Kirjahaku

Ecopolitics is a study of environmental awareness - or non-awareness - in contemporary French theory. Arguing that it is now impossible not to think in an ecological way, Verena Andermatt Conley traces the roots of today's concern for the environment back to the intellectual climate of the late 50s and 60s.The author considers key texts by influential figures such as Michael Serres, Paul Virilio, Gilles Deleuze and Felix Guattari, Michel de Certeau, Hélène Cixous and Luce Irigaray. Ecopolitics rehabilitates some ecological components of French intellectual thought of the past thirty years, and reassesses French poststructural thinkers who explicitly deal with ecology in their work.

Ecopolitics is a study of environmental awareness - or non-awareness - in contemporary French theory. Arguing that it is now impossible not to think in an ecological way, Verena Andermatt Conley traces the roots of today's concern for the environment back to the intellectual climate of the late 50s and 60s.The author considers key texts by influential figures such as Michael Serres, Paul Virilio, Gilles Deleuze and Felix Guattari, Michel de Certeau, Hélène Cixous and Luce Irigaray. Ecopolitics rehabilitates some ecological components of French intellectual thought of the past thirty years, and reassesses French poststructural thinkers who explicitly deal with ecology in their work.

Born in Algeria in 1937, Hélène Cixous achieved world fame for her short stories, criticism, and fictionalized autobiography (Dedans, 1969). Her work quickly became controversial because it frankly tested a distinction between male and female writing. Her literary experiments and her conclusions make her one of the most stimulating and most elusive feminist theorists of our time. Verena Andermatt Conley, a professor of French and women's studies at Miami University, has written the first full-length study of Cixous in English. Looking at Cixous as writer, teacher, and theoretician, Conley takes up Cixous's ongoing exploration of the "feminine" as related to the "masculine"—words not to be equated with "woman" and "man"—and her search for a terminology less freighted with emotion and prejudgment. Conley has updated this paperback edition with a new preface, bibliography, and interview with Cixous conducted by the editors of Hors Cadre.

A lifelong city dweller, Verena Andermatt Conley had long harbored romantic ideals about the natural world and dreamed of a wilderness retreat for herself and her husband, Tom. When a sizable tract of land along the Vermillion River on the edge of Minnesota's Boundary Waters - complete with two primitive log cabins - became available, they jumped at the chance to own a piece of paradise.The War against the Beavers is a wry and funny account of two people's ten-year apprenticeship in backwoods living, from their arrival as literal babes in the woods to their education in the ways of nature as they face plagues of insects, fungus, storms, and droughts, and embark on a lengthy campaign to eradicate a colony of beavers that threatens the peace and beauty of their forest refuge. It is only the coming of a mechanized and much more menacing threat - bulldozers and other heavy machinery clear-cutting the woods - that restores perspective to the obsessed cabin dwellers.

A lifelong city dweller, Verena Andermatt Conley had long harbored romantic ideals about the natural world and dreamed of a wilderness retreat for herself and her husband, Tom. When a sizable tract of land along the Vermillion River on the edge of Minnesota's Boundary Waters - complete with two primitive log cabins - became available, they jumped at the chance to own a piece of paradise.The War against the Beavers is a wry and funny account of two people's ten-year apprenticeship in backwoods living, from their arrival as literal babes in the woods to their education in the ways of nature as they face plagues of insects, fungus, storms, and droughts, and embark on a lengthy campaign to eradicate a colony of beavers that threatens the peace and beauty of their forest refuge. It is only the coming of a mechanized and much more menacing threat - bulldozers and other heavy machinery clear-cutting the woods - that restores perspective to the obsessed cabin dwellers.

Litterature, politique et communisme: Lire Les Lettres francaises, 1942-1972 suit le rapport entre politique et culture a travers un hebdomadaire communiste de la Resistance a la Liberation, la Guerre froide, la Defense de la paix, la destalinisation, la montee des marxismes textuels dans les annees soixante et jusqu'aux evenements de 1968. Le livre traite des rapports changeants entre politique et arts dans la clandestinite, puis dans l'apres-guerre et la decolonisation. Il retrace les debats intellectuels et les grands proces de l'epqoue - de l'Affaire Henri Martin a celle des Rosenberg. Il fait revivre une histoire litteraire et culturelle passionnante qui est aujourd'hui largement oubliee.

Spatial Ecologies takes a new look at the “spatial turn” in French cultural and critical theory since 1968. Verena Andermatt Conley examines how Henri Lefebvre, Michel de Certeau, Jean Baudrillard, Marc Augé, Paul Virilio, Bruno Latour and Etienne Balibar reconsider the experience of space in the midst of considerable political and economic turmoil. The book considers why French critical theorists turned away from questions of time and looked instead toward questions of space. It asks what writing about space can tell us about life in late capitalism. Conley links this question to the problematic of habitality, taking us back to Heidegger and showing how it informs much of French theory. Building on the author's acclaimed earlier study Ecopolitics, Spatial Ecologies argues, through the voices of the authors taken up the eight chapters, for recognition of the virtue of spatial theory and its pragmatic applications in the global milieu. It will be required reading for scholars of literary and cultural theory, and twentieth- and twenty-first century French culture.

Spatial Ecologies takes a new look at the “spatial turn” in French cultural and critical theory since 1968. Verena Andermatt Conley examines how Henri Lefebvre, Michel de Certeau, Jean Baudrillard, Marc Augé, Paul Virilio, Bruno Latour and Etienne Balibar reconsider the experience of space in the midst of considerable political and economic turmoil. The book considers why French critical theorists turned away from questions of time and looked instead toward questions of space. It asks what writing about space can tell us about life in late capitalism. Conley links this question to the problematic of habitality, taking us back to Heidegger and showing how it informs much of French theory. Building on the author's acclaimed earlier study Ecopolitics, Spatial Ecologies argues, through the voices of the authors taken up the eight chapters, for recognition of the virtue of spatial theory and its pragmatic applications in the global milieu. It will be required reading for scholars of literary and cultural theory, and twentieth- and twenty-first century French culture.