A collection of Tom Stoppard plays which reflect a combination of the "frivolous" and the "serious" aspects of his talent.
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53 kirjaa tekijältä Tom Stoppard
This third collection of plays by Tom Stoppard contains his television plays, written between 1965 and 1984. They show that Stoppard's writing for the small screen is comparable to his more celebrated stage work, as the masterly Professional Foul demonstrates. In his introduction the author briefly describes how the individual pieces came to be written and the circumstances of their original production.
This fifth collection of Tom Stoppard's plays brings together five classic plays by one of the most celebrated dramatists writing in the English language.The collection includes The Real Thing, Night & Day, Hapgood, Indian Ink and Arcadia, about which the reviewer for the Daily Telegraph said 'I have never left a new play more convinced that I'd just witnessed a masterpiece'.
This second collection of work by Tom Stoppard contains his radio plays, which complement (and sometimes prefigure) his work for the stage. The volume includes In the Native State, which became the stage play Indian Ink.Also in this volume are The Dissolution of Dominic Boot, 'M' is for Moon Among Other Things, If You're Glad I'll Be Frank, Albert's Bridge, Where Are They Now?, Artist Descending a Staircase, The Dog It Was That Died and an introduction by the author.This new edition contains the previously unpublished radio play, On 'Dover Beach'.
Rosencrantz and Guildenstern Are Dead is a play which, as it were, takes place in the wings of Hamlet, and finds both humour and poignancy in the situation of the ill-fated attendant lords. The National Theatre production in April 1967 made Tom Stoppard's reputation virtually overnight. Its wit, stagecraft and verbal verve remain as exhilarating as they were then and the play has become a contemporary classic.
The Incredible Radical Liberal Jumpers are a team of acrobatic professors of philosophy, whose absurd gymnastic displays reflect a bewildering world where logic has confounded belief in moral absolutes. In this dark, exuberant comedy, Stoppard brilliantly parodies the philosophy lecture, the detective thriller, the comedy of manners and the Whitehall farce, to follow a philosopher's doomed flight to prove the existence of God in the face of an indifferent universe.This is the definitive text of Tom Stoppard's celebrated comedy.'A dazzling, hilarious and honestly benevolent work, which creates a dramatic structure from a forbidding diversity of materials.' The Times
Tom Stoppard's masterpiece, with a beautiful new cover. Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise we're going out the way we came in.Arcadia premiered at the National Theatre, London, 1993, winning the Olivier Award for Best New Play and the Evening Standard Award for Best Play.'It is a laugh-filled tragedy about what happens if you take the intoxicants of poetry and science seriously. It is a play where Stoppard turns himself into a clown whose juggling balls are Romanticism, Classicism, and the meaning of life . . . The stale cliché about Stoppard is that he is a brilliant manipulator of ideas, but with no heart. Yet here - at the core of his best play - is the greatest love story on the British stage for decades. Yes, the characters bond over ideas - but some of the most interesting people in life do just that. That would be enough to make Arcadia a masterpiece - but it is even more than that. The play stirs the most basic and profound questions humans can ask. How should we live with the knowledge that extinction is certain - not just of ourselves, but of our species?' INDEPENDENT'I have never left a new play more convinced that I'd witnessed a masterpiece.' DAILY TELEGRAPH'A brilliant, brilliant play. A play of ideas, of consummate theatricality, of sophisticated entertainment and of heartache for time never to be regained.' SUNDAY TIMES
Flora Crewe, a young poet travelling India in 1930, has her portrait painted by a local artist. More than fifty years later, the artist's son visits Flora's sister in London while her would-be biographer is following a cold trail in India. The alternation of place and period in Tom Stoppard's play (based on his radio play In the Native State) makes for a rich and moving exploration of intimate lives set against one of the great shifts of history, the emergence of the Indian sub-continent from the grip of Empire. Indian Ink was first performed at the Yvonne Arnaud Theatre, Guildford, and opened at the Aldwych Theatre, London, in February 1995.
Tom Stoppard's new play is centered around A.E.Housman, poet and Classics scholar, whose most famous poem was A Shropshire Lad. This new play premiered at the Royal National Theatre in 1997, directed by Richard Eyre.
The Coast of Utopia is an epic but also intimate drama of romantics and revolutionaries in an age of emperors. The three sequential, self-contained plays, Voyage, Shipwreck and Salvage, span the lives and loves of a group of Russian friends at home and abroad in the tumultuous years between 1833 and 1866. This new fully revised edition of the trilogy contains an introduction by the author.
With a new introduction by the authorTom Stoppard's first novel, originally published in 1966 soon after the premiere of his runaway success, Rosencrantz and Guildenstern are Dead, is a dazzling fantasy set in modern London. The cast includes a penniless, dandified Malquist with a liveried coach, his Boswellian biographer, Moon, who frantically scribbles as a bomb ticks in his pocket, a couple of cowboys, a lion who's banned from the Ritz, an Irishman on a donkey claiming to be the Risen Christ, and three irresistible women.'Superb fantasy, mad, sad and uproarious by turn.' Oxford Times'A highly imaginative and theatrical black comedy, with a cunningly contrived denouement whose absurdity is chillingly logical.' Glasgow Herald'A bizarre book, full of pastiche, with language continually tripping up its characters.' Yorkshire Post'Lord Malquist and Mr Moon takes place in a dream-London where everything is seen through a haze of despair, and cowboys and a coach-and-pair and a pet lion wander with innumerable others through the plot, giving it a kind of child-like surrealism. It manages to be sad without being sentimental, and to give its fantasies a wit and exactness that make them fruitful and rewarding.' Sunday Telegraph
I do envy you being married to a man with a sense of humour. Henry thinks he has a sense of humour, but what he has is a joke reflex.The play begins with Max and Charlotte, a couple whose marriage seems about to rupture. But nothing one sees on a stage is the real thing, and some things are less real than others. Charlotte is an actress who has been appearing in a play about marriage written by her husband Henry. Max, her leading man, is also married to an actress, Annie. Both marriages are at the point of rupture because Henry and Annie have fallen in love. But is it the real thing?The Real Thing premiered at the Strand Theatre, London, in 1982, winning the Evening Standard Award for Best Play. It received the Tony Award for Best Play in 1984, and, in 2000, the Tony Award for Best Revival of a Play.'What is this thing called love? In The Real Thing, we watch Henry find the answer - and we watch Mr. Stoppard do so too. The author of such high-flying neo-Shavian farces as Jumpers and Travesties turns his attention to private passion - and he does so without mortgaging an intellect that has few equals in the contemporary theater. The Real Thing is not only Mr. Stoppard's most moving play, but also the most bracing play that anyone has written about love and marriage in years . . . so densely and entertainingly packed with wit, ideas and feelings that one visit just won't do.' FRANK RICH, NEW YORK TIMES
Celebrating its 50th anniversary in 2017, Tom Stoppard's witty and exhilarating play is repackaged as a stylish Faber Modern Classic.Tom Stoppard's reputation as a playwright was made when his dazzling debut, Rosencrantz and Guildenstern Are Dead, opened at the National Theatre. Fifty years later, the play's wit, stagecraft and verbal verve remain as exhilarating as they were in 1967 as the two ill-fated attendant lords from Shakespeare's Hamlet take centre stage, musing on the purpose of existence and its end. This new edition was published to coincide with a 50th anniversary production at the Old Vic Theatre, London, and contains a new preface by the author.
'Tom Stoppard's Travesties is witty, playful and wise. Forty years on, it is starting to look timeless as well.' Sunday Times'It is a champagne cocktail, compounded of a balletic nimbleness of invention, a bewildering intricacy of design which reaches the sublime heights where mathematics merge with poetry, and the audacious juggling of a master conjuror.' Sunday Telegraph 'A dazzling pyrotechnical feat that combines Wildean pastiche, political history, artistic debate, spoof reminiscence, and song-and-dance in marvellously judicious proportions. The text itself is a Joycean web of literary allusions; yet it also radiates sheer intellectual joie de vivre, as if Stoppard were delightedly communicating the fruits of his own researches.' GuardianTravesties was first performed by the Royal Shakespeare Company at the Aldwych Theatre, London, in June 1974. This edition includes a new preface by the author, and revisions made by him for a revival at the Menier Chocolate Factory, London, in October 2016.?
Above all don't use the word good as though it meant something in evolutionary science.Hilary, a young psychology researcher at a brain-science institute, is nursing a private sorrow and a troubling question at work, where psychology and biology meet. If there is nothing but matter, what is consciousness?This is 'the hard problem' which puts Hilary at odds with her colleagues who include her first mentor Spike, her boss Leo and the billionaire founder of the institute, Jerry.Is the day coming when the computer and the fMRI scanner will answer all the questions psychology can ask? Meanwhile Hilary needs a miracle, and she is prepared to pray for one.The Hard Problem by Tom Stoppard premiered at the National Theatre, London, in January 2015.
At the beginning of the twentieth century, Leopoldstadt was the old, crowded Jewish quarter of Vienna. But Hermann Merz, a manufacturer and baptised Jew married to Catholic Gretl, has moved up in the world. Gathered in the Merz apartment in a fashionable part of the city, Hermann's extended family are at the heart of Tom Stoppard's epic yet intimate drama. By the time we have taken leave of them, Austria has passed through the convulsions of war, revolution, impoverishment, annexation by Nazi Germany and - for Austrian Jews - the Holocaust in which 65,000 of them were murdered. It is for the survivors to pass on a story which hasn't ended yet.Tom Stoppard's Leopoldstadt was first performed at Wyndham's Theatre, London, in January 2020.WINNER: OLIVIER AWARD FOR BEST NEW PLAY, 2020WINNER: TONY AWARD FOR BEST PLAY, 2023Winner of the Drama Desk Award for Outstanding Play; the New York Drama Critics Circle Award for Best Foreign Play; the Drama League Award for Outstanding Production; and the Outer Critics' Circle Award for Outstanding New Broadway Play.'One of Britain's greatest living playwrights to provide his most personal play yet.' The Times'The news that Tom Stoppard has written a new drama ranks as top-end seismic activity.' Daily Telegraph
Let others sing of war and a hero buffeted by fate. I sing of marriage and a marriage bed, and the endurance of love.With an introduction by the author, this is Tom Stoppard in the voice of Odysseus's wife recalling how the Trojan War 'took away my husband for ten years, and ten more coming the long way home', and Odysseus's dramatic arrival back on Ithaca.Weaving Homeric tropes with the wry wit of a woman of our time, Penelope tells this still vibrant love story from the oldest poem in Western literature.
The new and updated edition of 'Tom Stoppard's extraordinary, epic drama of politics, persecution and protest in twentieth-century Czechoslovakia' (Evening Standard).Rock 'n' Roll spans the years from 1968 to 1990 from the double perspective of Prague, where a rock 'n' roll band comes to symbolise resistance to the Communist regime, and of Cambridge, where the verities of love and death are shaping the lives of three generations in the family of a Marxist philosopher.Rock 'n' Roll premiered at the Royal Court Theatre, London, in June 2006. It was revived at Hampstead Theatre, London, in December 2023. This edition includes an introduction by the author.'The remarkable thing about the play is that it touches on so many themes, registers its lament at the erosion of freedom in our society and yet leaves you cheered by its wit, buoyancy and belief in the human spirit.' Guardian'Stunning.' The Times *****'Lusty, messy, exuberant.' Daily Telegraph ****'No-one writes plays quite like Tom Stoppard.' Time Out ****
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern Are Dead is the fabulously inventive tale of Hamlet as told from the worm's-eye view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare's play. In Tom Stoppard's best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end.
Tom Stoppard's brilliant, award-winning play of surprise and deftly witty comparison was premiered at London's Strand Theatre in 1982 starring Roger Rees and Felicity Kendal and revived in 1999. Henry is a successful playwright married to Charlotte who has the lead role in his latest play about adultery. Her co-star, Max, is married to another actress, Annie, and Annie and Henry are madly in love but is it any more real than the subjects of Henry's play?