Kirjahaku

This volume comprises five one-act-plays, namely: 'The dead end' (1979), 'We shall sing for the fatherland' (1979), 'Dark voices ring' (1979), 'The hill' (1980), and 'The road' (1982).

In a new novel by one of the premier writers of the "new" South Africa, an exile returns from America--where he fled during the apartheid regime--to find his newly democratic country in a shambles. Reprint. 15,000 first printing.

In a remote mountain village in Lesotho, the beautiful Dikosha lives for dancing and for song, setting herself apart from her fellow villagers. Her twin brother, Radisene, works in the lowland capital of Maseru, struggling amid political upheaval to find a life for himself away from the hills. As the years pass, Radisene's fortunes rise and fall in the city, while Dikosha remains in the village, never leaving and never aging. And through it all, the community watches, comments, and passes judgment.

A Picador Paperback OriginalThe hero of Zakes Mda's beloved Ways of Dying, Toloki, sets down with a family in Middle America and uncovers the story of the runaway slaves who were their ancestors.Toloki, the professional mourner, has come to live in America. Lured to Athens, Ohio, by an academic at the local university, Toloki makes friends with an angry young man he meets at a Halloween parade and soon falls in love with the young man's sister. Toloki endears himself to a local quilting group and his quilting provides a portal to the past, a story of two escaped slaves seeking freedom in Ohio.Making their way north from Virginia with nothing but their mother's quilts for a map, the boys hope to find a promised land where blacks can live as free men. Their story alternates with Toloki's, as the two narratives cast a new light on America in the twenty-first century and on an undiscovered legacy of the Underground Railroad.

Novelist Zakes Mda has made a name for himself as a key chronicler of the new, post-apartheid South Africa, casting a satirical eye on its claims of political unity, its rising black middle class, and other aspects of its complicated, multiracial society. In this novel, however, he turns his lens elsewhere: to a college town in Ohio. Here he finds human relations and the battle between the community and the individual no less compelling, or ridiculous. In Athens, Ohio, old high school friends Rachel Boucher and Jason de Klerk reconnect­ and rekindle a relationship that quickly becomes passionate. Initially, all seems well. Not only the couple, but their friends and family, are happy at this unexpected conjunction. But then Rachel meets someone else. Jason’s anger boils over into violence—violence that turns the community on its head, pitting friends and neighbors against one another. And all this happens before Rachel realizes she’s pregnant. A powerful, piercing satire of contemporary life, love, and society, Rachel’s Blue is a wonderful example of the social novel, surprising us with undeniable revelations about everyday life.

A New York Times Notable Book of the Year "Moving, funny... Here is a man looking back on his life and country with joy and sorrow."--John Freeman, The Boston Globe South African novelist and playwright Zakes Mda's remarkable life story of growing up in South Africa, Lesotho, and America, told with style and gusto. The most acclaimed South African writer of his generation, Zakes Mda's novels venture far beyond the conventional narratives of a people's struggle against apartheid. In this memoir, he tells of a life that intersects with the politics of his country--a story that is, at its heart, the classic adventure of an artist, lover, and bon vivant. Living in exile with his father in Basutoland (now Lesotho) during the first pangs of his country's independence, a series of brutal and poignant initiations ushered him toward the life of a writer--and that of a perpetual outsider. Through the indignity of Boer racism, the turmoil of the Soweto uprisings, not to mention three marriages and his eventual immigration to America, Mda struggled to remain his own man. With Sometimes There Is a Void, he shows that independence opened the way for the stories of individual South Africans in all their variety.

Two very different women meet during a long wait to buy subsidized rice and discover they have more in common than their poverty; an old man and a child share a last loving waltz; a cynical, disabled gangster learns humanity from a committed social worker, and a young girl finds her missing father and her role in the political struggle. This collection of stage plays, one radio play and a cinepoem, captures the essence of Zakes Mda's method as a dramatist- a slow but intimate process of revelation (on the part of the characters). It is an artistic cooperation of the most pleasurable kind.

Cupidity, corruption and conciliation are the themes of the three plays in this collection from one of South Africa's leading writes. The Mother of all Eating, a one-hander, with its central character a corrupt Lesotho official, is a grinding satire on materialism in which the protagonist gets his come-uppance. You Fool, How Can the Sky Fall? is an unbridled study in grotesquerie, reflecting a belief, traceable throughout Mda's work, that government by those who inherit a revolution is almost inevitably, in the first decade or two, hijacked by the smart operators. The Bells of Amersfoort, with its graphic portrayal of the isolation imposed by exile, picks up on the themes of the other two plays but adds to them the concept of 'healing', both of the soul and of the land, in a lyrical work which holds out more hope than do its companions in this volume. The plays are introduced by Rob Amato, who directed much of Mda's earlier work.

Through five colourful characters, three of them living out their very individual lives in an unnamed public park in Johannesburg, Zakes Mda explores the plight of women and children in a patriarchal and male-dominated twenty-first century world.Lord Stewart mourns his virginal companion (and regrets he didn’t try a little harder to change her state). He turns to another virgin, the eponymous Lady of Benoni, to help him find his lost love. Professor mourns the loss of his wife, Thabisile, humiliated and driven out of her community because she was believed not to have been a virgin before her marriage. MaDlomo mourns the fate of her child, raped as a three-month-old by a man seeking a cure for his HIV-positive state. And running in the background is the court case of a spiritual leader accused of rape and defended by the indomitable MaDlomo because of his support for the reintroduction of virginity testing.Stylistically adventurous and unafraid to deviate from conventionally accepted norms, Mda is iconoclastic in his handling of the ways in which attitudes to power, superstition, ethics and sex are constructed. The discourse of patriarchy and its ‘regime of truths’ that define female sexuality, its obligations and its custodianship, are the focus of the play.Zakes Mda’s satire is a kaleidoscopic display of the extremes to which men (and by implication women) are prepared to go in terms of valuing what is ‘virginal’. Mda presents us with the consequences of transgression: that which is seen as polluted and judged to be dangerous to the good health and purity of a group, a society, a culture. Taboos, superstition, customs and moral ethics become the subjects of inquiry and are, at times, subjected to ribald satire. This play cuts into a virtuoso style of theatre that can in no way be confused with the objectives and methods of conventional realism. Mda establishes a unique style and tone that is innovative, entertaining and challenging. It fuses satirical elements derived from classical poetry with a modernist sensibility that synthesises Brechtian and Absurdist features of theatricality, using characters as types and montage. Above all, in this work there is a profound exploration of what it means to operate in the politically charged landscape that defines post-apartheid South Africa with its cultural pluralities and differentials in access to resources and agency. Stylistically adventurous and unafraid to deviate from conventionally accepted norms, Mda is iconoclastic in his handling of the ways in which attitudes to power, superstition, ethics and sex are constructed. The cultural discourse of patriarchy and the ‘regime of truths’ regarding ideals and taboos defining female sexuality, its obligations, and its custodianship are the focus of this play.Written with ribald wit and trenchant satire, Our Lady of Benoni is suffused with laughter and pathos, leaving readers with much to ponder.

This book is a collection of non-fiction by the prolific author Zakes Mda. It showcases his role as a public intellectual with the inclusion of public lectures, essays and media articles. Mda focuses on South Africa’s history and the present, identity and belonging, the art of writing, human rights, global warming and why he is unable to keep silent on abuses of power.Some of his best-known novels include Ways of Dying (1995, MNet Book Prize), The Heart of Redness (2000, Commonwealth Writers’ Prize: Africa, and Sunday Times Fiction Prize), The Madonna of Excelsior (2002, one of the Top Ten South African books published in the Decade of Democracy), The Whale Caller (2005), Cion (2007), Black Diamond (2009), The Sculptors of Mapungubwe (2013), Rachel’s Blue (2014), and Little Suns (2015, Sunday Times Literary Award).

It is 1903. A lame and frail Malangana - 'Little Suns' - searches for his beloved Mthwakazi after many lonely years spent in Lesotho. Mthwakazi was the young woman he had fallen in love with twenty years earlier, before the assassination of Hamilton Hope ripped the two of them apart.Intertwined with Malangana's story, is the account of Hope - a colonial magistrate who, in the late nineteenth century, was undermining the local kingdoms of the eastern Cape in order to bring them under the control of the British. It was he who wanted to coerce Malangana's king and his people, the amaMpondomise, into joining his battle - a scheme Malangana's conscience could not allow. Zakes Mda's fine novel Little Suns weaves the true events surrounding the death of Magistrate Hope into a touching story of love and perseverance that can transcend exile and strife.