In David Mamet's latest play, a male college instructor and his female student sit down to discuss her grades and in a terrifyingly short time become the participants in a modern reprise of the Inquisition.
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78 kirjaa tekijältä David Mamet
"I suspect that in time, The Cryptogram will take its place among Mamet's major works" John Lahr "Mamet's play suggests that deception is an endless spiralling process that eventually corrodes the soul. But it also harps on a theme that runs right throughout Mamet's work: the notion that we use words as a destructive social camouflage to lie to others and ourselves...And here through all the repetitions, half sentences and echoing encounter of one question with another, you feel the characters devalue experience through their use of language. As Del cries in desperation at the end, 'If we could speak the truth for one instant, then we would be free.' Mamet's point is that we are held spiritually captive by our bluster and evasions." (Michael Billington, The Guardian)"Dense with thought, feeling and hard psychological insight...There is no spare flesh on this text: words, objects, images interlock in mutual dependence which is both natural and superbly contrived." (John Peter Sunday Times)
"The finest American playwright of his generation" (Sunday Times) When Bobby returns to the old neighborhood, the people and places of his past cast shadows over the present. In a trio of interleaved scenes, The Old Neighborhood provides a rare personal insight into the world of one of America's greatest contemporary dramatists.
One of America's most revered and provocative dramatists, David Mamet conquers new territory with this droll comedy of errors set in a Victorian drawing room. Anna and Claire are two bantering, scheming ladies of fashion who have long lived together on the fringes of upper-class society. Anna has just become the mistress of a wealthy man, from whom she has received an enormous emerald and an income to match. Claire, meanwhile, is infatuated with a respectable young lady and wants to enlist the jealous Anna's help for an assignation. As the two women exchange barbs and take turns taunting Anna's hapless parlour maid, Claire's young inamorata suddenly appears, setting off a crisis that puts the valuable emerald at risk and threatens the women's future."Devastatingly funny ...exceptionally clever" - New York Times "Brilliant ...One of Mamet's most satisfying and accomplished plays, and one of the funniest American comedies in years" - New York Post "Wickedly, wittily entertaining ...what makes the play such brilliant fun is its marriage of glinting period artifice and contemporary frankness" - Boston Phoenix "[Mamet's characters] are at each other's throats with a wit akin to characters out of Wilde and a vengeance not unlike those from Pinter or Edward Albee" - Boston Globe Boston Marriage was first performed at the American Repertory Theatre, Cambridge, Massachusetts, in June 1999. It received its British premiere at the Donmar Warehouse, London, in March 2001.
The first single-volume edition of this stunning early Mamet play You know how much of our life we're alive, you and me? Nothing. Two minutes out of the year. When we meet someone new, when we get married, when, when, when, when we're in difficulties...once in our life at the death of someone that we love. That's...in a carcrash...and that's it. You know, you know, we're sheltered...A fortune-teller's teasing rumination sends Edmond lurching into New York City's hellish underworld, his whole life abandoned in a searing quest for self-discovery and redemption. A furious, unflinching, whirlwind of a play first produced in 1982. "A stunning amorality play, glittering and disturbing, suspended in the dark void of contemporary New York. It is also a technically adventurous piece pared brilliantly to the bone, highly theatrical in its scenic elisions" Financial Times "A riveting theatrical experience that illuminates the heart of darkness" Newsweek Publication of this edition ties in with a production in July 2003 at the Royal National Theatre starring Kenneth Branagh.
Mamet's ground-breaking and controversial play on the male-female power struggle, annotated with an introduction, notes and commentary. "An ear for reproducing everyday language has long been David Mamet's hallmark and he has now employed it to skewer the dogmatic, puritannical streak which has become commonplace on and off the campus. With Oleanna he continues an exploration of male-female conflicts begun with Sexual Perversity in Chicago in 1974. Oleanna cogently demonstrates that when free thought and dialogue are imperilled, nobody wins." (Michael Wise, Independent) In Oleanna "John and Carol go to it with hand-to hand combat that amounts to a primal struggle for power. As usual with Mamet, the vehicle for that combat is crackling, highly distilled dialogue unencumbered by literary frills or phony theatrical ones." (Frank Rich, International Herald Tribune)
A modern retelling of the classic tale of pride, folly and the ultimate wager 'I covet fame ...Yes, I would have fame. For my works, and fame surpassing them, till Faustus's renown shines free of accomplishment.' Faustus has it all - fame, success, a loving family. But a careless wager with a beguiling magician threatens everything. In Mamet's retelling of the Faustus story a famed philosopher in the prime of life claims to have reduced the secret of life to a mathematical equation. With the arrival of a mysterious magician, he agrees to wager the life of his family on the accuracy and authenticity of his discovery. This timeless retelling of a classic legend explores one man's discovery of life's most important and fragile treasures. In language, scope and theatrical sensibility, Faustus represents a big departure for Mamet, melding resplendent language and metaphysics in an eerie and moving retelling of the tragedy of Doctor Faustus. 'The finest American playwright of his generation' Sunday Times
A student edition of Mamet's Pulitzer Prize-winning play First staged in Britain in 1983, Glengarry Glen Ross is the tale of four real-estate salesmen in a cut-throat sales competition. It won the Pulitzer Prize in 1984 and was made into a film, starring Al Pacino, Jack Lemmon, Kevin Spacey and Alec Baldwin, in 1992. "The finest American playwright of his generation" Sunday Times "A chillingly funny indictment of a world in which you are what you sell" Guardian "Nobody alive writes better American...Here at last, carving characters out of language, is a play with real muscle" Observer "David Mamet, screenwriter of The Verdict and The Postman Always Rings Twice, is alongside Sam Shepard and Michael Weller, one of the most distinctive voices on the contemporary American stage" Michael Coveney, Financial Times
Exhilarating courtroom farce from America's finest playwright Romance is an uproarious courtroom farce which lampoons the American judicial system and exposes the hypocrisy surrounding personal prejudices and political correctness. Wildly humorous and often gob-smackingly outrageous, the play is set in a modern-day courtroom in New York during a week when there are Middle East peace talks being brokered in town. The court case at hand is unrelated, but the defendant and counsel come up with a plan to solve the conflict in the region. A pill-popping judge, a defendant and lawyer (on the same side) who hate each other, and a prosecutor with a troubled personal life are part of the picture. A new comedy from 'the finest American playwright of his generation' Sunday Times'A deliriously funny David Mamet farce' Associated Press'An exhilarating spectacle. Mamet is a connoisseur of fiasco, knows all about legal punctilio, and he has great fun bringing mayhem to the ritual' New YorkerPublished to tie-in with the play's European premiere at the Almeida Theatre, opening 6th September 2005
A guide to the acting profession by a leading American playwright. He advises aspiring actors on topics such as judging a role, approaching the part, working with the playwright, undertaking auditions, and the relationship with agents and the business in general.
A literary jeu d'esprit, a modern-day Tristram Shandy, a hilarious satire on false scholarship, Wilson is David Mamet at his best and most mischievous. When the internet - and the collective memory of the twenty-first century - crashes, the past is reassembled from the downloaded memories of Ginger, wife of ex-President Wilson. The transcripts take the reader on an intellectually breathtaking tour. In Mamet's baroque, fragmented world, nothing is certain except the certainty of academics. His customary bilious playfulness has created a trompe l'oeil for the mind's eye. In playing with the ideas of perception, understanding, accuracy, he dares to doubt them all.
"Sexual Perversity in Chicago" and "the Duck Variations": Two Plays
David Mamet
Samuel French, Inc
2010
pokkari
Comedy Characters: 2 males, 2 females Bare stage, movable props The Obie award-winning Sexual Perversity in Chicago "takes funny and painful digs at the fantasies and distances of the contemporary sexual game," according to The New York Times. Two male office workers, Danny and Bernie, are on the make in the swinging singles scene of the early 1970's. Danny meets Deborah in a library and soon they are lovers as well as roommates. The other couple, Bernie and Joan, seem to have the politics of sex down pat but are as confused as their more naive counterparts. After much comic drama, the two men end as they started, talking a good game in the local bar. Published with The Duck Variations. "Mamet has the most acute ear for dialogue of any American writer since J.D. Salinger."-The Village Voice "Marvelously observant...A glittering mosaic of tiny, deadly muzzle flashes from the war between men and women among the filing cabinets and single bars."-The New York Times
In The Water Engine actors an announcer and a sound effects man present a radio play during the 1930s with unerring authenticity. The "play within the play" reveals the story of a young inventor who's found a way to run an engine on distilled water. At first ridiculed he is courted by crooked lawyers attempting to buy the invention from him on behalf of "certain business interests." After refusing he is threatened and when he attempts to give his story to the newspapers he is murdered alo
Edmond, a man set morally adrift, leaves an unfulfilling marriage to find sex, adventure, companionship, and, ultimately, the meaning of his existence.
In these three short plays, middle-aged Bobby Gould returns to the old neighborhood in a series of encounters with his past that, however briefly, open windows to his present. In The Disappearance of the Jews (also included in Mamet's Three Jewish Plays), Bobby and an old buddy fantasize about finding themselves in a nostalgic shtetl paradise, while revealing how lost they are in their own families. In Jolly, Bobby's sister, from the comfort of her kitchen, unscrolls a list of childhood grievanc
Drama / Characters: 3 male Scenery: Interior Best American Play, New York Drama Critics' Circle Award during the 1976-77 season, this volatile drama starred Robert Duvall in the original Broadway production and has seen revivals with Al Pacino and most recently on Broadway with John Leguizamo in 2008. In a Chicago junk shop three small time crooks plot to rob a man of his coin collection, the showpiece of which is a valuable "Buffalo nickel". These high-minded grifters fancy themselves businessmen pursuing legitimate free enterprise. But the reality of the three- Donny, the oafish junk shop owner; Bobby, a young junkie Donny has taken under his wing and "Teach", a violently paranoid braggart- is that they are merely pawns caught up in their own game of last-chance, dead-end, empty pipe dreams. "Gripping drama"-The New York Times "Mamet is an actor's playwright...[He] senses the possibilities inarticulateness affords a savvy actor."-Women's Wear Daily "It isn't often that a play with a dramatic intensity of American Buffalo comes to the Broadway theatre."-New York Post
David Mamet Full Length ComedyCharacters: 3 male (1 non-speaking) Bare stageThe Pulitzer Prize-winning author of Glengarry Glen Ross and Speed-The-Plow takes us into the lives of two actors: John young and rising into the first flush of his success; the other Robert older anxious and beginning to wane. In a series of short spare and increasingly raw exchanges we see the estrangement of youth from age and the wider inevitable and
11m / ComedyIn Keep Your Pantheon an impoverished acting company on the edge of eviction is offered a lucrative engagement. But through a series of riotous mishaps the troupe finds its problems have actually multiplied and that they are about to learn a new meaning for the term "dying on stage."
Full Length, Dramatic Comedy / 2m, 1f / 2 ints.Revived on Broadway in 2008, the original production starred Joe Mantegna, Ron Silver and Madonna in this hilarious satire of Hollywood, a culture as corrupt as the society it claims to reflect. Charlie Fox has a terrific vehicle for a currently hot client. Bringing the script to his friend Bobby Gould, the newly appointed Head of Production at a major studio, both see the work as their ticket to the Big Time. The star wants to do it; as they pre
Comedy / 2m / Simple SetSchool is a brief comic discourse on recycling poster design and the transmission of information.Premiered with Keep Your Pantheon as Two Unrelated Plays by David Mamet at the Atlantic Theater Company NYC in the fall of 2009."A textbook example of the style that made its author famous. Featuring characters identified only as A and B as if they were points on a diagram this merry little sketch moves with the show-off alacrity of a calculus prodigy whizzing through equations at the blackboard." - The New York Times