Kirjahaku

Music in Words is a compact guide to researching and writing about music, addressing all the issues that anyone who writes about music--from students to professional musicians and critics--may confront when putting together anything from brief program notes to a lengthy thesis. The book is awriting guide and a reference manual in one: the first part, a how to section, offers a clear explanation of the purpose of music research and how it is to be done, including basic introductions to the most necessary tools for musical inquiry (with special emphasis on strategic use of theinternet), and how they can be accessed and used. The second part is a compendium of information on style and sources for quick reference, including a straightforward presentation of the purpose and use of citation and reference systems as they are applied to and in music. As a whole, the volumegives readers a clear picture of how to write about music at different levels and for different purposes in a handy, thoroughly cross-referenced format. This American edition has been thoroughly revised and expanded, and features an extensive section on writing for the Internet and new sections on writing for jazz, popular music, world musics, and ethnography. Additionally, a companion website presents a broad range of writing samples and links tokey resources.

This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries.The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone’s development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.

The author brilliantly documents the journey, highlighting the spiritual and social nuances that played out as the church has navigated the COVID-19 pandemic so far. He captures succinctly how secular governments marginalised and disregarded the Church in relegating it to the level of a social event, with regulations more stringent than even that relating to the taxi industry. He places fair blame on the church for capitulating and cowering to the powers that be, never raising their voice. The impact on the rural and township church is eye-opening - This reaffirms the reality that we are deeply unaware, not only of the critical role that the church plays within disadvantaged communities, but the devastating impact the regulations have had on those vital spiritual communities.

Music in Words is both a guide and an invaluable reference tool for researching and writing about music. Fully updated and revised, the book aims to address all the issues that anyone, from students to professional musicians, may encounter when undertaking a writing task, irrespective of the style of music they are writing about. The book: * Teaches effective use of the internet and libraries * Explains the use of scholarly conventions * Offers advice on the form and content of writing tasks * Provides a glossary of terms and phrases used in musical writings

In his latest work, The New Enemy & The Old Enemy - Together at the Gate, Trevor Herbert is again drawing his readers' attention to the further delays to the global transformation project caused by the lethal collaboration between the novel coronavirus called COVID-19 and the worldwide phenomenon of economic inequality, as well as other forms of inequality. But he goes further than that. Herbert also offers his views on how the Church can and should become a more audible voice and demonstrate a more visible presence as far as the global response to these 'two enemies at the gate' are concerned.

A lively and engaging history of the brass band in Britain and beyond Brass bands have played a unique role in the cultural history of Britain. Amidst the industrial revolution, an increasingly urban population turned to music for mass entertainment. Brass bands became intimately associated with working men and spread across the country at breathtaking speed. At their height in the late Victorian era, there were thousands of them. Trevor Herbert reveals the story of these bands, from their working-class origins and the enormous popularity of Victorian contests to their sophistication in modern times. It is a tale of the survival of tradition and the embrace of change. Victorian brass bands solidified communities and promoted shared local identities. As new modes of popular culture posed existential threats in the twentieth century, they reinvented themselves. The model British bands created is now replicated throughout the world. This is a fascinating and revealing history of a much-loved aspect of Britain’s musical heritage.