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88 kirjaa tekijältä William Boyd
The Trials of William Earl of Kilmarnock, George Earl of Cromartie, and Arthur Lord Balmerino, for High Treason, Before the House of Peers, at Westminster Hall, on the 28th and 30th of July, and the First of August, 1746
William Boyd
Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)T174759London: printed for the proprietor, by R. Walker, 1746?] 40p.; 8
The Tryals of William, Earl of Kilmarnock, George, Earl of Cromertie, and Arthur Lord Balmerino, for High Treason, and Levying war Against his Majesty King George, the Second, Before the House of Peers
William Boyd
Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryN054125Horizontal chain lines.London: printed and sold, by the booksellers in town and country, 1746?]. 31, 1]p.; 8
One May evening in London, Adam Kindred, a young climatologist in town for a job interview, is feeling good about the future as he sits down for a meal at a little Italian bistro. He strikes up a conversation with a solitary diner at the next table, who leaves soon afterward. With horrifying speed, this chance encounter leads to a series of malign accidents, through which Adam loses everything--home, family, friends, job, reputation, passport, credit cards, cell phone--never to get them back.William Boyd's electrifying follow-up to the Costa Award-winning Restless, Ordinary Thunderstorms is a profound and gripping novel about the fragility of social identity, the corruption at the heart of big business, and the secrets that lie hidden in the seamy underbelly of every city.
From one of our most celebrated and imaginative writers comes a spellbinding novel about deception, betrayal, psychoanalysis, and the mysteries of the human heart. William Boyd follows his critically acclaimed novels A Good Man in Africa, Brazzaville Beach, and Ordinary Thunderstorms with a razor-sharp, incandescent thriller in Waiting for Sunrise. A provocative exploration of the line between consciousness and reality is nested within a tense, rollercoaster plotline following as a young English actor ensnared in a bewildering scandal with an enigmatic woman in early twentieth-century Vienna. Sophisticated, page-turning, and unforgettable, Boyd's Waiting for Sunrise is a triumph of literary fiction from one of the most powerful, thought-provoking writers working today.
"Utterly engaging....A novel of ideas, of big themes....William Boyd is a champion storyteller." - New York Times Book Review William Boyd's classic Brazzaville Beach has been called as a "bold seamless blend of philosophy and suspense... that] nevertheless remains accessible to general readers on a level of pure entertainment." (Boston Globe). Released to coincide with Boyd's latest novel, Ordinary Thunderstorms, Brazzaville Beach tells the story of a British primate-researcher who relocates to war-torn Africa in the wake of her husband's tragic descent into mental illness. Intense, exhilarating, and engrossing, Brazzaville Beach is "rich in action and thought," and William Boyd "a writer who allows the scope of his work to expand to the point of bursting." (Los Angeles Times Book Review)
One of our most acclaimed authors takes on a legendary literary character, James Bond -- producing a smart and stylish narrative of international espionage, conspiracy, and war It's 1969, and, just having celebrated his 45th birthday, British agent James Bond -- 007 -- is summoned to headquarters to receive an unusual mission. Voltazia, a troubled West African nation, is being wracked by a bitter civil war, and M directs Bond to squash the rebel forces threatening the established regime. Bond senses that he's not getting the full story about Britain's interest in the outcome. His landing in Voltazia begins a feverish mission to discover the forces behind this brutal war -- and Bond realizes the situation is far from straightforward. The beautiful and brilliant Ellie Ogilvy-Grant, his intelligence liaison on the ground, seems to be Bond's best weapon -- until the two are captured by rebel forces and her allegiances become unclear. Bond escapes and returns home alive, but as he pieces together the real story behind the violence in Voltazia, he knows his life is in danger. The conspiracy extends further than Bond ever imagined, and only by crossing the Atlantic can he connect the dots between a dying African military leader, British and American intelligence forces, and a humanitarian aid group whose intentions are far from innocent. Moving from rebel battlefields in West Africa to the closed doors of intelligence offices in London and Washington, this novel is at once a gripping thriller, a tensely plotted story full of memorable characters and breathtaking twists, and a masterful study of power and how it's wielded -- a brilliant addition to the James Bond canon.
*The Sunday Times Bestseller* It is 1969 and James Bond is about to go solo, recklessly motivated by revenge. A seasoned veteran of the service, 007 is sent to single-handedly stop a civil war in the small West African nation of Zanzarim.
What does 'story-teller' suggest? Folk-tales, myths, sea voyages, a cartoon campfire: in short, a way of writing that is distinctly unmodern. Granta 21 presents the work of three authors who are, in their way, distinctly and deliberately unmodern. Bruce Chatwin follows nomads through the Sahara and the Aborigines across Australia, as they sing an entire continent into existence. Ryszard Kapuscinski returns from central Africa with stories - 'felt on the surface of my skin' - to tell people desperate to discover the outside world. And in 'A Story for Aesop', John Berger defines the story-teller: a witness who has become historian, a contemporary who is not modern - detached, sceptical and intensely compassionate.
Martin Amis, Kazuo Ishiguro, Salman Rushdie, Ian McEwan and Julian Barnes were relatively unknown names in literature when Granta published its first Best of Young British Novelists list in 1983. They did not remain unknown for long. These writers -- along with Pat Barker, Rose Tremain, A.N. Wilson and Adam Mars-Jones -- became the most celebrated voices of their generation. In this anthology, now newly reissued in paperback, allows readers to experience the emerging voices of today's most established writers.
DISCOVER THE BOOKER PRIZE LONGLISTED NOVEL ABOUT ONE HEART'S LOVES AND LOSSES FROM ICONIC STORYTELLER WILLIAM BOYD'Superb, wonderful, enjoyable' Guardian'Full of delights' The Times_____________________________Every life is both ordinary and extraordinary, and Logan Mountstuart's - stretching across the twentieth century - is a rich tapestry of both. As a writer who finds inspiration with Hemingway in Paris and Virginia Woolf in London, as a spy recruited by Ian Fleming and betrayed in the war, and as an art-dealer in '60s New York, Logan mixes with the men and women who shape his times. But as a son, friend, lover and husband, he makes the same mistakes we all do in our search for happiness. Here, then, is the story of a life lived to the full - and a journey deep into a very human heart.'One of the things this book does so brilliantly, is it so authentically recreates historical characters' Ben Miller, on BBC 2's Between The Covers____________________________'Astonishing, touching, extremely funny. A brilliant evocation of a past era and an immensely readable story' Sunday Telegraph'Superb, wonderful, enjoyable' Guardian'Generous, witty, sneakily profound' Evening StandardAny Human Heart was adapted for a Channel 4 drama starring Kim Cattrall, Gillian Anderson, Matthew Macfadyen and Jim Broadbent and is perfect for readers of Sebastian Faulks and Hilary Mantel.
'Marvellously paced and ingeniously plotted. A real page-turner' Observer_________________________One winter morning, Lorimer Black - young, good-looking, but with a somewhat troubled expression - goes to keep a perfectly routine business appointment and finds a hanged man. A bad start to the day, by anyone's standards, and an ominous portent. For Lorimer works in the only-slightly corrupt business of financial adjusting, and he is about to learn that it is much uglier - and even more crooked - than he ever imagined. Suddenly, he's being unfairly blamed for all kinds of irregularities. Next, his life is threatened. And, lastly, he's coming to realise that the life he has led till now - the one someone wants to rub out - is one big fat lie . . ._________________________'A joy to read: easy to get into, addictively plotted and beautifully written' Daily Mail'A novel that is truly comic, and, like all true comedy, also disturbing' Scotsman'A pleasure to read' Independent on Sunday
WINNER OF THE JAMES TAIT BLACK MEMORIAL PRIZE 'A brilliant storyteller . . . a book which stretches, tantalizes and delights' Financial Times_____________________________________On Brazzaville Beach, on the edge of Africa, Hope Clearwater ponders the strange circumstances that led her to leave her husband John, and his mathematical obsessions, in England and venture to Africa to help world-renowned scientist Eugene Mallabar with his studies of wild chimps. But the more Hope studies Mallabar, the more she comes to believe that something isn't right. That behind Mallabar, and his obsessive work, there lies another, more sinister truth: one that might also help explain Hope's reasons for leaving England . . ._____________________________________'A most extraordinary parable about mankind. Quite unlike anything else I have read' Sunday Express'Brilliant, daring. A gripping and compulsive story' Herald'Hilarious and edgy' Sunday Times
WINNER OF THE SUNDAY EXPRESS BOOK OF THE YEAR AWARD'Achingly memorable' The Times ________________________________A quest for secrets in the blue afternoon . . .Los Angeles, 1936. Kay Fischer, a young and ambitious architect, is being followed by an old man. When confronted, he explains that his name is Salvador Carriscant - and that he is her father.In a matter of weeks Kay will join Salvador on an extraordinary journey as they delve back into his past to not only learn the truth behind her own birth, but also to discover the whereabouts of a woman long thought dead - and to uncover the identity of a killer.________________________________'The finest storyteller of his generation' Daily Telegraph'An extraordinary story' John Mortimer, Sunday Telegraph, Books of the Year'Terrific' Jeremy Paxman, Independent, Books of the Year'Richly entertaining' Independent'A brilliant achievement' Time Out
'Brilliant. A Citizen Kane of a novel' Daily Telegraph__________________________________Meet John James Todd:Scotsman, auteur, Rousseau-fanatic - and 'subversive element'Born in 1899, John James Todd is one of the great, failed geniuses of the last century. His reminiscences, collected in The New Confessions, take us from Edinburgh to the Western Front, the Berlin film-world in the Twenties to Hollywood in the Thirties, Forties and beyond. Suffering imprisonment, shooting, marriage, fatherhood, divorce and McCarthyism, Todd is a hostage to good fortune, ill-judgement, bad luck, the vast sweep of history and the cruel, cruel hand of fate . . .__________________________________'A magnificent feat of storytelling and panoramic reconstruction' Observer'Paced and plotted with sinewy, unfailing skill . . . Boyd has given us a work of rich, ripe and immensely enjoyable entertainment' Sunday Times'Simply the best realistic storyteller of his generation' Independent
'One of the comic masterpieces' Daily Telegraph ______________________________________Henderson Dores is an Englishman in New York - and completely out of his depth.He should be concentrating on his job as an art assessor, but his complicated personal life keeps intruding. And that's before we even get to his sense of alienation, of being a fish out of water. For Henderson is a shy man lost in a country of extraverts and weirdos. Subway poets, loony millionaires, Bible-bashers and sharp-suited hoods stalk him wherever he goes. But it is only when he's sent to America's deep South to examine a rare collection of paintings that matters take a life-threatening turn. Still, if it doesn't kill you, they say it can only make you stronger . . .______________________________________'Boyd's humour, timed to a tee, always raps out the truth' Mail on Sunday'Extremely funny. Boyd does not pass up a single comic turn' Sunday Telegraph'Splittlingly shrewd and engaging' Guardian'The wry laughter never stops . . . the shrewdest pages yet from a master of witty manipulation' Observer
In Paris, a fateful encounter with a famous pianist irrevocably changes his future - and sparks an obsessive love affair with a beautiful Russian soprano, Lika Blum. Moving from Paris to St Petersburg to Edinburgh and back again, Brodie's love for Lika and its dangerous consequences pursue him around Europe and beyond, during an era of overwhelming change as the nineteenth century becomes the twentieth. Love is Blind is a tale of dizzying passion and brutal revenge; of artistic endeavour and the illusions it creates; of all the possibilities that life can offer, and how cruelly they can be snatched away.
'An elating read' Sunday TimesA producer. A novelist. An actress.It is summer in 1968, the year of the assassinations of Martin Luther King and Robert Kennedy. There are riots in Paris and the Vietnam War is out of control. While the world is reeling our three characters are involved in making a Swingin' Sixties movie in sunny Brighton. All are leading secret lives. Elfrida is drowning her writer's block in vodka; Talbot, coping with the daily dysfunction of making a film, is hiding something in a secret apartment; and the glamorous Anny is wondering why the CIA is suddenly so interested in her.But the show must go on and, as it does, the trio's private worlds begin to take over their public ones. Pressures build inexorably - someone's going to crack. Or maybe they all will.From one of Britain's best loved writers comes an exhilarating, tender novel that asks the vital questions: what makes life worth living? And what do you do if you find it isn't?_______________________________________________PRAISE FOR WILLIAM BOYD'The ultimate in immersive fiction . . . magnificent' Sunday Times'A finely judged performance: a deft and resonant alchemy of fact and fiction, of literary myth and imagination' Guardian on Love is Blind'William Boyd has probably written more classic books than any of his contemporaries' Daily Telegraph'Simply the best realistic storyteller of his generation' Sebastian Faulks