Kirjahaku

What are the events, experiences and ancestors that affect and shape our lives? How do we carry these experiences and influences throughout our lives?How do they shape who we are?What are the effects of these experiences?Why do we turn out the way we do?In this memoir, Tony, a psychologist for many years, asks the big questions that arise from the effects and experiences of life. He gives us an insight into how our past experiences shape our very lives and what we bring to our relationships with significant others and with ourselves.What are these "big" issues, life influencing events and outcomes?Tony explores how we survive these challenges and emerge a stronger, better, more independent and assertive individual.Tony explores the "big" issues of growing up different, exploring among other things, the influences and effects of family, trauma, of bullying, of an emerging and accepting of gay sexuality, of manhood and marriage and children, financial difficulties, of travel and higher education, of work and relationships."We had to ride our bikes on hot summer days up the dirt track all the way to school and back again, about five kilometres each way, day after day, alone or with any of the local kids doing the same trip; the red-tailed black cockatoos calling from the bush arrkk arrkk as we passed. We walked for hours on warm spring days over the hills, around the swamps teeming with bird life, and along the creeks exploring the rocks and the bush, abandoned houses on old farms, learning to avoid snakes and goannas; watching the wrens and water birds; never getting lost; going as far as we liked as long as we were home in time for dinner."Life is a huge mix of experiences, events and relationships. As Tony makes clear, life is not all straight-forward and idyllic, but in the end life turns out The Way Life Is.

What are the events, experiences and ancestors that affect and shape our lives? How do we carry these experiences and influences throughout our lives?How do they shape who we are?What are the effects of these experiences?Why do we turn out the way we do?In this memoir, Tony, a psychologist for many years, asks the big questions that arise from the effects and experiences of life. He gives us an insight into how our past experiences shape our very lives and what we bring to our relationships with significant others and with ourselves.What are these "big" issues, life influencing events and outcomes?Tony explores how we survive these challenges and emerge a stronger, better, more independent and assertive individual.Tony explores the "big" issues of growing up different, exploring among other things, the influences and effects of family, trauma, of bullying, of an emerging and accepting of gay sexuality, of manhood and marriage and children, financial difficulties, of travel and higher education, of work and relationships."We had to ride our bikes on hot summer days up the dirt track all the way to school and back again, about five kilometres each way, day after day, alone or with any of the local kids doing the same trip; the red-tailed black cockatoos calling from the bush arrkk arrkk as we passed. We walked for hours on warm spring days over the hills, around the swamps teeming with bird life, and along the creeks exploring the rocks and the bush, abandoned houses on old farms, learning to avoid snakes and goannas; watching the wrens and water birds; never getting lost; going as far as we liked as long as we were home in time for dinner."Life is a huge mix of experiences, events and relationships. As Tony makes clear, life is not all straight-forward and idyllic, but in the end life turns out The Way Life Is.

In this comprehensive portrait of horror's definitive director, Tony Williams ties George A. Romero's films to the development of literary naturalism and American culture, expanding the artist's creative footprint beyond his mastery of the "splatter movie" genre. Williams locates Romero's influences in the work of Emile Zola, the Entertainment Comics of the 1950s, and the novels of Stephen King, revealing the interdisciplinary depth of his seminal films Night of the Living Dead (1968), Creepshow (1982), Monkey Shines (1988), and The Dark Half (1992). For this second edition, Williams reads Romero's Bruiser (2000) against his more recent Land of the Dead (2005) and takes a fresh look at Diary of the Dead (2007) and Survival of the Dead (2009), two overlooked films that feature Romero's greatest achievements yet.

In this comprehensive portrait of horror's definitive director, Tony Williams ties George A. Romero's films to the development of literary naturalism and American culture, expanding the artist's creative footprint beyond his mastery of the "splatter movie" genre. Williams locates Romero's influences in the work of Emile Zola, the Entertainment Comics of the 1950s, and the novels of Stephen King, revealing the interdisciplinary depth of his seminal films Night of the Living Dead (1968), Creepshow (1982), Monkey Shines (1988), and The Dark Half (1992). For this second edition, Williams reads Romero's Bruiser (2000) against his more recent Land of the Dead (2005) and takes a fresh look at Diary of the Dead (2007) and Survival of the Dead (2009), two overlooked films that feature Romero's greatest achievements yet.

Now in a revised edition, this book is the only published study devoted to Larry Cohen and his significance as a great American filmmaker. The first edition is long out of print and often sought after. This edition covers all the director's films, television work and screenplays, and contains an updated interview with the director as well as interviews with his colleagues Janelle Webb Cohen, Michael Moriarty and James Dixon. The filmography and bibliography are also updated.

The Bible tells us God values us. That the Creator of the universe knew us before we were formed in the womb and watched our bones knit together. And, more astounding than that, He saw our entire life spread out before Him before we were even conceived. The psalmist wrote:

The Midlands by is the second collection by Tony Williams, following his much-acclaimed debut The Corner of Arundel Lane and Charles Street in inimitable and lyrical style. Beginning in the Midlands themselves, with the 'unfound grave of a Mercian king under wurzels, new housing and out-of-town Asdas', his poems compose a tragi-comic paean to vanishing hinterlands and fine-tuned weirdness, to domestic relics, to dog walks, dust and phantoms.Williams' absolute delight in word play and tomfoolery belies a darker, stranger undertow between rhyme and reasoning. Strange forces are at work in the heartlands, where we find ourselves travellers in perpetual motion, stopping only to gather our disappointment at the OK Café on the A1 and wonder if our 'boots might rise from the earth and pursue' us.Tony Williams is a poet and short-story writer based in North-East England. His first full collection, The Corner of Arundel Lane and Charles Street, was published by Salt in 2009 and was shortlisted for the Aldeburgh First Collection Prize and the Portico Prize for Literature. He teaches creative writing at Northumbria University

Forbidden is set on the French-Creole island of Saint Helen, in a society where people continue to struggle daily with the horrific legacies of slavery, long after Emancipation. There your social status is determined by the colour of your skin. Christian Joseph, a mulatto, and one of several major characters, is a by-product of the social and racial polarization that bedevils the island. He's a devoted acolyte of the Catholic Church and people look up to him because of his complexion and high standing with the priests. His world is turned upside down when he discovers he was born out of wedlock. He further discovers, to his dismay, that his father, heir to Paradise Estate, the island's most renowned sugar plantation, has died and left his property to Christian's mother - a poor black village girl. This causes disbelief and outrage among many in the community, including the priests. It forces Christian to return to the village of his birth to try and uncover the secrets of his pasts.Meantime, issues surrounding the bequest of Paradise Estate continue to stir up controversy and create turmoil in the lives of all those associated with it.

The award-winning, smash Broadway hit, Hamilton: An American Musical, continues to captivate sold-out audiences and has sparked unprecedented interest in its historical protagonist. In Hamilton: An American Biography, Tony Williams provides readers with a concise biography that traces the events and values that enabled Hamilton to rise from his youth as a dispossessed orphan to Revolutionary War hero and Founding Father, a life uniquely shaped by America and who, in turn, contributed to the creation of the American regime of liberty and self-government. He was one of key leaders in the American Revolution, a chief architect of America’s constitutional order of self-government, and the key figure in Washington’s administration creating the institutions that governed America. Williams expertly weaves together biography with historical events to place Hamilton as one of the most important founding fathers. For readers just discovering Hamilton for the first time or those with an insatiable appetite for books on the Founders and the American Founding, Hamilton: An American Biography will shed new light on this American icon now experiencing a remarkable second act.

Hearths of Darkness: The Family in the American Horror Film traces the origins of the 1970s family horror subgenre to certain aspects of American culture and classical Hollywood cinema. Far from being an ephemeral and short-lived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It's Alive, God Told Me To, Carrie, The Exorcist, Exorcist 2, The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s.After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.

Hearths of Darkness: The Family in the American Horror Film traces the origins of the 1970s family horror subgenre to certain aspects of American culture and classical Hollywood cinema. Far from being an ephemeral and short-lived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It's Alive, God Told Me To, Carrie, The Exorcist, Exorcist 2, The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s.After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.

Read Regional 2019 – ‘Discover brilliant Northern writers’ Aidan Wilson’s misfortune is to be hard as nails In this darkly hilarious and seriously horrifying book Williams tells the story of Aidan, a vigilante and young offender from one of Sheffield’s roughest estates. At breakneck speed, we see Aidan’s world unravel as he goes from hero to outlaw, fighting against all-comers and the circumstances he can’t escape. But is he a victim or architect of his own demise? A brutal and breathtaking account of living with violence in the English city. There are lots of crime novels, but Nutcase is something different: a novel about crime which isn’t interested in the conventions of crime fiction. The novel is based on a specific Icelandic saga: the Saga of Grettir the Strong. Nutcase explores the lives of people who live with violence on a day-to-day basis – how it shapes and distorts their lives, and ultimately becomes part of the normality that they live with.

Gardens, grotesqueries, historical landscapes, destruction and darkness, all collide in Tony Williams’ explosive new collection Tony Williams is roaming the earth. The poems in Hawthorn City record the tales we tell ourselves to make a home in the lives we find ourselves living. They are songs to family, to stone and outlawry and refusal, and to the fevered memory which reaches back beyond birth, past early modern witches and shepherds’ songs, past medieval chronicles and Icelandic sagas, to the ancient city-states, homely and hellish, which part of the modern imagination still inhabits. Travelling darker and deeper towards the state which is both origin and grave, this grotesque comedy of a book intensifies into a bizarre, baroque vision of the world and our place in it.

The orphan Cole wanders the world, seeking the fabled Underground City which he has promised his love Sigrid he will find. Somewhere else entirely, Niven sits in a palace garden taking lessons in astronomy and architecture, dreaming up ways to escape being married off to one of her father’s friends. Cole’s story is pieced together from folk songs and fragments as he travels ever onwards towards his destiny: a new life even stranger than the one before. Niven too will learn what it means to leave the garden of childhood. Their world is one of witchcraft and wishing, wisdom and regret, as they slowly learn how much it is possible to love, and suffer for the sake of love. Comic, grotesque, lyrical, and immensely readable, Tony Williams’s fantasy picaresque is a reader’s delight. A sweeping yarn through the darkest of ages, filled with rogues, lovers, murderers, swindlers, and saints.

This book argues for the importance of Gothic in understanding one of the key elements within the films of Sam Peckinpah (1925-1984). Although occasionally noted in the past, the Gothic has been generally overlooked when most critics consider the work of Sam Peckinpah with the exception of the Freudian based Crucified Heroes (1979) by Terence Butler. This work not only examines the films made after that date, especially the often dismissed The Osterman Weekend (1983) and the two music videos he made for Julian Lennon, but also places the director within the context of the developing work on Gothic that has since appeared. Peckinpah has been identified as the director of one undisputed masterpiece, The Wild Bunch (1969). By focussing on the key role Gothic plays in most of the director’s work, this book offers a way to see Peckinpah beyond The Wild Bunch and the Western, viewing him as a director who had the potential of evolving further, had circumstances permitted, to continue his critique of American life within the developing lens of the Gothic.

Winner of the 2013 Saboteur Award for Best Short Story Collection Who are the stars of these brief lives? A boy who steals a trundlewheel. An astronaut. A betrayed wife. A man jealous of his lover’s chickens. Commuters. Glampers. Psychotic twins. What do they have in common? Nothing – except the funny-haha and funny-strange conditions of their lives that bring them joy or misery and make us laugh at them and pity them and love them too. What happens when you lose both your eyes to squash accidents? When you inherit a shop full of curios? When you fall for the spirit of a famous murderer? When your son’s a tramp? When the one you love is about to kill herself? Or has the Ganges delta in her bloodshot eye? When your butcher doesn’t know anything about meat? Discovering the answers to these questions will knock you sideways – and show that the more we understand about people’s oddity, the more we come to appreciate their essential humanity. In these tiny stories, written over a period of a few short months, Tony Williams pushes the limits of prose fiction, homing in on the moments that sum up lifetimes and their complicated, bittersweet emotions. Each story crams a whole world into a couple of pages – you can sneak them one at a time whenever you have a spare minute, or gobble the lot – with a cast of hundreds – in a single day.

This is the first in-depth study in English of the career of this foremost auteur working at the margins of the Hollywood mainstream in the horror genre. In placing Romero's oeuvre in the context of literary naturalism, the book explores the relevance of the director's films within American cultural traditions and thus explains the potency of such work beyond 'splatter movie' models.