Kirjahaku

A profound, challenging, wide-ranging book, back in print for a new generation

Why is fear a dominant emotion in contemporary society? Why are politicians using words like 'terror', 'evil' and 'fundamentalism', and what effect is it having on public consciousness? This book taps into the cultural psyche to explore the link between ideology and emotional and psychological manipulation. It shows that the Bush administration has been hugely successful in controlling and developing a new political climate through the creation of an almost hypnotic mass consciousness. From the sado-masochist hysteria of Mel Gibson's The Passion of the Christ‚ to the atrocities at Abu Ghraib prison; and from the genocidal use of depleted uranium in Iraq to the apocalyptic language driving the Christian Right's assault on basic human rights. Davis's findings take us to the heart of the ideological paralysis of the Left, while offering an innovative approach to understanding contemporary history.

Why is fear a dominant emotion in contemporary society? Why are politicians using words like 'terror', 'evil' and 'fundamentalism', and what effect is it having on public consciousness? This book taps into the cultural psyche to explore the link between ideology and emotional and psychological manipulation. It shows that the Bush administration has been hugely successful in controlling and developing a new political climate through the creation of an almost hypnotic mass consciousness. From the sado-masochist hysteria of Mel Gibson's The Passion of the Christ‚ to the atrocities at Abu Ghraib prison; and from the genocidal use of depleted uranium in Iraq to the apocalyptic language driving the Christian Right's assault on basic human rights. Davis's findings take us to the heart of the ideological paralysis of the Left, while offering an innovative approach to understanding contemporary history.

This book explores the complex relationship between art and politics. Walter Davis uses his extensive knowledge of psychoanalysis to develop a philosophical critique of the impact that the current political climate is having on all artistic endeavour. He uses examples from a wide variety of fields including the theatre and popular culture, to show how true artistic freedom of expression is under threat from the ideological constraints imposed by contemporary capitalism. Starting with an analysis of the censorship of the play 'My Name is Rachel Corrie', which was withdrawn from production by a major New York theatre due to political pressure, Davis shows how all art that challenges the mainstream is suppressed or distorted to suit the politics of our time - one that will not recognise the truth of human experience and the disorder at the heart of all civilization.

This book explores the complex relationship between art and politics. Walter Davis uses his extensive knowledge of psychoanalysis to develop a philosophical critique of the impact that the current political climate is having on all artistic endeavour. He uses examples from a wide variety of fields including the theatre and popular culture, to show how true artistic freedom of expression is under threat from the ideological constraints imposed by contemporary capitalism. Starting with an analysis of the censorship of the play 'My Name is Rachel Corrie', which was withdrawn from production by a major New York theatre due to political pressure, Davis shows how all art that challenges the mainstream is suppressed or distorted to suit the politics of our time - one that will not recognise the truth of human experience and the disorder at the heart of all civilization.