Kirjahaku

"Unbeatable fun . . . Christopher Fowler] takes delight in stuffing his books with esoteric facts." --The Guardian The brilliant duo of Arthur Bryant and John May uncovers a nefarious plot behind the seemingly innocuous death of an old lady--and when the case leads them to London Bridge, it all comes down on the Peculiar Crimes Unit. When ninety-one-year-old Amelia Hoffman dies in her top-floor flat on a busy London road, it's considered an example of what has gone wrong with modern society: she slipped through the cracks in a failing system. But detectives Arthur Bryant and John May of the Peculiar Crimes Unit have their doubts. Mrs. Hoffman was once a government security expert, though no one can quite remember her. When a link emerges between the old lady and a diplomat trying to flee the country, it seems that an impossible murder has been committed. Mrs. Hoffman wasn't the only one at risk. Bryant is convinced that other forgotten women with hidden talents are also in danger. And, curiously, they all own models of London Bridge. With the help of some of their more certifiable informants, the detectives follow the strangest of clues in an investigation that will lead them through forgotten alleyways to the city's fabled bridge in search of a desperate killer. But just when the case appears to be solved, they discover that Mrs. Hoffman was smarter than anyone imagined. There's a bigger game afoot that could have terrible consequences.

Thinking of a jaunt to England? Let Arthur Bryant and John May, London's oldest police detectives, show you the oddities behind the city's fa ades in this tongue-in-cheek travel guide. "The best fun is running all over the city with these amiable partners."--The New York Times Book Review, on Bryant & May: The Lonely Hour It's getting late. I want to share my knowledge of London with you, if I can remember any of it. So says Arthur Bryant. He and John May are the nation's oldest serving detectives. Who better to reveal its secrets? Why does this rainy, cold, gray city capture so many imaginations? Could its very unreliability hold the key to its longevity? The detectives are joined by their boss, Raymond Land, and some of their most disreputable friends, each an argumentative and unreliable expert in their own dodgy field. Each character gives us a short tour of odd buildings, odder characters, lost venues, forgotten disasters, confusing routes, dubious gossip, illicit pleasures, and hidden pubs. They make all sorts of connections--and show us why it's almost impossible to separate fact from fiction in London.

The defenestration of a ruthless theatre impresario's young son was definitely not the best way to end the play's first night party. And the crime scene itself was most unusual: a locked bedroom, with no sign of forced entry, no prints or traces of blood, just a sinister, life-size puppet of Mr Punch lying on the floor.

Two small children are playing a game called 'Witch-Hunter'. They place a curse on a young woman taking lunch in a church courtyard and wait for her to die. An hour later the woman is indeed found dead inside St Bride's Church - a building that no-one else has entered.

It�s the late 1970s and 20-something Christopher Fowler is a film freak, obsessively watching lousy films in run-down fleapit cinemas.

And, as the legend has it, when the ravens leave, the nation fallsâ?¦Soon it seems death is all around and Bryant and May must confront a group of latter-day bodysnatchers, explore an eerie funeral parlour and unearth the gruesome legend of Bleeding Heart Yard.

At the same time, several members of the PCU team reach dramatic turning points in their lives - but the most personal tragedy is yet to come, for as the race to bring down a cunning killer reaches its climax, Arthur Bryant faces his own devastating day of reckoning. 'I always said we'd go out with a hell of a bang,' warns Bryant.

Soon thereâ??s a clear suspect in everyoneâ??s sights â?? the only thing thatâ??s missing is any scrap of evidence. As the detectivesâ?? disastrous investigation comes unstuck, the whole team gets involved in some serious messing about on the river.

Our story begins at the end of an investigation, as the members of London's Peculiar Crimes Unit race to catch a killer near London Bridge Station in the rain, not realising that theyâ??re about to cause a bizarre accident just yards away from the crime scene.

The houseâ??s owner â?? a penniless, dope-smoking aristocrat â?? is intent on selling the estate (complete with its own hippy encampment) to a secretive millionaire but the weekend has only just started when the millionaire goes missing and murder is on the cards.

In every detective's life there are cases that can't be discussed. This book presents eleven of these previously unseen investigations that required the collective genius and unique modus operandi of Arthur Bryant and John May and the Peculiar Crimes Unit - investigations that range from different times and a variety of places.

In Which Mr May Makes A Mistake And Mr Bryant Goes Into The DarkOn a rainy winter night outside a run-down nightclub in the wrong part of London, four strangers meet for the first time at 4:00am.A few weeks later the body of an Indian textile worker is found hanging upside down inside a willow tree on Hampstead Heath. The Peculiar Crimes Unit is called in to investigate. The victim was found surrounded by the paraphernalia of black magic, and so Arthur Bryant and John May set off to question experts in the field. But the case is not what it appears. When another victim seemingly commits suicide, it becomes clear that in the London night is a killer who knows what people fear most. And he always strikes at 4:00am.In order to catch him, the PCU must switch to night shifts, but still the team draws a blank. John May takes a technological approach, Arthur Bryant goes in search of academics and misfits for help, for this is becoming a case that reveals impossibilities at every turn, not least that there's no indication of what the victims might have done to attract the attentions of a murderer that doesn’t seem to exist. But impossibilities are what the Peculiar Crimes Unit does best. As they explore a night city where all the normal rules are upended, they’re drawn deeper into a case that involves murder, arson, kidnap, blackmail, bats and the psychological effects of loneliness on Londoners. It's a trail that takes them from the poorest part of the East End to the wealthiest homes in North London - an investigation that can only end in tragedy…

'Winningly eccentric . . . London, in all its non-homogenous, sprawling splendour, is as much a character as Fowler's sleuthing duo' Barry Forshaw, Financial TimesThe Peculiar Crimes Unit has solved many extraordinary cases over the years, but some were hushed up and hidden away. Until now.Arthur Bryant remembers these lost cases as if they were yesterday. Unfortunately, he doesn't remember yesterday, so the newly revealed facts could come as a surprise to everyone, including his exasperated partner John May.Here, then, is the truth about the Covent Garden opera diva and the seventh reindeer, the body that falls from the Tate Gallery, the ordinary London street corner where strange accidents keep occurring, the consul's son discovered buried in the unit's basement, the corpse pulled from a swamp of Chinese dinners, a Hallowe'en crime in the Post Office Tower, and the impossible death that's the fault of a forgotten London legend. All of the unit's oddest characters are here, plus the detectives' long-suffering sergeant Janice Longbright gets to reveal her own forgotten mystery.These twelve crimes must be solved without the help of modern technology, mainly because nobody knows how to use it. Expect misunderstood clues, lost evidence, arguments about Dickens, churches, pubs and disorderly conduct from the investigative officers they laughingly call 'England's Finest'!_______________________What readers are saying:***** 'Another gem from Christopher Fowler'***** 'I've loved Bryant & May since I first discovered them'***** 'A perfect collection of implausibly, improbably impossible mysteries for readers of Bryant and May both old and new'

'The most consistently brilliant, entertaining and educational voice in contemporary British crime fiction, the utterly fabulous Christopher Fowler.' Cathi Unsworth, CRIMESQUADIt's a Sunday morning, and the outspoken Speaker of the House of Commons has just been crushed under a mountain of citrus fruit . . .Bizarre accident or something more sinister? The government needs to know because here's a man who knows a thing or two that could compromise its future.Bryant and May and the Peculiar Crimes Unit should be on the case, however it seems the PCU is no more with one detective is in hospital, the other gone AWOL with the rest of the team having been dismissed. But events escalate, and soon a series of brutal yet undeniably clever killings linked to an old English nursery rhyme threaten society's very foundations and out-of-the-blue the PCU is (temporarily) back in business.And if the two detectives - 'old men in a woke world' - can set aside their differences and discover why some of London's most influential figures are being threatened, they might not only save the unit but also prevent the city from descending into chaos . . .

'A delight . . . a glorious, witty and life-affirming ragbag of autobiography, cultural commentary and hard-won wisdom.' ANDREW TAYLOR, author of The Shadows of London'Perceptive, wise and illuminating . . . an unmissable farewell.' Barry Forshaw, FINANCIAL TIMES'The most hilarious, life-affirming book you’ll read this year.' SAGA magazine'Wit and wisdom that make every page turn . . . what a fine talent the world has lost.' STARBURSTThis is the memoir Christopher Fowler always wanted to write about 'writing'.It's the story of how a young bookworm growing up in a house where there was nothing to read but knitting pamphlets and motorcycle manuals became a writer - a 'word monkey' - and pursued a sort of career in popular fiction. And it's a book full of brilliant insights into the pleasures and pitfalls of his profession, dos and don'ts for would-be writers, and astute observations on favourite (and not-so-favourite) novelists.But woven into this hugely entertaining and inspiring reflection on a literary life is an altogether darker thread. In Spring 2020, just as the world went into lockdown, Chris was diagnosed with terminal cancer. And yet there is nothing of the misery memoir about Word Monkey. Past and present intermingle as, in prose as light as air, he relates with wry humour and remarkable honesty what he knows will be the final chapter in his story.Deeply moving, insightful and surprisingly funny, this is Christopher Fowler's life-affirming account of coming to terms with his own mortality.'A remarkable book by a remarkable writer: amazingly entertaining and informative and also, for obvious reasons, one of the most moving.' SIMON MASON, author of the DI Wilkins Mysteries'Wonderful . . . there is no bitterness here, but a hearty celebration of how art defines a life, with dark humour on the right occasions and the deliberate aim to leave a positive message . . . his enthusiasm is infectious and sobering when you are aware that he was dying as he wrote these pages.' Maxim Jacubowski, CRIME TIME

Detectives Arthur Bryant and John May are back on the case in this whip-smart and wildly twisting mystery, in which a killer in London's parks is proving to be a most elusive quarry. Helen Forester's day starts like any other: Around seven in the morning, she takes her West Highland terrier for a walk in her street's private garden. But by 7:20 she is dead, strangled yet peacefully laid out on the path, her dog nowhere to be found. The only other person in the locked space is the gardener, who finds the body and calls the police. He expects proper cops to arrive, but what he gets are Bryant, May, and the wily members of the Peculiar Crimes Unit. Before the detectives can make any headway on the case, a second woman is discovered in a public park, murdered in nearly identical fashion. Bryant, recovering from a health scare, delves into the arcane history of London's cherished green spaces, rife with class drama, violence, and illicit passions. But as a devious killer continues to strike, Bryant and May struggle to connect the clues, not quite seeing the forest for the trees. Now they have to think and act fast to save innocent lives, the fate of the city's parks, and the very existence of the PCU. An irresistibly witty, inventive blend of history and suspense, Bryant & May: Wild Chamber is Christopher Fowler in classic form. Praise for Bryant & May: Wild Chamber "Ingenious . . . Fowler brilliantly mixes humor into a fair-play whodunit with an unexpected solution."--Publishers Weekly (starred review) "For fans of offbeat mysteries, Fowler's long-running series continues to offer some of the best reading; the latest entry features an array of eccentric characters, a killer conclusion in a library setting, quirky humor, witty writing, interesting side trips and expositions, and a well-ordered, intricate plot."--Library Journal (starred review)

'If you have never entered the curious world of Bryant and May, you're in for a treat.' THE TIMESIt was the kind of story that barely made the news.When 91-year-old Amelia Hoffman died in her top-floor flat on a busy London road, it's considered an example of what has gone wrong with modern society: she slipped through the cracks in a failing system.But detectives Arthur Bryant and John May of the Peculiar Crimes Unit have their doubts. Mrs Hoffman was once a government security expert, even though no one can quite remember her. When a link emerges between the old lady and a diplomat trying to flee the country, it seems that an impossible murder has been committed.Mrs Hoffman wasn't the only one at risk. Bryant is convinced that other forgotten women with hidden talents are also in danger. And, curiously, they all own models of London Bridge.With the help of some of their more certifiable informants, the detectives follow the strangest of clues in an investigation that will lead them through forgotten alleyways to the city's oldest bridge in search of a desperate killer.But just when the case appears to be solved, they discover that Mrs Hoffman was smarter than anyone imagined. There's a bigger game afoot that could have terrible consequences. It's time to celebrate Bryant and May's twentieth anniversary as their most lunatic case yet brings death and rebirth to London's most peculiar crimes unit.

Newly-married architect Callie and her wealthy husband Mateo move to Hyperion House, a grand old home in southern Spain. It's an eccentric place built in front of a cliff: serene and beautiful, but eerily symmetrical, and cunningly styled so that half the house is flooded with light, and half - locked up and neglected - is shrouded in darkness.

'JOYOUS . . . READERS WILL LOVE THIS FASCINATING BOOK' CATHY RENTZENBRINK'A GODSEND WITH THE PRESENT SEASON APPROACHING' IRISH INDEPENDENT'THE PERFECT GIFT FOR A BOOK-OBSESSED FRIEND' STYLIST, 50 UNMISSABLE BOOKS FOR AUTUMN 2017'EXCELLENT . . . SHOULD BE READ BY ANYONE WHO LOVES BOOKS' EVENING STANDARDAbsence doesn't make the heart grow fonder. It makes people think you're dead.So begins Christopher Fowler's foray into the back catalogues and backstories of 99 authors who, once hugely popular, have all but disappeared from our shelves.Whether male or female, domestic or international, flash-in-the-pan or prolific, mega-seller or prize-winner - no author, it seems, can ever be fully immune from the fate of being forgotten. And Fowler, as well as remembering their careers, lifts the lid on their lives, and why they often stopped writing or disappeared from the public eye.These 99 journeys are punctuated by 12 short essays about faded once-favourites: including the now-vanished novels Walt Disney brought to the screen, the contemporary rivals of Sherlock Holmes and Agatha Christie who did not stand the test of time, and the women who introduced us to psychological suspense many decades before it conquered the world.This is a book about books and their authors. It is for book lovers, and is written by one who could not be a more enthusiastic, enlightening and entertaining guide.'A BIBLIOPHILE'S DREAM' FINANCIAL TIMES'WILL HAVE READERS SCURRYING INTO SECONDHAND BOOKSHOPS' GUARDIAN

It is said a legend is just a beautiful lie...In the second half of the first millennium, the legends say that London disappeared for over four hundred years. We know almost nothing about what happened during that time. But if we could shine a light on the city's ruined walls, we would be in for a shock.The Romans are long forgotten. It is now King Scarabold who rules what little remains of the city, together with his over-entitled daughter Giniva, her effete brother Leperdandy and their wayward, lunatic relatives - all squabbling and fighting amongst themselves for the future of their corrupted dynasty while trying to hide their most terrible secret.And ranged against Scarabold is a horde of bitter enemies from both without and within his dysfunctional household - the eerie Sheathwing, Lord Carapace Earl of Beetles, the warlike nuns of Étranges Cadeaux, a primate called M'Lin, Orobus the serpent, the terrifying Mater Moribund and the sinister child-spies Spackle and Peut - united in their desire to bring king's troubled reign to a bloody end.But the arrival of a mysterious outsider into the midst of the beleaguered Scarabold's snake-pit of a court that seems to offer a semblance of hope. The stranger's name is Watborn and he is a birdcatcher - strong, silent, he will infiltrate the royal family for a purpose that is all of his own . . .As fiendishly-armed warriors gather beneath the walls, the battle for London, its body and its soul as much as its bricks and mortar, is about to begin - and who will be left unscathed at the field's end?