and women's rights. There was melodrama, to be sure, but also heart, depth, grit--provided by co-creators and head writers Claire Labine and Paul Avila Mayer. Labine and Mayer were also the executive producers in the early years, which gave them full control over their creation, from character backstories to lighting and costume. But there were also some missteps along the way, from the constant recasting of fan-favorite characters to ABC's ill-judged attempts to infuse the homey, family-oriented show with intrigue and adventure. Featuring the words of stars including Helen Gallagher, Malcolm Groome, Ron Hale, Ilene Kristen, Michael Levin, Ana Alicia, Roscoe Born, Catherine Hicks, Geoff Pierson, Andrew Robinson, and Gordon Thomson, along with writers, producers, production crew, and family members--plus never-before-seen photos and plot synopses--soap opera fans will find this insider account as captivating as the beloved show itself.

During the 1960s, many models, Playboy centerfolds, beauty queens, and Las Vegas showgirls went on to become "decorative actresses" appearing scantily clad on film and television. This well illustrated homage to 75 of these glamour girls reveals their unique stories through individual biographical profiles, photographs, lists of major credits and, frequently, in-depth personal interviews. Included are Carol Wayne, Edy Williams, Inga Neilsen, Thordis Brandt, Jo Collins, Phyllis Davis, Melodie Johnson, and many equally unforgettable faces of sixties Hollywood.

In 1965 producers Joseph E. Levine and Bill Sargent were racing to get their problem-laden biopics of Jean Harlow (both titled Harlow) into theaters first. Levine's film starred Carroll Baker in a big-budget, color production. Sargent's movie starred Carol Lynley in a quickie, black and white production shot in a new process called Electronovision. In the press the two producers conducted one of the nastiest feuds Hollywood had ever witnessed, nearly culminating in fisticuffs at the 1965 Academy Awards ceremony. In recounting the making of the two films, this book (expanded from the original self-published edition) touches on Jean Harlow's life, the failed attempts to make a Harlow biopic in the 1950s, and the reviled, bestselling 1964 biography. It details the aftermath of each movie's release, from scathing reviews to disappointing box office returns to the several lawsuits. Newly discussed are the portrayals of Jean Harlow on stage shortly after the Levine and Sargent films, and the making of the 1977 film Hughes and Harlow: Angels in Hell starring Lindsay Bloom as Jean Harlow. The book is generously illustrated and includes interviews with people associated with all three films, including Carol Lynley and Lindsay Bloom.

Since she was a child, the beautiful Carol Lynley graced television and movie screens from 1956 until 2002. She successfully progressed from child model, to teenage idol, to ingénue in such hit films as The Light in the Forest, Blue Denim, Return to Peyton Place, Sand Under the Yum Yum Tree. Then her cool beauty was put to perfect use as the bewildered blank-faced mother searching for a missing daughter who may or may not exist in the cult mystery thriller Bunny Lake Is Missing. This propelled Lynley to adult leads where she excelled playing the lady in peril culminating with her most famous role as terrified pop singer Nonnie in The Poseidon Adventure. Carol Lynley: Her Film & TV Career in Thrillers, Fantasy and Suspense highlights Carol's appearances in the titled genres. She has been terrorized on screen by everything from psychotic relatives to werewolves and the Blob, from murderous convicts to rampaging beasts and sinking upside down ocean liners. Most fans of these genres do not realize how prolific Carol was, going from theatrical features (The Shuttered Room, The Cat and the Canary, Blackout), to made-for-TV movies (The Immortal, The Night Stalker, Death Stalk), to television guest appearances (Alfred Hitchcock Presents, The Man from U.N.C.L.E., The Invaders, Night Gallery, Fantasy Island, Tales of the Unexpected) and back again for over thirty years. Peppered with comments from Carol Lynley specifically for this book and past published sources, it also features fascinating behind-the-scenes tales from her co-workers including Arledge Armenaki, Stephan Chase, Matt Dotson, John Goff, Howard Kazanjian, Harry Langdon, Jr., Alan J. Levi, and Tina Sinatra. Tom Lisanti goes beyond The Poseidon Adventure to shine a light on Carol Lynley's underrated work in the thriller/fantasy/suspense/horror genres with this meticulously researched and well-illustrated tribute book.

Since she was a child, the beautiful Carol Lynley graced television and movie screens from 1956 until 2002. She successfully progressed from child model, to teenage idol, to ingénue in such hit films as The Light in the Forest, Blue Denim, Return to Peyton Place, and Under the Yum Yum Tree. Then her cool beauty was put to perfect use as the bewildered blank-faced mother search- ing for a missing daughter who may or may not exist in the cult mystery thriller Bunny Lake Is Missing. This propelled Lynley to adult leads where she excelled playing the lady in peril culmi- nating with her most famous role as terrified pop singer Nonnie in The Poseidon Adventure. Carol Lynley: Her Film & TV Career in Thrillers, Fantasy and Suspense highlights Carol's appearances in the titled genres. She has been terrorized on screen by everything from psychotic relatives to werewolves and the Blob, from murderous convicts to rampaging beasts and sinking upside down ocean liners. Most fans of these genres do not realize how prolific Carol was, going from theatrical features (The Shuttered Room, The Cat and the Canary, Blackout), to made-for-TV movies (The Immortal, The Night Stalker, Death Stalk), to television guest appear- ances (Alfred Hitchcock Presents, The Man from U.N.C.L.E., The Invaders, Night Gallery, Fantasy Island, Tales of the Unexpected) and back again for over thirty years. Peppered with comments from Carol Lynley specifically for this book and past published sources, it also features fascinat- ing behind-the-scenes tales from her co-workers including Arledge Armenaki, Stephan Chase, Matt Dotson, John Goff, Howard Kazanjian, Harry Langdon, Jr., Alan J. Levi, and Tina Sinatra. Tom Lisanti goes beyond The Poseidon Adventure to shine a light on Carol Lynley's underrated work in the thriller/fantasy/suspense/horror genres with this meticulously researched and well-illustrated tribute book. Tom Lisanti is an award-winning author whose books include Talking Sixties Drive-In Movies and eight others about sixties Hollywood. He resides in New York City.