Kirjahaku

This volume, with more than 400 reproductions, will be the most comprehensive publication to date on Lucian Freud, covering a span of seventy years and including many works not previously reproduced. The result is a corpus of great works that reveal him to be the premier heir today of Rembrandt, Courbet, and Cézanne. The book includes not only Freud’s paintings but also his sketches, woodcuts, and powerful etchings. While the bulk of his paintings are female nudes, his cityscapes, plant studies, and interiors, executed in his distinctive muted palette and visible brushwork, are all included. Freud, who has lived in London ever since his family left Berlin in 1933 when he was ten, has achieved preeminence through his ruthless perception of the human form. His importance has long been recognized in England, but his present super-celebrity status dates from a retrospective at the Hirshhorn in Washington, D.C., in 1987. William Feaver, painter and for many years art critic for The Observer, provides a unique account of Freud’s preoccupations and achievement. Startling, moving, profoundly entertaining, the book lives up to Freud’s advice to students when getting them to paint self-portraits: “To try and make it the most revealing, telling, and believable object. Something really shameless, you know.”

This is the most comprehensive monograph to date on the Frank Auerbach (b. 1931), one of the preeminent artists of our age, widely admired for his vivid, impulsive depictions of the world around him. Often compared to Francis Bacon and Lucian Freud in terms of the revolutionary and powerful nature of his work, Auerbach s depictions of people and the urban landscapes near his London studio make him one of the greatest painters alive today. Spanning the length of his career from the 1950s to the present, this expanded edition includes 250 additional works bringing it up to date. In the back of the book there are small-scale chronological sequencing of full-colour reproductions, which depict nearly every painting made by the artist, from his student years up until this publication. At age 90, he looks back over his life and his work, rich with breakthroughs in painting and masterful individuality. The constant painter: a rare interview with Frank Auerbach A weighty monograph filled with photographs of his life s work, written by William Feaver, is published [and] underscore his position as a Grand Old Man of British Painting. --London Evening Standard This definitive account of Auerbach s work and life includes excellent large-scale reproductions of 200 paintings and an illustrated catalogue of some 1,000 more, lively, pertinent interpretations from Feaver, the artist s long-term friend, critical supporter and model, and engaging interviews and photographs. Financial Times As a painter s resource this book is invaluable. Notes from the Underground

First published in 2007, this is the singular volume of the great painter s work. This reformatted definitive volume is now published in a smaller and more accessible size. It includes not only Freud s paintings but also his sketches, woodcuts, and powerful etchings. While the bulk of his paintings are female nudes, his cityscapes, plant studies, and interiors executed in his distinctive muted palette and visible brushwork are all presented. The corpus of great works reveals Freud to be the premier heir today of Rembrandt, Courbet, and Cezanne. Freud s importance has long been recognized in England, but his present super-celebrity status dates from a retrospective at the Hirshhorn in Washington, DC, in 1987. William Feaver, painter and for many years art critic for The Observer, provides a unique account of Freud s preoccupations and achievement. This new edition includes Freud's last unfinished portrait of David Dawson, the painter who worked with Freud for twenty-five years.

The Ashington Group began in the 1930s as an evening class of pitmen in a village in the North of England to learn a bit about art appreciation. The Pitmen Painters tells how appreciation of their work spread, how they were tracked down by documentary photographers and film makers and how they resisted interference.

This book is part of the centenary celebration of James Boswell's (1906-1971) birth. His work is being honoured by displays at Tate Britain, the Prints and Drawings Gallery at the British Museum and a one man retrospective at Square One Gallery, London. One of its most salient features is a remarkably prophetic set of anti-war satirical drawings done during Boswell's 1943 posting to Iraq. Richard Cork has said of these, 'I know of no parallel in English art for Boswell's ability to expose and denigrate the senseless waste of a conflict which official war artists approached with such muted emotions. Their relevance to today's conflict is poignant'. Boswell, a New Zealander who came to England in 1925 to study painting, was soon involved in the radical movement of the Left and became, throughout the thirties, its most vibrant artist with fierce satirical drawings that appeared in Left Review, of which he was Art Editor, Our Time, The Daily Worker and other left wing publications. He was also a founder member of the Artists' International Association. The drawings are remarkable in that an outstanding artist, enlisted as a private, had the freedom and time to study and extensively draw the lives of the soldiers with whom he was serving. They are funny - Boswell has a wonderfully comic eye - and give an unprecedented picture of army life both here and in Iraq, with telling pictures of the Iraqis who were involved in the British soldiers' daily tasks. There are also many luminous paintings of the desert which Boswell found inspirational. He left the Communist Party after the war, became Art Editor of Lilliput for four years and then returned to illustration and painting. He was commissioned to paint a large mural in The Sea and Ships Pavilion at the Festival of Britain in 1951, reproduced on the back cover, designed the posters for some Ealing Comedies, and was Art Director for the 1964 Labour Party election that brought Wilson to power. The Author William Feaver, writer, painter, curator, for many years distinguished art critic for The Observer. Selling Points Drawings from the Second World War, many rarely exhibited, most never seen before. They are taken largely from the archives of The British Museum, The Imperial War Museum and The Tate, all of whom strongly support the publication A beautifully produced art book with revelatory drawings and an unexpectedly contemporary angle

SELECTED AS BOOK OF THE YEAR BY THE TIMES, FINANCIAL TIMES, DAILY TELEGRAPH, NEW STATESMAN, SUNDAY TIMES, TIMES LITERARY SUPPLEMENT AND SPECTATORSHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2019‘This exceptional book is far from standard biography … A compendium of high-grade gossip about everyone from Princess Margaret to the Krays, a tour of the immediate post-war art world, a snapshot of grimy London and a narrative of Freud’s career and rackety life and loves … Leaves the reader itchy for volume two’ SUNDAY TIMES, ART BOOK OF THE YEAR‘Brilliant … Freud would have approved’ DAILY TELEGRAPH ‘Sparkling’ SUNDAY TIMES ‘Superlative … packed with stories’ GUARDIAN‘Brilliant and compendious ... It does justice to Lucian’ FRANK AUERBACH'A tremendous read. Anyone interested in British art needs it' ANDREW MARR, NEW STATESMANThough ferociously private, Lucian Freud spoke every week for decades to his close confidante and collaborator William Feaver – about painting and the art world, but also about his life and loves. The result is this a unique, electrifying biography, shot through with Freud’s own words.In Youth, the first of two volumes, Feaver conjures Freud’s early childhood: Sigmund Freud’s grandson, born into a middle-class Jewish family in Weimar Berlin, escaping Nazi Germany in 1934 before being dropped into successive English public schools. Following Freud through art school, his time in the Navy during the war, his post-war adventures in Paris and Greece, and his return to Soho – consorting with duchesses and violent criminals, out on the town with Greta Garbo and Princess Margaret – Feaver traces a brilliant, difficult young man’s coming of age.An account of a century told through one of its most important artists, The Lives of Lucian Freud is a landmark in the story its subject and in the art of biography itself.

LONGLISTED FOR THE 2020 BAILLIE GIFFORD PRIZECHOSEN AS A BOOK OF THE YEAR BY THE GUARDIAN, OBSERVER, THE TIMES, SUNDAY TIMES, DAILY TELEGRAPH, MAIL ON SUNDAY, FINANCIAL TIMES, NEW STATESMAN, SPECTATORTHE SUNDAY TIMES ART BOOK OF THE YEAR 2020 ‘A dazzling tour de force’ THE TIMES‘Does justice to Freud’s pitiless genius as an artist’ DAILY MAIL‘You can hear Freud’s voice on the page’ OBSERVER‘Mesmerising … the ideal companion to Freud’s work’ GUARDIANWilliam Feaver, Lucian Freud’s collaborator, curator and close friend, knew the unknowable artist better than most. Over many years, Freud narrated to him the story of his life, ‘our novel’.Fame follows Freud at the height of his powers, painting the most iconic works of his career in a constant and dissatisfied pursuit of perfection, just outrunning his gambling debts and tailor’s bills. Whether tattooing swallows at the base of Kate Moss’s back or exacting a strange and horrible revenge on Jerry Hall and Mick Jagger, Freud’s adventures were always perfectly characteristic. An enfant terrible till the end, even as he was commissioned to paint the Queen and attended his own retrospectives, what emerges is an artist wilfully oblivious to the glitter of the world around – and focussed instead on painting first and last.