Kirjahaku

Music and Science provides an introduction and practical guidance for a scientific and systematic approach to music research. Students with a background in humanities may find the field hard to tackle and this accessible guide will show them how to consider using an appropriate range of methods, introducing them to current standards of research practices including research ethics, open access, and using computational tools such as R for analysis. These research methods are used to identify the underlying patterns behind the data to better understand how music is constructed and how we are influenced by music. The book focusses on music perception and the experience of music as approached through empirical experiments and by analysing music using computational tools spanning audio and score materials. The process of research, collaboration, and publishing in this area of study is also explained and emphasis is given to transparent and replicable research principles. The book will be essential reading for students undertaking empirical projects, particularly in the area of music psychology but also in digital humanities and media studies.

Music and Science provides an introduction and practical guidance for a scientific and systematic approach to music research. Students with a background in humanities may find the field hard to tackle and this accessible guide will show them how to consider using an appropriate range of methods, introducing them to current standards of research practices including research ethics, open access, and using computational tools such as R for analysis. These research methods are used to identify the underlying patterns behind the data to better understand how music is constructed and how we are influenced by music. The book focusses on music perception and the experience of music as approached through empirical experiments and by analysing music using computational tools spanning audio and score materials. The process of research, collaboration, and publishing in this area of study is also explained and emphasis is given to transparent and replicable research principles. The book will be essential reading for students undertaking empirical projects, particularly in the area of music psychology but also in digital humanities and media studies.

The purpose of this study was to examine music preferences across a wide range of cultures in Finland, Slovenia, South Africa and Texas to get a better sense of cultural and demographic moderators of preferences across a wide variety of musical genres. At the same time, this study is confined to a rather specific sample of listeners: especially students, but also faculty and staff at universities. The musical listening habits analyzed here address not only the differences, but are also trying to sharpen the focus on the similarities between the geographically as well as culturally distinct milieus. Discussing the differences in cultural phenomena may make sense only if there are some universals to be discussed along the road. In this respect, the study comparing listeners’ habits from four different parts of the world is conceived as a contribution to a rather vaguely defined study of the musical universals in different ‘cultural habitats’.