Kirjahaku

Starting with Helmar Lerski’s outstanding photo series Metamorphose – Verwandlungen durch Licht from 1935/36, the magnificent volume Faces – The Power of the Human Visage presents portraits from the era of the Weimar Republic. The photographs taken by the photographers of the 1920s and 1930s achieved a radical renewal of portrait photography. Portrait photos traditionally served to depict the personality of an individual. The photographers of the interwar years saw the face as material to be presented in accordance with their own ideas. Through the photograph of a face they explored aesthetic considerations as well as the politicalchanges that took place during the Weimar Republic. Modernist experiments, the elationship between individual and type, feminist roles and political ideologies collided and hence expanded the concept of portrait photography.

Featuring over 200 exquisite reproductions of Model’s most iconic works, this stunning volume celebrates a mid-twentieth century visionary whose photography captured the raw, dynamic spirit of urban life and its striking social contrasts. Lisette Model’s journey from her Viennese roots to her groundbreaking career in New York unfolds in this comprehensive collection of works spanning 1933 to 1959. Featuring her famous Coney Island Bather and Cafe Metropole photographs, as well as never-before-seen pieces, the book immerses readers in her distinctive style—equal parts confrontational and compassionate. Model’s self-taught approach to photography flourished during her years in France. Her early portraits of idle elites in Nice delivered biting social critiques, marking her as a bold new voice in visual storytelling. After emigrating to New York, her work graced the pages of Harper’s Bazaar and other leading magazines, showcasing the vivid contrasts of urban life, from the impoverished Lower East Side to high-society gatherings. Complemented by melancholic studies from her later travels to the U.S. West Coast and Venezuela, this collection underscores Model’s enduring relevance. Featuring insightful commentary from Walter Moser, this book is a must- have for photography enthusiasts and anyone intrigued by the intersection of art, history, and social critique.

Filled with meticulously constructed photographs that blur the boundaries between reality and imagination, this sumptuously produced retrospective features more than thirty years of work by one of America’s most influential photographers.For more than three decades, Gregory Crewdson has been luring viewers into the worlds of his cinematic, highly detailed, and assiduously crafted photographs. This retrospective catalog features images from nine series that represent a broad chronological spectrum of Crewdson’s oeuvre.Included are selections from Twilight, the eerie and often darkly humorous photographs inspired by Stephen Spielberg's Close Encounters of the Third Kind; Beneath the Roses, which illuminates townscapes, forest clearings and broad, desolate streets with unsettling clarity; the black and white images of Sanctuary, shot on location at the legendary Cinecitta` studios on the outskirts of Rome; Cathedral of the Pines, a paean to the beauty and tragedy of a gritty western Massachusetts town; and Eveningside, in which moments of alienation and wonder occur within the confines of quotidian life. With highest quality reproductions, paper changes, and incisive essays by photography expert Walter Moser and other esteemed art historians, this exhibition catalog reveals why Crewdson’s powerful, elegiac and painterly photos draw comparisons to old master painting, staged photography and auteur cinema.